14 8 1266 https://ausmed.arts.uwa.edu.au/files/original/fb4fd366952caab6fa653787b09fd127.pdf 6e14b827791a3f6f6632eabdea5f3cb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Cathedral Subject The topic of the resource anniversary, Apostolic Administrator, Apostolic Vicar, Apostolic vicariate of Kimberley in Western Australia, bishop, Bishop of Cologne, Bishop Ernesto Coppo, Bishop John Jobst, Bishop Otto Raible (1887-1966), cardinal, Cardinal Frings, Cardinal Griffin, cathedral, Catholic jurisdiction, Catholicism, celebration, ceremony, Cologne, Cologne Cathedral, Diocese of Broome, Kimberley region, Lord Pakenham, â€œmedieval splendourâ€, north-west Australia, priest, Roman Catholic Church, titular bishop, tradition, University Hall, vicariate Description An account of the resource In this article from The West Australian, the attendance of the Apostolic Vicar of North-West Australia at celebrations in Cologne for the 700th anniversary of Cologne Cathedral is reported. The proceedings, the article suggests, were opened with a ceremony of â€œmedieval splendourâ€. The man in question is most likely the German-born Bishop Otto Raible, who succeeded Bishop Ernesto Coppo as the Apostolic Administrator of the Vicariate of Kimberley in Western Australia in 1928. He continued in this position until 1935, when he was consecrated as a bishop. Thereafter, he served as the Vicar Apostolic between 1935 and 1958. He was succeeded by Bishop John Jobst in 1959, when the jurisdiction was also renamed the vicariate of Kimberleys. In 1966, it was promoted as the Diocese of Broome. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article46928923" target="_blank">http://nla.gov.au/nla.news-article46928923</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 16 August 1948, p. 11. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English â€œmedieval splendourâ€ anniversary Apostolic Administrator Apostolic Vicar Apostolic vicariate of Kimberley in Western Australia Bishop Bishop Ernesto Coppo Bishop John Jobst Bishop of Cologne Bishop Otto Raible (1887-1966) cardinal Cardinal Frings Cardinal Griffin Cathedral Catholic jurisdiction Catholicism celebration ceremony Cologne Cologne Cathedral Diocese of Broome Kimberley region Lord Pakenham north-west Australia priest Roman Catholic Church titular bishop tradition University Hall vicariate https://ausmed.arts.uwa.edu.au/files/original/f131ebe28fbea929e58a082d25ec547d.pdf 8e8a856f2ecf780296118e665de8efea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This is What Women Wore in Bygone Times Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource     This article features a photograph of costume head-dresses from the stage production of Shakespeare’s “The Winter’s Tale” performed in Perth in 1952 as part of a national tour by the John Alden Shakespearean Company. The four actresses in the photograph are Lucille Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita) and Iris Hart (Emilia). The head-dresses are described by the author as “millinery of medieval times”. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49053308" target="_blank">http://nla.gov.au/nla.news-article49053308</a> Publisher An entity responsible for making the resource available The West Australia Date A point or period of time associated with an event in the lifecycle of the resource 18 September 1952, p. 7. Rights Information about rights held in and over the resource The West Australian Relation A related resource “’The Winter’s Tale’ for Perth Stage” The West Australian, 13 September 1952, p.5 <a href="../../../items/show/403">http://ausmed.arts.uwa.edu.au/items/show/403</a> Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Elsie Dayne Emilia Florizel head dress head-dress headdress Hermione Iris Hart (1910-1983) jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Lucille Robinson Mamillius Mavis Turner medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess Sicilia stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/17b73f2789ec13c7005407d4c6cf3315.pdf 7947c1b8a3b98d9fc2bb52bb4d99715b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€œThe Winterâ€™s Taleâ€ for Perth Stage Subject The topic of the resource Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616) Description An account of the resource In this article from The West Australian in 1952, notice of the upcoming stage production of Shakespeare’s “The Winter’s Tale” by the John Alden Shakespearean Company is given. The medieval costumes - including elaborate head-dresses, pointed shoes and draped sleeves - would be particularly appealing to Perth audiences, the article suggests, because they were such a marked change from the plays usually performed on the Perth stage. About The Winter’s Tale: In “The Winter’s Tale”, Leontes, the King of Sicilia, becomes consumed with jealousy that Hermione, his wife, is having an affair with the King of Bohemia (Polixenes). He instructs his councillor Camillo to poison Polixenes, but instead Camillo reveals Leontes’ plans and both he and Polixenes secretly leave for Bohemia. The pregnant Hermione is banished to prison, where she gives birth to a daughter. Refusing to believe the legitimacy of the child, Leontes demands that the child be burned alive and then, upon the protestations of his chief adviser Antigonus, abandoned off the coast of Bohemia. In the events that unfold over the following Act, Leontes refuses to believe an oracle from Apollo’s Temple exonerating Hermione’s and orders her trial to proceed, his son Mamillius dies, Hermione dies, Leontes realises his mistake and repents, Antigonus is killed by a bear and a shepherd finds the abandoned baby and takes her home. Sixteen years later, in Bohemia, the story recommences with Polixenes expressing concern that his son Florizel has fallen