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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;strong&gt;&lt;/strong&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nla.gov.au/nla.news-article50060567" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article50060567&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The Walled City of Nuremburg â€“ The Cradle of Nazism.</text>
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                <text>Adam Krafft, Adam Kraft, Adam Kraft (c.1460-1509), Adolf Hitler (1889-1945), Albrecht DÃ¼rer (1471-1528), apprentice, architecture, art, artisan, artists, burgher, carving, cathedral, church, craftsmen, crozier, engraving, filigree stonework, gable, Germany, gothic architecture, guild, Hans Sachs (1494-1576), journeyman, masonry, Master, medieval city, medieval craft, medieval guild, medieval housing, merchant, monstrance, Nuremburg, painting, Percy Bysshe Shelley (1792-1822), Peter Vischer (1455-1529), religion, Rothenburg, seven virtues, St Laurence, stone, stone carving, swastika, â€œTo a Skylarkâ€ (1820), undergarments, vaulting, Veit Stoss (1450-1533), walled city, wood carving</text>
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                <text>In this article, John T. McMahon describes a visit to the city of Nuremburg in 1936. Arriving only days after one of the Naziâ€™s infamous Nuremburg rallies, he notes the swastikaâ€™s still lining the streets and parade ground. For most of the article, however, McMahon concentrates on explaining Nuremburgâ€™s â€œsplendidâ€ medieval history, and the lasting traces of its past in the physical landscape. He describes tracing the line of the medieval walls, looking in awe at the large merchant houses with their elaborate adornments and recognising, as he looked over the city from the castle, why itâ€™s winding streets and narrow alleys had always held such a fascination for artists and etchers. He identifies Nuremburg as a town famous for its medieval craft guilds, and describes the artistic training and accomplishments of its most famous son, Albrecht DÃ¼rer. He concludes by describing the mastery of the carving work by Adam Kraft in St Laurenceâ€™s Church, which carried the gaze up to the vaulted ceiling â€œlike Shelleyâ€™s skylarkâ€. </text>
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                <text>McMahon, John T.</text>
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                <text>National Library of Australia</text>
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                <text>24 December 1936, p. 40.</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>â€œTo a Skylarkâ€ (1820)</name>
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        <name>Hans Sachs (1494-1576)</name>
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        <name>Master</name>
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        <name>medieval city</name>
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        <name>medieval guild</name>
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        <name>Nuremburg</name>
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        <name>Peter Vischer (1455-1529)</name>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;</text>
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                <text>Medieval FightClub shop</text>
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                <text>Archery, armour, axe, chain mail, cloak pin, clothing, combat, costume, Crusader, dagger, drinking horn, helmet, javelin, living history, Medieval FightClub, New South Wales, NSW, plate armour, pouch, re-enactment, replica, shield, spear, stave, store, sword, tent, Viking, website, Wyee, Ye-Mail Subscription.</text>
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                <text>&lt;p&gt;Medieval FightClub is an online store with a warehouse in the New South Wales town of Wyee. They sell &amp;lsquo;Historical replica products from Medieval and Ancient times&amp;rsquo; including various weapons, clothing, drinking horns, accessories, jewellery, shoes, tents and pavilions. There are also less historic items such as Crusader cross buttons, t-shirts,&amp;nbsp;and brightly coloured synthetic sword blades. Although in general the store organises the products according to era rather than &amp;lsquo;peoples&amp;rsquo;, there is a special sections for Viking and Crusader&amp;nbsp;products. The website includes a &amp;lsquo;Helpful Info&amp;rsquo; section with tips on sword care, shoe and ring sizes, and DIY guides. Customers are also able to sign up for Ye-Mail Subscription.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.medieval-fightclub.com/"&gt;http://www.medieval-fightclub.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright 2012 Medieval FightClub</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>A name given to the resource</description>
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                <text>Hieronymus Bosch, The Haywain Triptych Tableau vivant</text>
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                <text>A photograph recreating a scene in The Haywain Triptych panel painting by Dutch artist Hieronymus Bosch. The recreated scene occurs in the centre of the central panel of the work that was probably painted in the early sixteenth century. The central panel depicts various examples of earthly sin. The photographs include a blue devil, young lovers, a musician and singers, and an angel being ignored. The scene was recreated by members of the Perth Medieval and Renaissance Group as part of their Christmas party. The Perth and Medieval and Renaissance Group is based at The University of Western Australia and includes scholars, students and members of the general public amongst its membership. For the Perth and Medieval and Renaissance Group see &lt;a href="http://www.pmrg.arts.uwa.edu.au/" target="_blank"&gt;http://www.pmrg.arts.uwa.edu.au/&lt;/a&gt;</text>
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                <text>Members of the Perth Medieval and Renaissance Group; Joe Scott, &amp;ldquo;Hieronymus Bosch, The Haywain Triptych Tableau vivant - the Perth Medieval and Renaissance Group ,&amp;rdquo; Medievalism in Australian Cultural Memory, &lt;a href="../../../items/show/545"&gt;http://ausmed.arts.uwa.edu.au/items/show/545&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11661">
                <text>Hieronymus Bosch, The Haywain Triptych Tableau vivant - the Perth Medieval and Renaissance Group </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11662">
