139 8 1266 https://ausmed.arts.uwa.edu.au/files/original/4cb8dd7daf0f39a52600e2d37ff14a10.jpg f48463bb1cf1d0dba5d32fdc00837878 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3508 Width 2480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Renaissance Polonaise, Government House, Perth Subject The topic of the resource Advertising, Baroque, early music, ensemble, festival, Festival of Polish Visual and Performing Arts, Floripari, Government House, instrument, music, Perth, Poland, PolArt, poster, re-creation, Renaissance, Renaissance Polonaise, WA, Western Australia. Description An account of the resource This poster advertises â€˜Renaissance Polonaiseâ€™, an evening performance of Renaissance and Baroque music by the Polish early music ensemble Floripari. Floripari play period instruments and often also wear period costume. The performance is part of PolArt 2012, the Festival of Polish Visual and Performing Arts. Creator An entity primarily responsible for making the resource PolArt Publisher An entity responsible for making the resource available PolArt 2012: <a href="http://www.polart2012.com.au" target="_blank">www.polart2012.com.au</a> Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2012 Rights Information about rights held in and over the resource PolArt 2012 Format The file format, physical medium, or dimensions of the resource Event Poster; jpeg advertising Baroque early music ensemble festival Festival of Polish Visual and Performing Arts Floripari Government House instrument music Perth Poland PolArt poster re-creation Renaissance Renaissance Polonaise WA Western Australia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Illustration <a href="http://www.8hourday.org.au/images/mn002901.asp?URL=../domestic.asp" target="_blank">http://www.8hourday.org.au/images/mn002901.asp?URL=../domestic.asp</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Female Servantâ€™s Revolt Subject The topic of the resource Melbourne 888, Eight-hour day movement, freedom of labour, women servants, Peasants Revolt, revolution, Melbourne, Eight hour day, working class, labour, work, labourer, worker Description An account of the resource This illustration is an early reference to the beginnings of the eight-hour movement. One of the first marches took place in Melbourne in 1856, when the Stonemasons working on the build of the University of Melbourne, marched to Parliament protesting their long hours and harsh working conditions. It echoes the Peasantsâ€™ Revolt in the late fourteenth-century when, after the plague, workers threatened to give their labour to the highest bidder, and move to different regions. [HH] Creator An entity primarily responsible for making the resource Poss. â€˜Tomâ€™ Carrington Source A related resource from which the described resource is derived Punch Magazine, Melbourne Publisher An entity responsible for making the resource available Punch Magazine, Melbourne Date A point or period of time associated with an event in the lifecycle of the resource 28 April 1859 Rights Information about rights held in and over the resource Punch Magazine, Melbourne Format The file format, physical medium, or dimensions of the resource Newspaper Illustration; Hyperlink Eight Hour Day Eight-hour day movement freedom of labour labour labourer Melbourne Melbourne 888 Peasants Revolt revolution women servants work worker working class Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper illustration: <a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/t1-g-t1.html#n17" target="_blank">http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/t1-g-t1.html#n17</a> URL <a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html">http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource King Working-Man Subject The topic of the resource Eight hour day, Eight-hour day movement, freedom of labour, Peasants Revolt, organized labour, labour, labourer, work, worker, working class, Premier Gilles, unions, union, unionism Description An account of the resource This illustration portrays the great fear of the establishment in the late nineteenth century in Australia, an organised workforce. Union organisation and affiliation and the strengthening of fraternities and friendly societies appeared to create a monster. King Working-Man, with tin crown emboldened with the symbol of the eight-hour movement on it, with working manâ€™s garb and hobnailed boots, lounges on his humble wooden throne clasping a sceptre. Premier Gilles is his attendant while wool, timber, shipping and sugar magnates grovel at his feet. Creator An entity primarily responsible for making the resource poss. â€˜Tomâ€™ Carrington (Francis Thomas Dean Carrington) Source A related resource from which the described resource is derived Punch Magazine, Melbourne Publisher An entity responsible for making the resource available Punch Magazine, Melbourne Date A point or period of time associated with an event in the lifecycle of the resource 18 August 1887 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Illustration; Hyperlink Eight Hour Day Eight-hour day movement freedom of labour labour labourer organized labour Peasants Revolt Premier Gilles union unionism unions work worker working class https://ausmed.arts.uwa.edu.au/files/original/fd505b64e3b266e477799b5cfb7c522c.jpg ba596cb600260a305b965f65452e624f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1122 Width 885 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal; Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Scaly Monsterâ€™ Subject The topic of the resource Alderman, â€˜Bloody Jack,â€™ boat, cartoon, democracy, E. Montague