137 8 1266 https://ausmed.arts.uwa.edu.au/files/original/88693029ab2c19bce8ef79c08c1b2400.jpg ba3babd9d2fc26becb898d4b3c8a3737 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interior, Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa Subject The topic of the resource Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sanctuary, sculpture, semi-circular arch, vaulted ceiling, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes as his parish church. Hawes was also the builder, fundraiser, and a labourer for the building. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The elaborate interior of the church includes prominent brick ribs to create a vaulted ceiling. The photograph shows the sanctuary. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Catholic Church column dome John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque sanctuary sculpture semi-circular arch vaulted ceiling WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/8d7773480743c682ba1fedd502a1321e.jpg c0a3a871ac81c38e3f0fe1c6f8511050 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 648 Width 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa Subject The topic of the resource Bas-relief, Bell tower, Byzantine, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sculpture, semi-circular arch, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource February 22, 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bas-relief bell tower Byzantine campanile Catholic Church column dome John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque sculpture semi-circular arch WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/aecd863044bc629f4084e73b8f2e8b00.jpg baf5da76f6050adce16e181d52104527 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Lady of Mt Carmel and Saints Peter and Paul, Mullewa Subject The topic of the resource Bas-relief, Bell tower, Byzantine, Byzantium, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sculpture, semi-circular arch, WA, Western Australia Description An account of the resource The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000). Creator An entity primarily responsible for making the resource Munro, Tony Date A point or period of time associated with an event in the lifecycle of the resource February 22, 2002 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG bas-relief bell tower Byzantine Byzantium campanile Catholic Church column dome John Cyril Hawes Monsignor Hawes Mullewa Our Lady of Mt Carmel and Sts Peter and Paul Romanesque sculpture semi-circular arch WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Dimensions of sash: 148.00 cm (Height), 14.00 cm (Length) URL <a href="http://museumvictoria.com.au/collections/themes/2772/irish-national-foresters">http://museumvictoria.com.au/collections/themes/2772/irish-national-foresters</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irish National Foresters' Regalia Subject The topic of the resource regalia, Irish National Foresters Organisation, nationalist, nationalism, Irish, Ireland, sash, friendly society, friendly societies, fraternities, fraternity, clover Description An account of the resource <p>The Irish National Foresters Organisation is a mutual aid society, which was established to help members in distress and the relatives of members who are deceased. It began in 1877 as a breakaway from the Order of Foresters, which was originally set up in England by medieval serfs. As they were not permitted to meet openly, their meetings were gathered in dense forest and they took names associated with forestry and applied them to their leaders (e.g. Chief Ranger, Assistant Chief Ranger, Woodward and Beadle).</p> <p>The I.N.F grew rapidly and soon became the largest friendly society in Ireland. It is non-sectarian, non-political and is not divided by class. The ideas of the society are exemplified in the Chief Ranger's address given at the new members initiation ceremony: 'be a true member to members in distress...remembering that...the time may come when you may acquire their assistance and sympathy in return' and 'do not forget dear old-Ireland; teach...those under your care to cherish the memory of her heroes and heroines, her patriots and soldiers...and those who have left behind them so many beautiful and lasting memorials of love of country.' Although it spread throughout the world the I.N.F. retained close-links with Ireland and was a strong supporter of Irish nationalism. To the extent that the constitution of the I.N.F. called for 'government for Ireland by the Irish people in accordance with Irish ideas and Irish aspirations.'</p> <p><a href="http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877">http://museumvictoria.com.au/collections/items/250056/sash-irish-national-foresters-after-1877</a></p> Creator An entity primarily responsible for making the resource Museum Victoria Source A related resource from which the described resource is derived Museum Victoria Publisher An entity responsible for making the resource available Museum Victoria Rights Information about rights held in and over the resource Museum Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English clover fraternities fraternity friendly societies friendly society Ireland Irish Irish National Foresters Organisation nationalism nationalist regalia sash https://ausmed.arts.uwa.edu.au/files/original/christmas-pudding-medieval-origins_west-australian_21-dec-1935_p7_084c855ff2.pdf f70ee3466fe282dfdaeb0562a6dcb738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <a href="http://nla.gov.au/nla.news-article32971917" target="_blank">http://nla.gov.au/nla.news-article32971917</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Pudding. Its Medieval Origin. Subject The topic of the resource Plum Pudding, Plum Porridge, pudding, porridge, medieval food, food, pie, pies, mince pies, Christmas, Christmas pudding, Catholic tradition, tradition, Catholic, Catholicism, Christianity, Christian Description An account of the resource In this newspaper article, the author traces the origin of Christmas pudding to the popular