in love with a shepherdess. He attends a sheep-shearing festival in disguise, revealing himself at the last moment to prevent the betrothal of the couple, after which Florizel and the shepherdess are advised by Camillo (now Polixenes’ chief adviser) to flee to Sicilia. When Polixenes also arrives in Sicilia with the shepherd and his son, the shepherdess’ identity as Leontes’ lost child is discovered and her marriage to Florizel condoned, Leontes and Polixenes are friends once more, and a statue of Hermione comes to life, revealing that she is alive and has been waiting to be reunited with her daughter. For a copy of the text, see: <a href="http://www.gutenberg.org/ebooks/2248" target="_blank">http://www.gutenberg.org/ebooks/2248</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia, <a href="http://nla.gov.au/nla.news-article49052507" target="_blank">http://nla.gov.au/nla.news-article49052507</a> <a href="../../items/show/402"></a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 13 September 1952, p. 5. Rights Information about rights held in and over the resource The West Australian Relation A related resource “This is What Women Wore in Bygone Times”, The West Australian, 18 September 1952, p. 7, <a href="../../items/show/402">http://ausmed.arts.uwa.edu.au/items/show/402</a> Format The file format, physical medium, or dimensions of the resource Digital Newspaper Article Language A language of the resource English Antigonus Apolloâ€™s Temple Bohemia Camillo costume drama Emilia Florizel head dress head-dress headdress Hermione jealousy John Alden (1908-1962) John Alden Shakespearean Company Leontes Mamillius medieval costume medieval dress oracle Pauline Perdita performance Perth Polixenes Shakespeare shepherd shepherdess shoes Sicilia sleeves stage The Winterâ€™s Tale theatre WA Western Australia William Shakespeare (1564-1616) https://ausmed.arts.uwa.edu.au/files/original/8dd758e9ef89be4cb1117acdb4853c33.pdf f4ab5073d9a47da790e0bd296e492e7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article - National Library of Australia <a href="http://nla.gov.au/nla.news-article41438038" target="_blank">http://nla.gov.au/nla.news-article41438038</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two New Clocks: Novelties for London Court Subject The topic of the resource arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia Description An account of the resource In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 9 October 1937, p. 27. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article â€œTournament of Tilting Knightsâ€ arcade Big Ben Big Clock clock dragon Fremantle H. Hope Jones Hay Street horse knights La Grosse Horage lance London Court mechanisation Monk of Glastonbury Moreton Bay Peter Lightfoot retail arcade Rouen shopping St George St Georgeâ€™s Terrace sword Synchronome Company Ltd synchronome invention WA Wells Cathedral Western Australia https://ausmed.arts.uwa.edu.au/files/original/1146f9c772369cd483b8c7a2f1b7fe16.pdf 373628debda0b88a1ae2750ca138cf2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article, National Library of Australia - <a href="http://nla.gov.au/nla.news-article58414412" target="_blank">http://nla.gov.au/nla.news-article58414412</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Fashions Subject The topic of the resource bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, womenâ€™s fashion Description An account of the resource In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australian Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 12 May 1929, p. 5s. Rights Information about rights held in and over the resource The Sunday Times Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English bouquet bride brides bridesmaids brocade chiffon clothing coronet dress fashion gown headdress jackets lace lilies medieval lines medieval style roses satin tulle veil velvet wedding wedding dress womenâ€™s fashion https://ausmed.arts.uwa.edu.au/files/original/815ab94a3f338994df6f89cf10ca6f94.pdf 98cec2a2fbbfca2676573ca160f01cbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article, National Library of Australia, <a href="http://nla.gov.au/nla.news-article49067504" target="_blank">http://nla.gov.au/nla.news-article49067504</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wool Types in Australia Total 1,500 Subject The topic of the resource competition, marketing, medieval methods, sales, Sydney University, synthetic fibres, T. G. Hunter, wool, wool market, wool trade, sheep Description An account of the resource In this article about wool sales in 1952, Australiaâ€™s marketing methods are described as medieval. T. G. Hunter, a Professor of Chemical Engineering at Sydney University, is quoted advising that wool should be marketed in a few uniform grades (rather than by 1,500 different classification types) so as to counter the threat posed by uniform quality synthetic fibres. This change, although costly, is necessary, suggests the author, if the Australian wool trade is to maintain its sales volume. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 6 December 1952, p. 10. