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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Cloisters, Perth, Western Australia.</text>
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                <text>Anglican, Battlements, Bishop Mathew Hale, blind arch, castellation, Cloisters, convict, crenellation, Gothic, Perth, Perth Church of England Collegiate School, Richard Rosch Jewell, school, tower, Tudor, Victorian Tudor style, WA, Western Australia</text>
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                <text>An image of The Cloisters building in Perth. The brick building was designed by Richard Rosch Jewell for Perthâ€™s first Anglican Bishop, Mathew Hale. It was built by convicts in 1858 as the colonyâ€™s first secondary school, the Perth Church of England Collegiate School. The building has Gothic and Victorian Tudor style features including crenellation, a central tower, blind arch, and Gothic arcading.</text>
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                <text>McLeod, Shane</text>
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                <text>16 June 2011</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;</text>
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                <text>The Crimson Cog</text>
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                <text>Baltic Sea, cog, The Crimson Cog, Germany, Hanseatic League, LÃ¼beck, merchant, New South Wales, North Sea, NSW, re-enactment, ship, trade, website.</text>
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                <text>&lt;p&gt;The Crimson Cog are a historical re-enactment group in New South Wales. They focus on the Hanseatic League in the years 1250-1300, particularly the city of L&amp;uuml;beck in northern Germany. The Hanseatic League were a confederation of merchant guilds and towns who dominated trade in the Baltic and North Seas from the thirteenth to sixteenth centuries. The Cog was a cargo ship used by the League.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>The Design for the Federal Coffee Palace, Collins Street West Melbourne</text>
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                <text>Federal Coffee Palace, Melbourne, Victoria, architecture, gothic architecture, gothic revival, neo-gothic</text>
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                <text>An engraving featured in &lt;em&gt;The Illustrated Australian News &lt;/em&gt;of a design for the Federal Coffee Palace in West Melbourne. The gothic style of the design is very typical of nineteenth century architecture in Australia and other nations with British colonial influences. &lt;br /&gt;</text>
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                <text>Anon.</text>
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                <text>The Illustrated Australian News</text>
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                <text>The Illustrated Australian News</text>
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                <text>24 July 1886</text>
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                <text>The Illustrated London News</text>
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                <text>Engraving [orig.];&#13;
PDF</text>
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        <name>architecture</name>
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        <name>Federal Coffee Palace</name>
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        <name>gothic architecture</name>
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        <name>Gothic Revival</name>
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        <name>Melbourne</name>
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              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>The Discovery of Australia: Made in the Fifteenth Century, &lt;em&gt;The Chronicle&lt;/em&gt;, 27 March 1897</text>
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            <description>The topic of the resource</description>
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                <text>Aragon, Australian booksellers, Castile, Christopher Columbus (1451-1506), conquest, E. A. Petherick &amp; Co., Edward Augustus Petherick, exploration, Ferdinand II of Aragon (1452-1516), Isabella of Castile (1451-1504), kangaroo, Medieval Spain, New World, paper, Royal Geographical Society.</text>
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                <text>&lt;p&gt;This short notice in &lt;em&gt;The Chronicle &lt;/em&gt;in 1897 informs readers about a paper in which Edward Augustus Petherick, the head of Australian booksellers E.A. Petherick &amp;amp; Co., would argue that Australia was founded in the medieval period. His evidence, the article advises, was that a kangaroo was presented to King Ferdinand and Queen Isabella of Spain in 1499. The marriage of Isabella and Ferdinand in 1469 unified the houses of Castile and Aragon under one throne. They led the Christian reconquest of Spain and the overthrow of Muslim Granada in the early 1490s, and were at the forefront of New World Exploration in the late fifteenth century. Isabella and Ferdinand authorised and funded the expeditions of Christopher Columbus between 1492 and 1498.&lt;/p&gt;</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Chronicle&lt;/em&gt;</text>
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                <text>27 March 1897, p.12</text>
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                <text>Copyright Expired</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.dragonsrealm.com.au/"&gt;http://www.dragonsrealm.com.au/&lt;/a&gt;</text>
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                <text>The Dragonâ€™s Realm re-enactment group and store, Burnie, Tas</text>
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                <text>Armour, axe, Burnie, buttress, church, combat, costume, The Dragon Order, The Dragonâ€™s Realm, Gothic Revival, knight, Knights Templar, lancet window, living history, online shop, re-creation, re-enactment, retail, shop, The Sovereign Military Order of the Knights Templar Tasmania, spear, sword, Tas, Tasmania, weapons, website, western martial arts swordsmanship combat.</text>
