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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed  by architect Edgar L. B. Henderson and built by C. W. Arnot between  1933 and 1937. It is constructed from red brick and pressed cement in an  inter-war gothic style common of the 1920s and 1930s. It exhibits many  features common to gothic architecture, including pointed gothic arches,  lancet windows, elaborate bar tracery in the stained glass windows and  blind tracery on the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style single (or standalone), lancet windows, collections of two or  three single windows positioned side by side, and also the later gothic  trend of enclosing multiple lancet windows beneath one arch and  separating them with mullions to form larger windows and allow for more  light to enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Scots Presbyterian Church in Fremantle, Western Australia. The church was designed by Perth architect Sir J. J. Talbot Hobbs (1864-1938) and built by Petrie &amp; Sons in 1890. It is a gothic style church constructed from limestone with decorative red brick quoins on the buttresses.  Voussoirs around the yellow doors and the numerous lancet windows are also in distinctive red brick. The large square tower with an octagonal steeple is another dominant feature of the churchâ€™s neo-gothic architecture.&#13;
&#13;
Scots Presbyterian Church is one of only six Presbyterian churches remaining in Western Australia after the congregation refused to amalgamate with the Uniting Church in 1977. It was added to WAâ€™s State Register of Heritage Places in 1999.</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the Fremantle Prison Gatehouse in  Fremantle, Western Australia. The Gatehouse was constructed by convict  labour between 1854 and 1855. It was built according to the design of  Royal Engineer Edmund Henderson from limestone quarried on site.  Gatehouses consisting of two close towers with a gate positioned between  them were a common feature of medieval castles and walled cities,  especially during the reign of Edward I in England (1272-1307).  Gatehouses were deliberately designed to be large and imposing  structures, because their purpose was to protect the weakest point of a  fortified space - the entrance. A major restoration of the Fremantle  Prison Gatehouse took place in 2005 under the management of Considine  and Griffiths Architects. The stonework was conserved and all  non-original rendering was removed.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Fremantle Prison:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Fremantle  Prison was originally named The Convict Establishment, then The  Colonial Convict Establishment. It was renamed Fremantle Prison in 1867.  The building of the prison commenced in 1852, following a British  government directive that the Swan River Colony was to be used as a  penal establishment and the arrival of the first ship of convicts in  June 1850. The prison was first occupied in May 1855. Control of the  prison was handed over to the colonial authorities in 1886, and the  gallows were added in 1888 (following the closure of the Perth Gaol in  1887). From then until capital punishment was abolished by an act of  State Parliament in 1984, Fremantle Prison was the only legal place of  execution in the colony and later the state. The prison was  decommissioned in 1991, when the remaining male inmates and staff were  transferred to the new maximum security prison at Casuarina. The Women&amp;rsquo;s  Division, added to the prison in 1889, had been disbanded in 1970 when  female prisoners were transferred to Bandyup Women&amp;rsquo;s Training Centre.  Since its closure, Fremantle Prison has been added to the State,  National and World Heritage Lists. For more information and a list of  recommended readings, see Fremantle Prison&amp;rsquo;s official website: &lt;a href="http://www.fremantleprison.com.au/" target="_blank"&gt;http://www.fremantleprison.com.au&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Article available through the Tasmanian Forestry website: &lt;a href="http://www.forestrytas.com.au/"&gt;http://www.forestrytas.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"White Knight" Gums at the Evercreech Forest Reserve, Tasmania</text>
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                <text>White Knights, white knight, gumtree, gumtrees, gum, gums, forest reserve, forest, Fingal, Tasmania, flora, ecomedievalism, ecotourism, tourism, tourist, ecomedievalist, Tasmanian, Evercreech, Evercreech Forest Reserve</text>
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                <text>An article promoting tourism to the Evercreech Forest Reserve in Tasmania. The reserve is home to "the famous White Knights, the tallest white gums in the world - more impressive and taller than the Big Trees in the Styx Valley."</text>
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                <text>This photograph from 1963 shows Queen Elizabeth II, accompanied by the Duke of Edinburgh and other dignatories, knighting someone at Government House in Sydney. The photograph depicts the action of 'dubbing', a light blow with the flat side of the sword to the recipient knight, usually to both shoulders. Dubbing is an essential part of the public ceremony. Such ceremonies and the many orders of knighthood date to the medieval period.</text>
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                <text>A wood engraving by an artist for the Victorian Millers' Union which commemorates the 35th anniversary of the establishment of the eight hour working day in Victoria. Some historians consider trade unions to be the successors of medieval guilds.</text>
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