138 8 1266 https://ausmed.arts.uwa.edu.au/files/original/8c0e747b16a8fb079a873d9e1a7093e8.pdf 4468b7e5ce8a4efcd743b1652a456707 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hour Procession 1901, Sydney Subject The topic of the resource Eight-Hours Day, Sydney, Labour Movement, Trade Unions, carnival, Trade Union, trade unionism, procession, parade, processions, parades, ‘Merrie England’, craft guild, guild, guilds, craft, medieval origins of eight-hours day, carnival, Professor J.E. Thorold Rogers, Agincourt, Poitiers, Golden age of labour, labour, labourer, work, worker, workers, labourers, Charles Jardyne Don, stonemasons; King Alfred as originator of eight hours rest, sleep and recreation, Tooth’s brewery, Sydney, New South Wales, NSW Description An account of the resource The writer credits the craft guilds of medieval England for the eight-hour system, including the Saturday half-holiday. The latter was supposed to be devoted to archery practice, which eventually ensured English mastery of the bow and arrow and their successes at Agincourt and Poitiers. Later in the article, King Alfred is cited as the originator of the divided day: sleep, work and recreation. Although the eight-hour movement was won in Melbourne in 1856 after the stonemasons working on the construction of the University of Melbourne marched to the Government House, the writer asserts that it was won in Sydney in 1855 for the Tooth’s brewery workers. Creator An entity primarily responsible for making the resource O'Sullivan, R.W. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 7 May 1901 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English ‘Merrie England’ Agincourt carnival Charles Jardyne Don craft craft guild Eight-Hours Day Golden age of labour guild guilds labour Labour Movement labourer labourers medieval origins of eight-hours day New South Wales NSW parade parades Poitiers procession processions Professor J.E. Thorold Rogers sleep and recreation stonemasons; King Alfred as originator of eight hours rest Sydney Tooth’s brewery Trade Union trade unionism Trade Unions work worker workers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p>1x digitised black &amp; white photographic print</p> <p><span style="font-family: arial, sans-serif; font-size: 13px; border-collapse: collapse;"><a style="color: #942e06;" href="http://catalogue.slwa.wa.gov.au/record=b2213747~S5" target="_blank">http://catalogue.slwa.wa.gov.au/record=b2213747</a></span></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of England, Fremantle Subject The topic of the resource Anglican, Anglican Church, arch, architect, architecture, church, church architecture, church building, Evangelicalism, Christian, Christianity, Fremantle, gable, gothic architecture, gothic, gothic revival, Izzy Orloff (1891-1983), J. J. Harwood & Son, King’s Square, lancet arch, lancet window, limestone, neo-gothic, quatrefoil, tracery, trefoil, W. Smith, WA, Western Australia Description An account of the resource A black and white photograph of St John the Evangelist Anglican Church in Fremantle taken by renowned WA photographer Izzy Orloff in the 1920s. St John the Evangelist is a neo-gothic Church located in the centre of Fremantle. It was designed by W. Smith and constructed from limestone by J. J. Harwood and Son. The church was consecrated in 1882 and an older church that had served the Anglican congregation in Fremantle since 1843 was demolished. A number of the church’s gothic features are visible in the photograph, including its rose window, steep gable, entry porch, lancet windows and stone buttresses. A bell turret was added to the church in c.1906 and is also just visible above the trees. Creator An entity primarily responsible for making the resource Orloff, Izzy Source A related resource from which the described resource is derived Izzy Orloff collection; BA1059/1284, State Library of Western Australia, online media reference 012529D. Publisher An entity responsible for making the resource available State Library of Western Australia Date A point or period of time associated with an event in the lifecycle of the resource c.1924-1929 Rights Information about rights held in and over the resource State Library of Western Australia Format The file format, physical medium, or dimensions of the resource Photograph Anglican Anglican church arch architect architecture Christian Christianity Church church architecture church building Evangelicalism Fremantle gable Gothic gothic architecture Gothic Revival Izzy Orloff (1891-1983) J. J. Harwood & Son King’s Square lancet arch lancet window limestone neo-Gothic quatrefoil tracery trefoil W. Smith WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://catalogue.slwa.wa.gov.au/record=b2198159%7ES2" target="_blank">http://catalogue.slwa.wa.gov.au/record=b2198159~S2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Druids Procession, Nedlands Subject The topic of the resource Battle, Britain, British resistance, Britons, Caractacus, Caratacus, Cartimandua, Catuvellauni tribe, Celtic, Celtic revival, chieftain, Claudius (10BCE-54CE), conquest, druids, druidism, Emperor, execution, exoneration, float, imprisonment, invasion, Izzy Orloff (1891-1983), military prisoner, Nedlands, neo-druidism, pagan, parade, pardon, procession, Roman Emperor, Roman Senate, Rome, speech, Togodumnus, trial, WA, Western Australia Description An account of the resource This black and white photograph, taken by WA photographer Izzy Orloff in 1924, depicts a horse-drawn float taking part in a <span class="il">Druids</span> procession in Perth in 1924. Being re-enacted on the float, the banner suggests, was the trial of Caractacus before the Roman Emperor. Caractacus was a chieftain of the British Catuvellauni tribe who, with his brother Togodumnus (until he was killed in battle), led the resistance to Roman Conquest in the first century AD. Following Claudius&rsquo; successful invasion of Britain in 43AD, Caractacus went into exile. He was imprisoned years later by Cartimandua in Wales and handed over to the Romans, who sentenced him to execution. Caractacus was allowed to address the Roman Senate before his execution and is reputed to have made such an impression on Emperor Claudius that he was pardoned and permitted to live peacefully in Rome. The Roman invasion of Britain sought to stamp out druidism. However, there is some evidence that <span class="il">druids</span>, or members of the priestly class in Celtic society, continued to exist in Ireland at least throughout the early medieval period (See for example, Philip Freeman, "<span class="il">Druids</span>" in The Oxford Encyclopedia of Ancient Greece and Rome, Michael Gagarin (ed.), Oxford University Press, 2010, &lt;<a href="http://www.oxford-greecerome.com/entry?entry=t294.e401" target="_blank">http://www.oxford-greecerome.com/entry?entry=t294.e401</a>&gt;, Accessed 6 May 2011). Creator An entity primarily responsible for making the resource Orloff, Izzy Source A related resource from which the described resource is derived State Library of Western Australia Publisher An entity responsible for making the resource available Izzy Orloff collection; BA1059/929, State Library of Western Australia, online media reference 012135D. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource State Library of Western Australia Format The file format, physical medium, or dimensions of the resource Photographic Print battle Britain British resistance Britons Caractacus Caratacus Cartimandua Catuvellauni tribe Celtic Celtic revival chieftain Claudius (10BCE-54CE) conquest druidism druids Emperor execution exoneration float imprisonment invasion Izzy Orloff (1891-1983) military prisoner Nedlands neo-druidism pagan parade pardon procession Roman Emperor Roman Senate Rome speech Togodumnus trial WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black & White Photograph Physical Dimensions The actual physical size of the original image. 16.8 x 21.5 cm. URL <a href="http://nla.gov.au/nla.pic-vn3289435">http://nla.gov.au/nla.pic-vn3289435</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Members of the Renaissance players on the steps of the Gothic Style buildings of the University of Sydney. Subject The topic of the resource music, musical, instrument, re-enactment, mummery, player, players, Renaissance, Renaissance players, mummers, carnival, carnivale, carnivalesque, photograph, photography, architecture, gothic, , New South Wales, NSW, Alex Ozolins, Sydney, University of Sydney Description An account of the resource <span style="font-family: tahoma; font-size: x-small;">This photograph shows members of the musical group The Renaissance Players on the steps of a building in Gothic style at the University of Sydney. The photograph was taken in 1974 by Alex Ozolins for the Australian Information Service. Although designated 'Renaissance' both the clothing and instruments were current in the late medieval period and there are similarities to medieval images of troubadours.