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                <text>&lt;p&gt;The Dragon&amp;rsquo;s Realm are both a re-enactment group and a retail store based in the northern Tasmanian city of Burnie. The store opened in 2006 and is located in the CBD in a former church built in the Gothic Revival style with buttresses and lancet windows. Products are also available online and include medieval-style weapons (swords, axes, spears etc), clothing, and armour, as well as medieval-inspired items such as fantasy books and castle tower candle holders.&lt;/p&gt;&#13;
&lt;p&gt;The re-enactment group, The Sovereign Military Order of the Knights Templar Tasmania [The Dragon Order], is a full contact battle group practicing western martial arts swordsmanship combat. The group re-create combat from the whole medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://www.dragonsrealm.com.au/&lt;/p&gt;</text>
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                <text>The Dragon's Realm</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33430">
                <text>Copyright Â© 2013 The Dragon's Realm. All rights reserved. </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="18094">
                <text>arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="18095">
                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18096">
                <text>Esford Swords and Armoury, Brisbane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18097">
                <text>November, 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18098">
                <text>Esford Swords and Armoury, 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18099">
                <text>Hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18100">
                <text>English </text>
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      <tag tagId="667">
        <name>armoury</name>
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      <tag tagId="2770">
        <name>Arms</name>
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      <tag tagId="2248">
        <name>Brisbane</name>
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      <tag tagId="2009">
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      <tag tagId="140">
        <name>chainmail</name>
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      <tag tagId="2232">
        <name>cloak</name>
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      <tag tagId="135">
        <name>Crusades</name>
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      <tag tagId="2801">
        <name>dagger</name>
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      <tag tagId="4070">
        <name>Esford Armoury</name>
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      <tag tagId="4071">
        <name>Holy Land</name>
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      <tag tagId="2019">
        <name>hood</name>
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      <tag tagId="1249">
        <name>knights</name>
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      <tag tagId="3215">
        <name>Knights Templar</name>
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      <tag tagId="4072">
        <name>mail coat</name>
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      <tag tagId="1290">
        <name>medieval clothing</name>
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      <tag tagId="4073">
        <name>Military Order</name>
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      <tag tagId="4074">
        <name>Order of the Temple</name>
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      <tag tagId="1350">
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        <name>Queensland</name>
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      <tag tagId="723">
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        <name>Soldiers of Christ</name>
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      <tag tagId="2208">
        <name>surcoat</name>
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      <tag tagId="363">
        <name>sword</name>
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      <tag tagId="1615">
        <name>war</name>
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        <name>warfare</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;</text>
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      </elementContainer>
    </itemType>
    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20542">
                <text>The Feigned Death of Juliet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20543">
                <text>bedchamber, Capulet, characters, Count Paris, domestic interior, Frederic Leighton (1830-1896), Friar Laurence, Juliet, Lady Capulet, medieval dress, music, musical instruments, musicians, nurse, play, Romeo and Juliet, SA, Shakespearean characters, South Australia, tragedy, William Shakespeare (1564-1616)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20544">
                <text>This oil on canvas painting by nineteenth-century artist Frederic Leighton was acquired by the Art Gallery of South Australia with funds from the Elder Bequest in 1899. Titled â€˜The Feigned Death of Julietâ€™ it depicts a scene from William Shakespeareâ€™s tragedy 'Romeo and Juliet'. In Act IV Scene V of the play, Count Paris arrives at the Capulet house with Friar Laurence to claim Juliet as his bride. However, instead of finding her ready to proceed to the church to be wed, he discovers Juliet seemingly lifeless in her chamber. In Leightonâ€™s painting, Juliet is shown lying on a bed surrounded by her mother, her nurse, her father and Count Paris. Friar Laurence hovers in the corner and a band of musicians congregate by the open door with their instruments. Although the play was written in the 1590s, it is set in Verona in an earlier (but unspecified) period. The characters in the painting are all depicted wearing styles of dress typical of the High Middle Ages. </text>
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                <text>Leighton, Frederic</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="20546">
                <text>Art Gallery of South Australia</text>
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            <name>Publisher</name>
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              <elementText elementTextId="20547">
                <text>Art Gallery of South Australia&#13;
&#13;
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20548">
                <text>1856 - 1858</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20549">
                <text>Art Gallery of South Australia</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20550">
                <text>Oil on Canvas, 113.6 x 175.2cm;&#13;
Hyperlink</text>
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        <name>bedchamber</name>
