139 8 1266 https://ausmed.arts.uwa.edu.au/files/original/e09f22981ce72bda42e0f7a80e6c5e21.jpg 5cc02f9d3e2d6db9bf63afda98c8cf0c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 330 Width 212 https://ausmed.arts.uwa.edu.au/files/original/9037fa1f6c1e111e8e9bef03ab2ff528.jpg 4f03ef1452bf603f8c6692693f1a8b2d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 386 Width 306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gog and Magog, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, gateway, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource Close-up images of the statutes of Gog and Magog, who strike the time hourly on Gaunt’s Clock in Melbourne’s Royal Arcade. According to the legend cited in the description under the clock, the mythological giants Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1413-1422), but that were destroyed in the Great Fire. The description reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus gateway Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/809766644f32b2fe1b0659349ecf381d.jpg a812ee45ec9825a556b5cf249ccd344d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 382 https://ausmed.arts.uwa.edu.au/files/original/3a7367d7e08844dc7f14838136f04958.jpg c62cec716267b793239254a1ce457b06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 268 Width 448 https://ausmed.arts.uwa.edu.au/files/original/422890dbf6e4d10947269f9dbb397032.jpg dbde0b07c103f119a2e1b7de925a3490 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 183 Width 544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gaunt's Clock, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource A view of Gaunt’s Clock in Royal Arcade, Melbourne. Royal Arcade was designed by architect Charles Webb and was completed in 1870. Gaunt’s Clock was added in 1892. On either side of the clock is a statute of the mythical giants Gog and Magog, who symbolically strike chimes every hour. According to the legend cited in the description under the clock, Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1414-1422), but that were destroyed in the Great Fire. The description under the clock reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/dee756255abdf1e5bc31e612121bbb10.jpg 3693aae2405fecef9c327ae56636b1f5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trussed Timber Roof, Christ Church, Claremont, Western Australia Subject The topic of the resource altar, Anglican, Anglican church, apse, arch, arch-brace, architect, architecture, chancel arch, church, church building, Church of England, Claremont, corbel, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, limestone, masonry, nave, neo-gothic, purlin, sanctuary, T. W. L. Powell, trussed ceiling, Western Australia Description An account of the resource A view of the timber trusses and arch braces of the ceiling at Christ Church, Claremont, in Western Australia. The ceiling of the church is comprised of tongue and groove pine boards. It is supported by timber crucks extending from corbels on the walls between the arcading. The curved timbers intersect to form functional, but also decorative, arch-braces. Arches roof trusses were a common feature of medieval architecture. About Christ Church, Claremont: Christ Church is an Anglican Church located in Claremont, Western Australia. It was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican church Apse arch arch-brace architect architecture chancel arch Church church building Church of England Claremont corbel Cottesloe limestone gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch limestone masonry nave neo-Gothic purlin sanctuary T. W. L. Powell trussed ceiling Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Originally an engraving featured in The Illustrated Australian News URL <span style="font-family: tahoma; font-size: x-small;"><a href="http://trove.nla.gov.au/work/15554296" target="_blank"> http://trove.nla.gov.au/work/15554296</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Modern Permanent Building Society's New Offices, Collins Street, West Melbourne Subject The topic of the resource architecture, architect, Permanent Building Society, Melbourne, gothic architecture, gothic revival, neo-gothic, Gothic Revival style, gothic , building, office, building, gothic Description An account of the resource An engraving featured in The Illustrated Australian News of the recently built Gothic Revival style offices of the Modern Permanent Building Society. Creator An entity primarily responsible for making the resource The Illustrated Australian News Source A related resource from which the described resource is derived The Illustrated Australian News Publisher An entity responsible for making the resource available The Illustrated Australian News Date A point or period of time associated with an event in the lifecycle of the resource 15 August 1888 Rights Information about rights held in and over the resource The Illustrated Australian News Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English architect architecture building Gothic gothic architecture Gothic building Gothic Revival Gothic Revival style Melbourne neo-Gothic Permanent Building Society https://ausmed.arts.uwa.edu.au/files/original/6ae03e282dead35a921df06aea1ed197.jpg 3e819ad6035d46df9bfdd24217cafc91 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 619 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church, Claremont, Western Australia Subject The topic of the resource arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia, Anglican, Anglican Church Description An account of the resource A view of the western facing entrance and tower at Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia https://ausmed.arts.uwa.edu.au/files/original/ffadc66b7610a582ad3380cebc17ede8.jpg 14f59d658b293728fe211d99e462e0b1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 https://ausmed.arts.uwa.edu.au/files/original/9a6a3006339576ec425d7c3d8a7e32a6.jpg c9b3b19feeb72fcdc410bbfc4c6f0984 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 355 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buttresses and Lancet Windows, Christ Church, Claremont, Western Australia Subject The topic of the resource Anglican, Anglican church, arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, gothic revival, gothic, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia Description An account of the resource A view of the stained-glass lancet windows and stone buttresses on the southern wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photographs Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable Gothic gothic architecture Gothic Revival Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia https://ausmed.arts.uwa.edu.au/files/original/3e981cf6cb5078c074626516c3b13708.jpg 0b37da1a4d62a9ceae7b9ebd728d7563 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 https://ausmed.arts.uwa.edu.au/files/original/7ee1b9663558b057eb6ee298cfdb9b47.jpg 953a3ccebbc68aa0787d133c34368485 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 377 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Stonework, Christ Church, Claremont, Western Australia Subject The topic of the resource Anglican, Anglican church, arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia Description An account of the resource A close-up view of the decorative stonework on the western wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia https://ausmed.arts.uwa.edu.au/files/original/64d824043fd146fc83b512a174ae295b.jpg fe2a789e747482d4e02c47023ec7b582 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 448 Width 299 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church Interior, Claremont, Western Australia Subject The topic of the resource altar, Anglican, Anglican church, apse, arch, architect, architecture, buttress, chancel, chancel arch, church, church building, Church of England, Claremont, Cottesloe limestone, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, lectern, limestone, masonry, nave, neo-gothic, pews, pulpit, sanctuary, stained glass, T. W. L. Powell, trussed ceiling, Western Australia, William Howitt, wood-carving Description An account of the resource An interior view of Christ Church, Claremont in Western Australia. The neo-gothic style of the building is clearly visible in the pointed arches of the stained-glass windows, arcading and large chancel arch separating the rectangular nave from the octagonal chancel. The wooden pulpit and lectern are the work of William Howitt, a well-known Western Australian wood carver. About Christ Church, Claremont: Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Altar Anglican Anglican church Apse arch architect architecture buttress chancel chancel arch Church church building Church of England Claremont Cottesloe limestone gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows lectern limestone masonry nave neo-Gothic pews pulpit sanctuary stained glass T. W. L. Powell trussed ceiling Western Australia William Howitt wood-carving