</span><br /> Creator An entity primarily responsible for making the resource Ozolins, Alex Source A related resource from which the described resource is derived National Library of Australia. Australian Information Service. Publisher An entity responsible for making the resource available National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1974 Rights Information about rights held in and over the resource National Library of Australia and Australian Information Service Format The file format, physical medium, or dimensions of the resource Photograph: 1 photograph : b&w ; 16.8 x 21.5 cm. Hyperlink. Alex Ozolins architecture carnival carnivale carnivalesque Gothic instrument mummery music musical New South Wales NSW photograph photography player players re-enactment Renaissance Renaissance players Sydney University of Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <span style="font-family: Arial; font-size: small;">The course outline can be found at <a href="http://www.latrobe.edu.au/handbook/2011/undergraduate/humanities/disciplines/english.htm" target="_blank"> http://www.latrobe.edu.au/handbook/2011/undergraduate/humanities/disciplines/english.htm</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shakespeare in Adaptation unit Subject The topic of the resource Bundoora, Chris Palmer, drama, film, La Trobe University, Macbeth, Melbourne, Shakespeare, university, Victoria, William Shakespeare, adaptation Description An account of the resource Second and third year undergraduate unit at La Trobe University (Bundoora campus, in Melbourne)coordinated by Chris Palmer. The unit examines four of Shakespeare’s plays, including two film versions of each play. One of the plays set during the medieval period, Macbeth (an eleventh-century king of Scotland), is included. Creator An entity primarily responsible for making the resource Palmer, Chris Source A related resource from which the described resource is derived La Trobe University Publisher An entity responsible for making the resource available La Trobe University Date A point or period of time associated with an event in the lifecycle of the resource June 18 2011 Rights Information about rights held in and over the resource Chris Palmer, La Trobe University Format The file format, physical medium, or dimensions of the resource Weblink Language A language of the resource English adaptation Bundoora Chris Palmer drama film La Trobe University MacBeth Melbourne Shakespeare university Victoria William Shakespeare https://ausmed.arts.uwa.edu.au/files/original/dbde125989edcef635b2833e4818a5f4.pdf dc5ba8e1758614a7f66fef0c3fc68146 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Gargoyles of Melbourne: Quaint and Curious Carvings by John Russell Parry," in The Argus Subject The topic of the resource carving, gargoyle, gargoyles, Gothic, Gothic architecture, John Russell Parry, Latin, Melbourne, Old French, sculpture, The Argus, VIC, Victoria Description An account of the resource A lengthy illustrated article by John Russell Parry about gargoyles in Melbourne that appeared in the Melbourne newspaper The Argus on August 10, 1929. The article provides the etymology of 'gargoyle', derived from Latin via Old French, and explains that a gargoyle must have a water spout, and that many of the carvings that the public thought were gargoyles were merely decorative. True gargoyles in Melbourne are said to exist at St Paul's Cathedral, St Patrick's Cathedral, Tower House, the E.S. and A. Bank Building, and the Church of the Immaculate Conception in Hawthorn. The article also has information on carvings in Melbourne which are not true gargoyles, and some interesting information on medieval gargoyles in France, including at Notre Dame in Paris. Gargoyles are a common feature of Gothic architecture. Creator An entity primarily responsible for making the resource Parry, John Russell Source A related resource from which the described resource is derived National Library of Australia: <a href="National%20Library%20of%20Australia:%20http://nla.gov.au/nla.news-article4028660" target="_blank">http://nla.gov.au/nla.news-article4028660</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 10 August 1929 Contributor An entity responsible for making contributions to the resource <br id="tinymce" class="mceContentBody " /> Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper article carving gargoyle gargoyles Gothic gothic architecture John Russell Parry Latin Melbourne Old French sculptor sculpture The Argus Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Glass, Paper, Wood (no image available) URL <a href="http://cas.awm.gov.au/item/RELAWM12571">http://cas.awm.gov.au/item/RELAWM12571</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Framed coat of arms - General Sir John Monash Subject The topic of the resource Badge of Coat of Arms of Sir John Monash, Coat of arms, heraldry, insignia, John Monash, shield, scroll, ‘marte et arte’, knight, knights, knighthood, chivalry, knight’s helmet, helmet, lion, compass, College