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        <src>https://ausmed.arts.uwa.edu.au/files/original/smh-1954-frid-9-july-univ-qland-gargoyles-stone_756a88e283.pdf</src>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>Newspaper Article from &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;</text>
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                <text>"Jokes in Stone", in The Sydney Morning Herald</text>
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                <text>gargoyle, gargoyles, University of Queensland, University of QLD, Queensland, stone carving, sculpture, medieval sculpture, stone mason, stone masonry, Colin Clark, Theodore Muller, jest, jesting, mummer, mummery</text>
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                <text>Newspaper article regarding a carving by the sculptor Thomas Muller. The carving is said to bear a resemblance to the economist Colin Clark. By carving the gargoyle-like creature in the image of a public figure, the journalist argues that Muller has revived the 'medieval practice' of caricaturing public figures in gargoyles on buildings.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>A Special Correspondent</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3045">
                <text>The Sydney Morning Herald</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>9 July 1954</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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                <text>Newspaper Article</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Colin Clark</name>
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        <name>gargoyle</name>
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        <name>gargoyles</name>
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        <name>jest</name>
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        <name>jesting</name>
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        <name>medieval sculpture</name>
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        <name>mummer</name>
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        <name>mummery</name>
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        <name>Queensland</name>
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        <name>sculpture</name>
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        <name>stone carving</name>
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        <name>Theodore Muller</name>
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        <name>University of QLD</name>
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        <name>University of Queensland</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rose Window, Winthrop Hall, the University of Western Australia</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall</text>
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            <description>An account of the resource</description>
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                <text>&lt;p class="MsoNormal"&gt;A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Winthrop Hall:&lt;/strong&gt;&lt;/p&gt;&#13;
Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as &lt;span lang="EN"&gt;being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See &lt;em&gt;Western Mail&lt;/em&gt;, 21 April 1932, pp.14: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38891565&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN"&gt;). &lt;/span&gt;Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&amp;rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, &lt;em&gt;Crawley Campus: The Planning and Architecture of the University of Western Australia, &lt;/em&gt;University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: &lt;a href="http://www.therosewindow.com/index-rose2.htm" target="_blank"&gt;http://www.therosewindow.com/index-rose2.htm&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="15908">
                <text>McEwan, Joanne</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 January 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="15910">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15911">
                <text>Digital Photograph; JPEG</text>
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        <name>architecture</name>
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        <name>Assisi</name>
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        <name>Basilica of San Francesco</name>
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        <name>dais</name>
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        <name>Gothic Revival</name>
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      <tag tagId="907">
        <name>Great Hall</name>
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        <name>Rodney Alsop</name>
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        <name>Romanesque style</name>
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        <name>rose window</name>
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        <name>Sir John Winthrop Hackett (1848-1916)</name>
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        <name>The University of Western Australia</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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        <name>window</name>
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        <name>window tracery</name>
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        <name>Winthrop Hall</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3004">
              <text>Negative: Black &amp;amp; White</text>
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          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://museumvictoria.com.au/bfa/view_single.asp?qNum=MM%20002015"&gt;http://museumvictoria.com.au/bfa/view_single.asp?qNum=MM%20002015&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Federated Municipal Employees Marching in Trade Union Parade</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16087">
                <text>Federated Municipal Employees' Union, parade, parades, procession, processions, banner, banners, float, floats, horse-drawn, trade union, trade unions, trade unionism, labour, trade procession, trade processions, working class, Ballarat, Victoria, Melbourne, advertising, workers, Walter Ham, 1920</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Federated Municipal Employees depicted with a FME banner drawn by four horses at a trade union parade in Ballarat, 1920. Some historians consider trade unions to be the successors of medieval guilds. &lt;br /&gt;&lt;br /&gt;For information regarding the Federated Municipal Employees' Union of Australia, see:&lt;br /&gt;&lt;a href="http://www.atua.org.au/biogs/ALE0475b.htm"&gt;http://www.atua.org.au/biogs/ALE0475b.htm&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Museum Victoria</text>