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        <name>Capulet</name>
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        <name>characters</name>
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        <name>Count Paris</name>
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        <name>domestic interior</name>
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      <tag tagId="4168">
        <name>Frederic Leighton (1830-1896)</name>
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        <name>Friar Laurence</name>
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      <tag tagId="4170">
        <name>Juliet</name>
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        <name>Lady Capulet</name>
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      <tag tagId="447">
        <name>medieval dress</name>
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      <tag tagId="237">
        <name>music</name>
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      <tag tagId="4172">
        <name>musical instruments</name>
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        <name>musicians</name>
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      <tag tagId="4174">
        <name>nurse</name>
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        <name>play</name>
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      <tag tagId="4175">
        <name>Romeo and Juliet</name>
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        <name>SA</name>
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        <name>Shakespearean characters</name>
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      <tag tagId="885">
        <name>South Australia</name>
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      <tag tagId="2645">
        <name>tragedy</name>
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      <tag tagId="2758">
        <name>William Shakespeare (1564-1616)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;span&gt;&lt;a href="http://www.ngv.vic.gov.au/col/work/4277" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.ngv.vic.gov.au/col/work/4277&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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        </element>
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    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19116">
                <text>The Flight of Jane Shore</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Art, Edward IV (1442-1483), Elizabeth Shore (1445-1527), imprisonment, Jane Shore (1445-1527), Ludgate prison, mistress, Pre-Raphaelite, Richard III (1452-1485), royal mistress, Thomas Grey (c.1455-1501), VIC, Victoria, Wars of the Roses, William Hastings (c.1430-1483).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19118">
                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This painting by Val Prinsep was gifted to the National Gallery of Victoria in 1934 by A L Prinsep. It depicts a woman, who the title identifies as Jane Shore, crouching under a bridge in an attempt to hide from a group of soldiers looking to arrest her. Shore, whose birth name was actually Elizabeth, is believed to have been Edward IV&amp;rsquo;s royal mistress from approximately 1476 until his death in 1483. Following Edward&amp;rsquo;s death, she was linked by contemporary sources to Thomas Grey, marquess of Dorset, and William, Lord Hastings. Some historians have claimed that she was involved in a Woodville-Hastings plot against Richard (while he was still the Duke of Gloucester and&amp;nbsp;attempting to secure the throne), while others have suggested different, but similarly political, motives for his (mis)treatment of her. Shore was arrested on Richard&amp;rsquo;s command in 1483 and imprisoned, firstly in the tower of London and later in Ludgate prison. She was pardoned and released&amp;nbsp;upon her marriage to&amp;nbsp;the king&amp;rsquo;s solicitor, Thomas Lynom. For more on Jane Shore, see: &lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;Rosemary Horrox, &amp;lsquo;&lt;span&gt;Shore , Elizabeth [Jane]&lt;/span&gt;&lt;span&gt; (&lt;/span&gt;&lt;em&gt;&lt;span style="font-family: 'Tahoma','sans-serif';"&gt;d.&lt;/span&gt;&lt;/em&gt;&lt;span&gt; 1526/7?)&lt;/span&gt;&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/25451" target="_blank"&gt;http://www.oxforddnb.com/view/article/25451&lt;/a&gt;, accessed 6 Feb 2012]&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="19119">
                <text>Prinsep, Val</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19120">
                <text>National Gallery of Victoria</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19121">
                <text>National Gallery of Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19122">
                <text>c. 1865</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19123">
                <text>National Gallery of Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19124">
                <text>Oil on Canvas, 155.3 x 92.4cm;&#13;
Hyperlink</text>
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        <name>art</name>
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        <name>Edward IV (1442-1483)</name>
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        <name>Elizabeth Shore (1445-1527)</name>
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        <name>imprisonment</name>
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        <name>Jane Shore (1445-1527)</name>
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        <name>Ludgate prison</name>
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        <name>mistress</name>
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      <tag tagId="3911">
        <name>Pre-Raphaelite</name>
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      <tag tagId="4416">
        <name>Richard III (1452-1485)</name>
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        <name>royal mistress</name>
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      <tag tagId="4418">
        <name>Thomas Grey (c.1455-1501)</name>
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        <name>Vic</name>
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        <name>Victoria</name>
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      <tag tagId="4419">
        <name>Wars of the Roses</name>
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        <name>William Hastings (c.1430-1483)</name>
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