medieval dish of “plum porridge”, a savoury dish combining mixed meats, fruits and spices. It suggests that this traditional medieval dish was forbidden during the seventeenth century as heathenish and papistical, but regained its popularity after the restoration of Charles II. Finally, the article suggests that the firm, round, brandy covered dessert now known as a Christmas pudding was a Victorian invention, although this conception sometimes imaginatively imposed into pictures of medieval gatherings. Creator An entity primarily responsible for making the resource N.B. Source A related resource from which the described resource is derived The West Australian<br /><a href="http://nla.gov.au/nla.news-article32971917" target="_blank">http://nla.gov.au/nla.news-article32971917</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 21 December 1935 Rights Information about rights held in and over the resource The West Australian Type The nature or genre of the resource Newspaper Article Catholic Catholic tradition Catholicism Christian Christianity Christmas Christmas pudding food medieval food mince pies pie pies Plum Porridge Plum Pudding porridge pudding tradition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"><a href="http://users.tpg.com.au/gpost/index.htm" target="_blank">http://users.tpg.com.au/gpost/index.htm</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New England Medieval Arts Society Subject The topic of the resource Anglo-Saxon, Armidale, Armidale State Forest, Byzantine, dark ages, early medieval, longhouse, NEMAS, New England, New England Medieval Arts Society, New South Wales, Norman, NSW, re-enactment, Viking Description An account of the resource The New England Medieval Arts Society (NEMAS) are a historical re-enactment group based in the New South Wales city of Armidale. The group concentrates on the fourth- to eleventh-century early medieval period (sometimes referred to as the ‘Dark Ages’), featuring such groups as the Byzantines, Anglo-Saxons, Normans, and Vikings. As well as weapons, armour, and battles, the group also re-creates woodworking, blacksmithing, tanning, spinning, and weaving. NEMAS headquarters is at a longhouse built in the Armidale State Forest. The longhouse was a building form common among ‘Germanic’ peoples, such as the Anglo-Saxons and Vikings, in early medieval Europe. Creator An entity primarily responsible for making the resource New England Medieval Arts Society Date A point or period of time associated with an event in the lifecycle of the resource 5 January 2012 Rights Information about rights held in and over the resource New England Medieval Arts Society Format The file format, physical medium, or dimensions of the resource Hyperlink Anglo-Saxon Armidale Armidale State Forest Byzantine Dark Ages early medieval longhouse NEMAS New England New England Medieval Arts Society New South Wales Norman NSW re-enactment viking https://ausmed.arts.uwa.edu.au/files/original/1d0c2d7ed7c098b7ab0d932a71f2faac.jpg 464b2271fab9adfe30c75c5fd93b9206 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3203 Width 1928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource &lsquo;The Ballad of Sir Anopheles&rsquo;, <em>The Bulletin</em>, 18 June 1908 Subject The topic of the resource armour, battle, chivalry, humour, knight, lance, mosquito, ogre, Sir Anopheles. Description An account of the resource <p>The hero of this poem, as the name Sir <em>Anopheles</em> hints, is a mosquito. The author here humorously stages an encounter between man and mosquito as a drawn-out battle between a recumbent Ogre and an intrepid and undaunted medieval knight. It is clear from the start that the tiny knight has the mastery; indeed as the night-long battle progresses, the final result is inevitable, and the sullen Ogre&rsquo;s defeat is a foregone conclusion:</p> <p>So all night long the battle goes, <br />Until the vanquished ogre sinks <br />Exhausted and the sharp lance drinks <br />His blood [...]</p> Creator An entity primarily responsible for making the resource O. C. Cabot (Edward Newton MacCulloch) Source A related resource from which the described resource is derived <em>The Bulletin</em> Publisher An entity responsible for making the resource available <em>The Bulletin</em> Date A point or period of time associated with an event in the lifecycle of the resource 18 June 1908, p.40 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Armour battle chivalry humour knight lance mosquito ogre Sir Anopheles https://ausmed.arts.uwa.edu.au/files/original/afbe4046135198c785e093008216d98a.pdf 8530fe7ef48bda7c1c59d0728d865000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource He Still Wears the Ruff and Doublet Subject The topic of the resource Adam Lindsay Gordon, Alfred Hill (1869-1960), Australian poet, Camden, doublet, Elizabeth II, Hugh Raymond McCrae (1876-1958), international appeal, Kenneth Slessor (1901-1971), line-drawings, medieval clothing, medieval lyricism, New South Wales, Norman Lindsay (1879-1969), O.B.E., pastoral poetry, poetry, royal investiture, ruff, sketches, Sydney Description An account of the resource This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled ‘He still wears the Ruff and Doublet’ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was ‘perpetually haunted by the loss of his ruff and doublet’. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called ‘Joan of Arc’. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. Creator An entity primarily responsible for making the resource O.R. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource Saturday 27 March 1954, p. 11. Rights Information about rights held in and over the resource Sydney Morning Herald Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Adam Lindsay Gordon Alfred Hill (1869-1960) Australian poet Camden doublet Elizabeth II Hugh Raymond McCrae (1876-1958) international appeal Kenneth Slessor (1901-1971) line-drawings medieval clothing medieval lyricism New South Wales Norman Lindsay (1879-1969) O.B.E. pastoral poetry poetry royal investiture ruff sketches Sydney