of heralds, Latin motto, Latin, motto Description An account of the resource <p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><span>Hand drawn and coloured picture of the Monash coat of arms, which has been signed vertically 'R K PEACOCK'. The image shows a blue shield divided horizontally by a gold band. Above the band are five eight pointed gold stars. Beneath the band is a sword with two laurel branches, all in gold. A scroll beneath the shield bears the motto 'MARTE ET ARTE'. The ends of the scroll are a dark pink, gradually lightening to a white centre. Above the shield is a knight's helmet with a gold and blue ribbon and leaf design on both sides. Sitting above the helmet is the upper half of a dark pink (possibly meant to be red) lion, holding a pair of gold compasses. The drawing is held in a brown wooden frame with a brown matte.<br /> <br /> A paper label is pasted on the back with typed details: ' ARMS OF / GENERAL SIR JOHN MONASH, / G.C.M.G., K.C.B. / (Granted by the College of Heralds, 1918) / ARMS- Azure, a fess between in chief five / mullets of eight points three and / two, and in base a sword within two / branches of laurel all Or. / CREST - On a wreath of the colours a demi / lion Gules holding between the paws / a pair of compasses Or. / MOTTO - "MARTE ET ARTE". / (Authority - "Fox-Davies Armorial Families" / Vol.II, page 1371)". Next to 'MARTE ET ARTE' is hand written '(BY WAR AND BY ARTS)' . The label is signed 'R.K. Peacock / 1937'.</span></p> <p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><strong><em><span>Permalink:</span></em></strong><em><span> <a href="http://cas.awm.gov.au/item/RELAWM12571" target="_blank">http://cas.awm.gov.au/item/RELAWM12571</a></span></em></p> <p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"><em><span>Also see </span></em></p> <ol type="1"> <li class="MsoNormal" style="line-height: normal;"><span>Serle, G. <em>John Monash: A Biography</em> (Melb, 1982) </span></li> <li class="MsoNormal" style="line-height: normal;"><span>Pedersen, P. <em>Monash as Military Commander</em> (Melb, 1985). </span></li> </ol> Creator An entity primarily responsible for making the resource Peacock, Robert Knox Source A related resource from which the described resource is derived Australian War Memorial Website Date A point or period of time associated with an event in the lifecycle of the resource 1937 Rights Information about rights held in and over the resource Australian War Memorial RELAWM12571 Format The file format, physical medium, or dimensions of the resource Hyperlink ‘marte et arte’ Badge of Coat of Arms of Sir John Monash chivalry coat of arms College of heralds Compass helmet heraldry insignia John Monash knight knight’s helmet knighthood knights Latin Latin motto lion motto scroll shield https://ausmed.arts.uwa.edu.au/files/original/aaf9c013d23f5f5a5da9db282406ef0b.jpg 332ab651a0919c33d72a947f0e777a00 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 830 https://ausmed.arts.uwa.edu.au/files/original/6d0653cdc86b4a1dc267bb103a10168b.jpg a1df8e070f536da48f0200af7d3401da Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 583 Width 778 https://ausmed.arts.uwa.edu.au/files/original/d748431c114ac1b5c4956db3a043e151.jpg a9d8dc5e09f2393506806d8cf118a99d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 907 Width 680 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Extraordinary Stories Exhibition, Perth Subject The topic of the resource advertising, advertisement, advertisements, British Museum, chess, Elizabeth I, England, Erin Jackson Vis, exhibition, Extraordinary Stories, Isle of Lewis, Lewis chess set, museum, Norway, Perth, Phoenix Jewel, queen, review, Scotland, sign, WA, Western Australia, Western Australian Museum Description An account of the resource These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image ‘speak’ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories', Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180. Creator An entity primarily responsible for making the resource Photographs: Shane McLeod Advertisements: Western Australian Museum Date A point or period of time associated with an event in the lifecycle of the resource January 29, 2012 Rights Information about rights held in and over the resource Photographs: Shane McLeod Advertisements: Western Australian Museum Format The file format, physical medium, or dimensions of the resource 3 x Digital Photographs; JPEGs advertisement advertisements advertising British Museum chess Elizabeth I England exhibition Extraordinary Stories Isle of Lewis Lewis chess set museum Norway Perth Phoenix Jewel queen Scotland sign WA Western Australia Western Australian Museum