Scott (1835-1909), John McElhone (1833-1898), knight, NSW politics, political cartoon, politics, Sydney Municipal Council, respectability Description An account of the resource ‘The Scaly Monster’ drawing shows an unruffled ‘Bloody Jack’ McElhone boarding a vessel embarking for England. This feisty Sydney alderman had a reputation for forthrightness and ‘fisticuffs,’ which was not always appreciated by others. He was once referred to by Daniel O’Connor as “‘an illiterate mountebank,’ ‘a commercial Shylock,’ ‘an unscrupulous vulture,’ and ‘a political Quilp’” (See Martha Rutledge, 'McElhone, John (1833–1898)',Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529">http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529</a>, accessed 11 June 2012). O’Connor had previously had a run-in with McElhone after calling him a “servile lickspittle”, for which he received a punch below the left eye. It is not entirely clear to whom or what ‘The Scaly Monster of the House’ refers when he states, “I do not care two straws what the public think. I treat the whole matter with contempt”. It is probable that the cartoonist is merely highlighting the typical McElhone response to opposition of any kind. By all accounts he was well-used to causing indignation and political controversy. He was, however, essentially an honest man who frequently asked difficult questions of the government, and as a result “exposed many public wrongs” in the process. A bearded knight charging from behind may be Sir Henry Parkes, or it could be Sir John Robertson who also sported a luxuriant beard and flowing white locks. Either way, the ‘knight’ is a representative “champion of democracy” (Marguerite Mahood,The Loaded Line: Australian Political Caricature 1788-1901,Carlton: Melbourne University Press, 1973, p.131), and a visible embodiment of political fairness and respectability. Creator An entity primarily responsible for making the resource Possibly MS (Montague Scott) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 3 May 1884 (p. 13) Rights Information about rights held in and over the resource The Bulletin Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Language A language of the resource English â€˜Bloody Jack â€™ boat Alderman cartoon democracy E. Montague Scott (1835-1909) John McElhone (1833-1898) knight NSW politics political cartoon politics respectability Sydney Municipal Council Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"><a href="http://nla.gov.au/nla.news-article51296463">http://nla.gov.au/nla.news-article51296463</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Talismanâ€™, Examiner, Tasmania Subject The topic of the resource Armour, King Arthur, Charlemagne, charms, Examiner, Excalibur, Hereward the Wake, horn, knights, Launceston, newspaper, Normans, Robert Power, Roland, Song of Roland, supernatural, sword, The Talisman, Tas, Tasmania. Description An account of the resource ‘The Talisman’ is an article by Robert Power published in 1924 in the ‘Two Minute Talks’ section of the Launceston newspaper the Examiner. The article is about the importance of putting ones faith in God rather than superstitious charms. The article opens by mentioning the talisman of ‘great heroes’, all of whom are medieval. Hereward the Wake (who fought against the Normans in England in 1070-1) had magic armour, Charlemagne’s knight Roland (whose feats are told in the eleventh-century poem The Song of Roland) had an important horn, and King Arthur and his knights have the supernatural sword Excalibur. For the article see <a href="http://nla.gov.au/nla.news-article51296463">http://nla.gov.au/nla.news-article51296463</a> Creator An entity primarily responsible for making the resource Power, Robert Publisher An entity responsible for making the resource available Examiner Date A point or period of time associated with an event in the lifecycle of the resource March 8, 1924 Rights Information about rights held in and over the resource Public Domain: Trove Format The file format, physical medium, or dimensions of the resource Newspaper article; Hyperlink Armour Charlemagne charms Examiner Excalibur Hereward the Wake horn King Arthur knights Launceston newspaper Normans Robert Power Roland Song of Roland supernatural sword Tas Tasmania. The Talisman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://au.news.yahoo.com/thewest/a/-/newshome/12368662/medieval-mental-health-service-to-be-modernised/" target="_blank">http://au.news.yahoo.com/thewest/a/-/newshome/12368662/medieval-mental-health-service-to-be-modernised/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Medievalâ€™ Mental Health Service to be Modernised Subject The topic of the resource Archaic, article, government, health, internet, legislation, mental health, newspaper, online, Angela Pownall, WA, The West Australian, Western Australia Description An account of the resource This article by Angela Pownall appeared in the online version of The West Australian newspaper. It reports on State Government legislation aimed at modernising the Western Australian mental health system. The existing system is described as being â€˜medievalâ€™ and â€˜archaicâ€™, suggesting that the two terms are synonymous. Creator An entity primarily responsible for making the resource Pownall, Angela Source A related resource from which the described resource is derived The West Australian Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 16 December 2011 Rights Information about rights held in and over the resource The West Australian; Angela Pownall Format The file format, physical medium, or dimensions of the resource Online Newspaper Article