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English competition marketing medieval methods sales sheep Sydney University synthetic fibres T. G. Hunter wool wool market wool trade https://ausmed.arts.uwa.edu.au/files/original/5126fbc9b9e09c973fd89c7a034b7fe6.pdf ef5d5d7153b1edd429dd88c2866a0803 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digitised Newspaper Article; PDF <a href="http://nla.gov.au/nla.news-article31897631" target="_blank">http://nla.gov.au/nla.news-article31897631</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand Theatre: â€™Under the Red Robeâ€ Subject The topic of the resource Alma Rubens (1897-1931), Cardinal Richelieu (1585-1642), Day of the Dupes (1630), drama, duel, fiction, film, Gil de Berault, Grand Theatre, Henri de Cocheforet, historical fiction, honour, Huguenot, John Charles Thomas (1889-1960), literature, Louis XIII, Mademoiselle de Cocheforet, â€œMedieval romanceâ€, movie, novel, Robert B. Mantell, screen Stanley J. Weyman (1855-1928), â€œUnder the Red Robeâ€, WA, Western Australia Description An account of the resource In this notice about the upcoming programme for the Grand Theatre, a screening of the 1923 silent film “Under the Red Robe” is announced. The film is based on Stanley J. Weyman’s historical novel of the same name. The novel is described in the article as a medieval romance, although it is set in seventeenth-century France. The story opens in 1630, when Gil de Berault sets out on a search for fugitive Huguenot Henri de Cocheforet, on the orders of Cardinal Richelieu. He has offered his martial skills to Richelieu in exchange for his life after being arrested for duelling in Paris. Although he does indeed find and arrest M. de Cocheforet, he realises that he has fallen in love with his sister and lets him go free to restore his honour. The story ends on the Day of the Dupes with the marriage of de Berault and de Cocheforet.   For a copy of “Under the Red Robe” by Stanley J. Weyman, see <a href="http://www.gutenberg.org/ebooks/1896" target="_blank">http://www.gutenberg.org/ebooks/1896</a>. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 16 December 1925, p. 12. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article; PDF Language A language of the resource English â€œMedieval romanceâ€ â€œUnder the Red Robeâ€ Alma Rubens (1897-1931) Cardinal Richelieu (1585-1642) Day of the Dupes (1630) drama duel fiction film Gil de Berault Grand Theatre Henri de Cocheforet historical fiction honour Huguenot John Charles Thomas (1889-1960) literature Louis XIII Mademoiselle de Cocheforet movie novel Robert B. Mantell screen Stanley J. Weyman (1855-1928) WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/78e0cd2d3093c6da7c6889dbd6238770.pdf 8da1fa8530acb8b805e12fa16abefb30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article in The Western Argus.National Library of Australia - <a href="http://nla.gov.au/nla.news-article34593995" target="_blank">http://nla.gov.au/nla.news-article34593995</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Mace of Parliament Subject The topic of the resource authority, black rod, British Empire, ceremony, cross, crown, custom, decoration, emblem, harp, House of Commons, House of Lords, John Beckett (1984-1964), King, Legislative Assembly, Long Parliament (1653), mace, medieval customs, medieval tradition, Oliver Cromwell (1599-1658), orb, ornamentation, Parliament, parliamentary officials, parliamentary personnel, politician, ritual, rose, royal bodyguard, sergeant, serjeant-at-arms, Speaker, symbol, symbol of office, thistle, tradition, Usher of the Black Rod, Victoria, Victorian House of Parliament, waratah, warfare, weapon, weaponry, weapons Description An account of the resource In this article from the Western Argus, the significance and history of the mace in parliamentary proceedings is explained. The author describes the mace used in the Victorian Legislative Assembly as a sceptre surmounted by a cross, an orb and the crown of England. It is also decorated with the waratah flower of Australia, the rose of England, the thistle of Scotland and the harp of Ireland. The symbolic and ceremonial function of the mace in the opening and closing of parliamentary proceedings is explained, and the history of the mace as a weapon of medieval warfare is noted. The article suggests that the association of the mace with parliament is likely to originate from the medieval period: â€œIn medieval England the king appointed a Royal bodyguard of stalwart men, gaudily uniformed, and each bearing a mace. They came to be known as serjeants-at-arms. When Parliament was divided into two Houses â€“ the Commons and the Lords â€“ two serjeants-at-arms were provided from the Kingâ€™s bodyguard. The institution has survived. With the serjeant-at-arms has remained the mace, not as a weapon but as a symbol of office; and gradually the mace came to be associated with all the ceremonies and customs of the Commonsâ€. The article goes on to explain the traditional rivalry between the House of Commons and the House of Lords concerning the superior authority of the mace or its equivalent in the House of lords, the black rod (in the keeping of The Usher of the Black Rod). Traditional and symbolic rituals involving the mace and the black rod are also described. If the Usher of the Black Rod approaches the House of Commons to summon the Speaker, for example, the door is ceremoniously closed on him and he is required to knock three times and beg admittance. Similarly, the serjeant-at-arms is not permitted to enter the House of Lords without first surrendering the mace to the doorkeeper. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Argus Date A point or period of time associated with an event in the lifecycle of the resource 12 January 1932, p. 29. Rights Information about rights held in and over the resource The Western Argus Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English authority black rod British Empire ceremony cross crown custom decoration emblem harp House of Commons House of Lords John Beckett (1984-1964) king Legislative Assembly Long Parliament (1653) mace medieval customs medieval tradition Oliver Cromwell (1599-1658) orb ornamentation parliament parliamentary officials parliamentary personnel politician ritual rose royal bodyguard sergeant serjeant-at-arms Speaker symbol symbol of office thistle tradition Usher of the Black Rod Victoria Victorian House of Parliament waratah warfare weapon weaponry weapons