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            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="16091">
                <text>Museum Victoria</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>ca. 1920</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16093">
                <text>Museum Victoria</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink; Black &amp; White Photograph</text>
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        <name>advertising</name>
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        <name>Ballarat</name>
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        <name>Federated Municipal Employees' Union</name>
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        <name>labour</name>
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        <name>Melbourne</name>
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        <name>parade</name>
      </tag>
      <tag tagId="899">
        <name>parades</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
      </tag>
      <tag tagId="878">
        <name>processions</name>
      </tag>
      <tag tagId="499">
        <name>Trade Union</name>
      </tag>
      <tag tagId="500">
        <name>trade unionism</name>
      </tag>
      <tag tagId="900">
        <name>Trade Unions</name>
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      <tag tagId="890">
        <name>Victoria</name>
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        <name>workers</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Photograph (b&amp;amp;w): &lt;a href="http://www.slq.qld.gov.au/home/copyright"&gt;http://www.slq.qld.gov.au/home/copyright&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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          <elementTextContainer>
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              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/150139"&gt;http://hdl.handle.net/10462/deriv/150139&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St. Patrick's Day Procession led by men carrying a banner, Mt. Morgan, ca. 1917</text>
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                <text>Photograph depicting a 1917 St. Patrick's Day procession with men carrying a St. Patrick's Day banner bearing a medieval-style design.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="12744">
                <text>Anon.</text>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="12745">
                <text>State Library of Queensland</text>
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            </elementTextContainer>
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            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="12746">
                <text>John Oxley Library, State Library of Queensland</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12747">
                <text>ca. 1917</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12748">
                <text>John Oxley Library, State Library of Queensland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12749">
                <text>Hyperlink to photograph</text>
              </elementText>
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        <name>banner</name>
      </tag>
      <tag tagId="420">
        <name>banners</name>
      </tag>
      <tag tagId="478">
        <name>float</name>
      </tag>
      <tag tagId="879">
        <name>floats</name>
      </tag>
      <tag tagId="896">
        <name>Irish culture</name>
      </tag>
      <tag tagId="898">
        <name>Mt. Morgan</name>
      </tag>
      <tag tagId="897">
        <name>national identity</name>
      </tag>
      <tag tagId="417">
        <name>parade</name>
      </tag>
      <tag tagId="899">
        <name>parades</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
      </tag>
      <tag tagId="878">
        <name>processions</name>
      </tag>
      <tag tagId="475">
        <name>Queensland</name>
      </tag>
      <tag tagId="467">
        <name>Saint Patrick</name>
      </tag>
      <tag tagId="466">
        <name>St. Patrick</name>
      </tag>
      <tag tagId="895">
        <name>St. Patrick's Day Procession</name>
      </tag>
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  <item itemId="140" public="1" featured="0">
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      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            </element>
          </elementContainer>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15641">
              <text>&lt;a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm"&gt;http://www.ballaratgenealogy.org.au/digby/dg-aof.htm&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15632">
                <text>Ancient Order of Foresters Hall, Digby, Victoria.</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ancient Order of Foresters, Foresters, Friendly Society, Friendly Societies, Foresters Friendly Society, Digby, Victoria, hall, court, courts, Hamilton Spectator</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="15634">
                <text>&lt;p&gt;Link to photograph taken at the opening of the Ancient Order of Foresters Hall at Digby, Victoria in September 1873. The link also provides extracts from the Hamilton Spectator regarding the establishment of the Hall. &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The 'Ancient Order'&amp;nbsp;in the friendly society's title probably refers to the medieval origins of foresters. The term entered Middle English via Old French and is first attested in English in 1297. A forester was an officer in charge of a forest, or of growing timber on an estate&amp;nbsp;(&lt;em&gt;Oxford English Dictionary&lt;/em&gt;).The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/p&gt;&#13;
&lt;p&gt;The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/p&gt;&#13;
&lt;p&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/p&gt;&#13;
&lt;p&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities."&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.forestersfs.com.au/1history.html"&gt;http://www.forestersfs.com.au/1history.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;br id="tinymce" class="mceContentBody " /&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15635">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15636">