Language A language of the resource English Angela Pownall Archaic article government health internet legislation mental health newspaper online The West Australian WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4277" target="_blank">http://www.ngv.vic.gov.au/col/work/4277</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Flight of Jane Shore Subject The topic of the resource Art, Edward IV (1442-1483), Elizabeth Shore (1445-1527), imprisonment, Jane Shore (1445-1527), Ludgate prison, mistress, Pre-Raphaelite, Richard III (1452-1485), royal mistress, Thomas Grey (c.1455-1501), VIC, Victoria, Wars of the Roses, William Hastings (c.1430-1483). Description An account of the resource This painting by Val Prinsep was gifted to the National Gallery of Victoria in 1934 by A L Prinsep. It depicts a woman, who the title identifies as Jane Shore, crouching under a bridge in an attempt to hide from a group of soldiers looking to arrest her. Shore, whose birth name was actually Elizabeth, is believed to have been Edward IV’s royal mistress from approximately 1476 until his death in 1483. Following Edward’s death, she was linked by contemporary sources to Thomas Grey, marquess of Dorset, and William, Lord Hastings. Some historians have claimed that she was involved in a Woodville-Hastings plot against Richard (while he was still the Duke of Gloucester and attempting to secure the throne), while others have suggested different, but similarly political, motives for his (mis)treatment of her. Shore was arrested on Richard’s command in 1483 and imprisoned, firstly in the tower of London and later in Ludgate prison. She was pardoned and released upon her marriage to the king’s solicitor, Thomas Lynom. For more on Jane Shore, see: Rosemary Horrox, ‘Shore , Elizabeth [Jane] (d. 1526/7?)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [<a href="http://www.oxforddnb.com/view/article/25451" target="_blank">http://www.oxforddnb.com/view/article/25451</a>, accessed 6 Feb 2012] Creator An entity primarily responsible for making the resource Prinsep, Val Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource c. 1865 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 155.3 x 92.4cm; Hyperlink art Edward IV (1442-1483) Elizabeth Shore (1445-1527) imprisonment Jane Shore (1445-1527) Ludgate prison mistress Pre-Raphaelite Richard III (1452-1485) royal mistress Thomas Grey (c.1455-1501) Vic Victoria Wars of the Roses William Hastings (c.1430-1483) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Photograph (metal, paint) URL <a href="http://cas.awm.gov.au/item/REL/00793">http://cas.awm.gov.au/item/REL/00793</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souvenir Shield: Private C.E. Urry, 1 Battalion, AIF Subject The topic of the resource heraldry, badge, badges, Gallipoli, World War, First World War, World War I, Lonepine, C.E. Urry, shield, armourer, aluminium, Turkey, Anzac Cove, Western Front, coat-of arms Description An account of the resource REL/00793 Front and reverse Entry on Australian War Memorial website: Small aluminium shield. Engraved on the obverse is, '528 PRIVATE C E URRY 25TH APRIL GALLIPOLI HMS SCOURGE 5TH JUNE GERMAN OFFICERS TRENCH 6TH AUGUST LONE PINE EVACUATED 20TH DEC 19TH APRIL LAVENTIE 28TH MARCH FRANCE'. Engraved on the reverse is, '526 C E URRY 6TH AUGUST LONE PINE DARDENELLES'. Summary: Associated with the service of Private Charles Edward Urry, 1 Battalion, AIF. Born in 1897 in Sydney, Charles Urry was nineteen years old and working as a carpenter when he enlisted in the AIF on 17 August 1914. At the time he was also a member of the Militia (33 Infantry Regiment). 526 Private C E Urry embarked aboard HMAT Afric from Sydney on 18 October 1914 with 1 Battalion B Company . After seeing action on Gallipoli and at the Somme, Private Urry was killed in action near Ypres, Belgium on 11 September 1916. This shield was carried by Private Urry during his service. It is believed that just prior to embarkation in Australia, several B Company men had these shields made up by the Battalion armourer. Each soldier engraved his service number and name into the shield and added 'battle honours' as the war progressed. The shield was sent to his mother after his death, as part of his personal effects. Private Urry's brother, 6169 Private Alfred Thomas Urry served with 19 Battalion, AIF during the war. He returned to Australia in 1919.  <cite>Permalink: <a href="http://cas.awm.gov.au/item/REL39640" target="_blank">http://cas.awm.gov.au/item/REL/00793</a></cite> <cite> This poignant unofficial insignia of war indicates both a sense of identity amongst B company and a 'coat-of-arms' for lower-ranked soldiers: a working man's heraldic shield, if you will. The company conscripted their armourer to make these aluminium badges to be taken on campaign. Urry engraved his with combat locations and dates, as well as 'german officers', 'HMS Scourge', 'evacuated'. They sit in striking contrast to the glorious, gold, sophisticated badges of the company commanders. See General Sir John Monash, for example. HH</cite> Creator An entity primarily responsible for making the resource Private Charles Edward Urry Source A related resource from which the described resource is derived Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1914-1916 Rights Information about rights held in and over the resource Australian War Memorial REL/00793 Format The file format, physical medium, or dimensions of the resource Hyperlink aluminium Anzac Cove armourer Badge badges C.E. Urry coat-of arms First World War Gallipoli heraldry Lonepine shield Turkey Western Front World War World War I