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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Evandale Village Singers present Henry Purcellâ€™s â€˜King Arthurâ€™ </text>
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                <text>Advertisement, St Andrewâ€™s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>October 1, 2012</text>
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                <text>Evandale Village Singers</text>
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                <text>Poster</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&amp;lsquo;Melbourne Investiture: Honours Conferred with Sword&amp;rsquo;, &lt;em&gt;The West Australian&lt;/em&gt;, 6 November 1937</text>
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                <text>Accolade, authority, ceremony, chivalry, dubbing, Governor-General, honours, investiture, Kingâ€™s Coronation Honours, knight, knighthood, letters patent, Lord Gowrie, pageantry, Parliament House, sword.</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; in 1937 reports on a number of new knighthoods awarded as part of the King&amp;rsquo;s Coronation Honours. For the first time, the article informs readers, the recipients were &amp;lsquo;dubbed&amp;rsquo; by the Governor-General, Lord Gowrie, at Parliament House during a &amp;lsquo;ceremony of medieval pageantry&amp;rsquo;. The ceremony was undertaken with the permission of the King, who was traditionally the only figure with the authority to confer honours with a sword. The act of dubbing involves a light blow to the shoulders of a kneeling recipient with the flat side of a sword. Dubbing is an essential part of the public investiture ceremony and dates to the medieval period.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>6 November 1937, p.18</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/357f2265ba7e54fedd1d4e8f8c427710.pdf</src>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article71688335" target="_self"&gt;http://nla.gov.au/nla.news-article71688335&lt;/a&gt;</text>
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                <text>&amp;lsquo;Lecturer says our Universities are still &amp;ldquo;Mediaeval&amp;rdquo;&amp;rsquo;, &lt;em&gt;The Argus&lt;/em&gt;, 7 January 1955</text>
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                <text>authority, classroom, education, lecturer, lecturing, pedagogy, specialist, teacher, teaching, teaching methods, university, W. A. Townsley. </text>
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                <text>This article from &lt;em&gt;The Argus&lt;/em&gt; in 1955 quotes Mr W. A. Townsley, a lecturer in Political Science, on the outlook of Australian Universities as &amp;lsquo;still mediaeval&amp;rsquo;. Criticising lecturing on the reasoning that it turns out &amp;lsquo;poorly educated, highly technical specialists&amp;rsquo; instead of critical thinkers, Townsley negatively invokes the medieval period to explain the continued use of lecturing as the principal method of university teaching. This, he suggests, is &amp;lsquo;a hangover from medieval times when only very few people were educated&amp;rsquo;. Implied in this statement is a sense that the medieval period is &amp;lsquo;backwards&amp;rsquo; or reactionary, and that progress requires a move away from medieval ideas about, and methods of, teaching.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon</text>
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            <name>Source</name>
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              <elementText elementTextId="27975">
                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article71688335" target="_self"&gt;http://nla.gov.au/nla.news-article71688335&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Argus&lt;/em&gt;</text>
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                <text>7 January 1955, p.8</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27978">
                <text>Copyright Expired</text>
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            <name>Format</name>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart,&lt;br /&gt;Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict James Alexander Thompson (1805-1860), and it was built using convict labour. Alterations to the interior were made under the direction of Bishop Willson in 1856 by Henry Hunter (1832-1892). The interior is in the Gothic Revival style and features pointed arch windows and doorway, blind arcading, a gallery supported by rounded clustered gothic columns, and lancet windows. The timber trusses of the roof were painted brown to make them resemble English oak. The large brass electric lights were designed in the Gothic style by Fr Walter McEntee and added in 1972.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1125&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1125&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.</text>
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                <text>This building is at 38 Davey Street in central Hobart. It is at the rear of Parliament House and is part of the proposed Parliament Square redevelopment. The building adjoins the former St Maryâ€™s Hospital building and early photographs show that it was built sometime between 1870 and 1890. The three-storey sandstone building combines Romanesque and Gothic Revival architecture. Romanesque features are the semi-circular arched entrance and rounded arch windows on the top level. The four lancet windows in the centre of the top level are Gothic in style. The building also has a crenelated parapet.   </text>
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                <text>&lt;p&gt;Repair work on St Mary&amp;rsquo;s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date&lt;br /&gt;back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes&lt;br /&gt;from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing.&lt;/p&gt;&#13;
&lt;p&gt;The baptismal font is a rare example of the Australian&lt;br /&gt;public&amp;rsquo;s practical use of, and interaction with, an actual medieval item for many generations.&lt;/p&gt;&#13;
&lt;p&gt;For the original dating see &lt;a href="http://www.cathnews.com/article.aspx?aeid=7424"&gt;http://www.cathnews.com/article.aspx?aeid=7424&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;For the revised dating see &lt;a href="http://hobart.catholic.org.au/history/st-marys-cathedral"&gt;http://hobart.catholic.org.au/history/st-marys-cathedral&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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