                <text>&lt;a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm"&gt;http://www.ballaratgenealogy.org.au/digby/dg-aof.htm&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="15637">
                <text>The Hamilton Spectator</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15638">
                <text>September 1873</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15639">
                <text>&lt;a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm"&gt;http://www.ballaratgenealogy.org.au/digby/dg-aof.htm&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15640">
                <text>Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="883">
        <name>Ancient Order of Foresters</name>
      </tag>
      <tag tagId="892">
        <name>court</name>
      </tag>
      <tag tagId="893">
        <name>courts</name>
      </tag>
      <tag tagId="889">
        <name>Digby</name>
      </tag>
      <tag tagId="884">
        <name>Foresters</name>
      </tag>
      <tag tagId="888">
        <name>Foresters Friendly Society</name>
      </tag>
      <tag tagId="472">
        <name>friendly societies</name>
      </tag>
      <tag tagId="471">
        <name>friendly society</name>
      </tag>
      <tag tagId="891">
        <name>hall</name>
      </tag>
      <tag tagId="894">
        <name>Hamilton Spectator</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
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  </item>
  <item itemId="139" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2954">
              <text>Engraving:&lt;br /&gt;http://www.catalog.slsa.sa.gov.au:80/record=b2132504~S1</text>
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        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="15631">
              <text>&lt;a href="http://images.slsa.sa.gov.au/searcy/40/PRG280_1_40_144.htm"&gt;http://images.slsa.sa.gov.au/searcy/40/PRG280_1_40_144.htm&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="15621">
                <text>Friendly Society Picnic March at Belair National Park</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15622">
                <text>Ancient Order of Foresters, Foresters Friendly Society, Foresters, Friendly Society, Friendly Societies, banner, banners, procession, processions, South Australia, Belair, SA </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15623">
                <text>&lt;p&gt;Men, women, and children marching with Ancient Order of Foresters banners prior to arriving at the Belair National Park. &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The 'Ancient Order'&amp;nbsp;in the friendly society's title probably refers to the medieval origins of foresters. The term entered Middle English via Old French and is first attested in English in 1297. A forester was an officer in charge of a forest, or of growing timber on an estate&amp;nbsp;(&lt;em&gt;Oxford English Dictionary&lt;/em&gt;).The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/p&gt;&#13;
&lt;p&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/p&gt;&#13;
&lt;p&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities."&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.forestersfs.com.au/1history.html"&gt;http://www.forestersfs.com.au/1history.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15624">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15625">
                <text>State Library of South Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="15626">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15627">
                <text>ca. 1914</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15628">
                <text>Reproduction rights owned by State Library of South Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15629">
                <text>Hyperlink; Engraving</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15630">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="883">
        <name>Ancient Order of Foresters</name>
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      <tag tagId="158">
        <name>banner</name>
      </tag>
      <tag tagId="420">
        <name>banners</name>
      </tag>
      <tag tagId="886">
        <name>Belair</name>
      </tag>
      <tag tagId="884">
        <name>Foresters</name>
      </tag>
      <tag tagId="888">
        <name>Foresters Friendly Society</name>
      </tag>
      <tag tagId="472">
        <name>friendly societies</name>
      </tag>
      <tag tagId="471">
        <name>friendly society</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
      </tag>
      <tag tagId="878">
        <name>processions</name>
      </tag>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Print: Wood Engraving published in The Australian news for home readers. &#13;
Accession No: IAN19/05/66/8;&#13;
Image No: mp001027</text>
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              <text>&lt;a href="http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089"&gt;http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089&lt;/a&gt;</text>
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                <text>Melbourne : Ebenezer and David Syme</text>
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                <text>19 May 1866</text>
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                <text>Reproduction rights owned by the State Library of Victoria</text>
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                <text>To Hold the Bridal Veil</text>
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                <text>In these pages, the latest fashion advice from London regarding bridal headgear is relayed. The article begins by informing readers that wealthy English brides were wearing diamond tiaras on their wedding days. However, it surmises, it was unlikely that local brides would have diamond tiaras at their disposal, and so goes on to describe and provide sketches of some alternative head-dresses that were being used by â€œRiche of Hay-Hillâ€, a hair expert in London. The first of these suggestions is a floral head-dress that â€œmight be made in the shape of a tiny coronet or crown poised on her head like that of a medieval queenâ€. Other suggestions include various arrangements of pearls and glass beads strung onto wire and worn as coronets or bandeaus.</text>
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                <text>1 March 1951, pp. 36-37.</text>
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                <text>The Western Mail</text>
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