                <text>Art, Hieronymus Bosch, The Haywain, painting, Perth, Perth Medieval and Renaissance Group, PMRG, re-creation, Tableau vivant, triptych, University of Western Australia, UWA, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11663">
                <text>Photographs recreating a scene in The Haywain Triptych panel painting by Dutch artist Hieronymus Bosch. The recreated scene occurs in the centre of the central panel of the work that was probably painted in the early sixteenth century. The central panel depicts various examples of earthly sin. The photographs include a blue devil, young lovers, a musician and singers, and an angel being ignored. The scene was recreated by members of the Perth Medieval and Renaissance Group as part of their Christmas party. The Perth and Medieval and Renaissance Group is based at The University of Western Australia and includes scholars, students and members of the general public amongst its membership. For the Perth and Medieval and Renaissance Group see &lt;a href="http://www.pmrg.arts.uwa.edu.au/" target="_blank"&gt;http://www.pmrg.arts.uwa.edu.au/&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11664">
                <text>Members of the Perth Medieval and Renaissance Group, photographs by Joe Scott</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 November 2003</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11666">
                <text>Reproduced with the permission of the participants</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="11667">
                <text>Members of the Perth Medieval and Renaissance Group; Joe Scott, &amp;ldquo;Hieronymus Bosch, The Haywain Triptych Tableau vivant,&amp;rdquo; Medievalism in Australian Cultural Memory, &lt;a href="../../../items/show/544"&gt;http://ausmed.arts.uwa.edu.au/items/show/544&lt;/a&gt;.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11668">
                <text>Digital Photograph; JPEG</text>
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        <name>Tableau vivant</name>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
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              <text>&lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;</text>
            </elementText>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Balingup 2012 film</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31082">
                <text>Armour, Balingup, Balingup 2012, Balingup Medieval Carnivale, banner, carnival, Michael Cheffins, combat, costume, festival, harp, helmet, knights, Minervaâ€™s Tower, music, parade, shield, sword, Trio Grosso, WA, website, Western Australia, YouTube, ZigZagCommunityArts.</text>
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            <name>Description</name>
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                <text>&lt;p&gt;This 11 minute film on YouTube shows highlights of the 2012 Balingup Medieval Carnivale held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Michael Cheffins for ZigZagCommunityArts Inc., and the soundtrack is played by Minerva&amp;rsquo;s Tower and Trio Grosso. The film includes the carnival parade with floats, banners, and people in medieval dress, a harp player, combat between knights in armour and helmets using shields and swords.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31084">
                <text>Michael Cheffins; ZigZagCommunityArts Inc.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 27, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31086">
                <text>Michael Cheffins; ZigZagCommunityArts Inc.</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31087">
                <text>Hyperlink</text>
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      </tag>
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        <name>Balingup 2012</name>
      </tag>
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        <name>Balingup Medieval Carnivale</name>
      </tag>
      <tag tagId="158">
        <name>banner</name>
      </tag>
      <tag tagId="177">
        <name>carnival</name>
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        <name>combat</name>
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        <name>costume</name>
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        <name>festival</name>
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        <name>harp</name>
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        <name>helmet</name>
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        <name>knights</name>
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        <name>Michael Cheffins</name>
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        <name>Minervaâ€™s Tower</name>
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        <name>music</name>
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        <name>parade</name>
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        <name>shield</name>
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        <name>sword</name>
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        <name>YouTube</name>
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        <name>ZigZagCommunityArts.</name>
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  <item itemId="1152" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self"&gt;http://www.michaelgalovic.com/Pop/StFrancis.html&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29414">
                <text>â€˜St Francis and the Birdsâ€™, by Michael Galovic</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
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                <text>Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™.</text>
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                <text>&lt;p&gt;This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist&amp;rsquo;s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see &lt;a href="http://www.michaelgalovic.com/galleryintro.html" target="_self"&gt;http://www.michaelgalovic.com/galleryintro.html&lt;/a&gt;). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in &lt;em&gt;The Little Flowers of St Francis&lt;/em&gt;:&lt;/p&gt;&#13;
&lt;p&gt;So solace-filled he left them, and full well,&lt;br /&gt;To penitence disposed, and, parting thence,&lt;br /&gt;Betwixt Carmano and Bevagna came. &lt;br /&gt;And, ardently as ever journeying on, &lt;br /&gt;He raised his eyes and certain trees beheld &lt;br /&gt;Fast by the way-side, on whose boughs were perched &lt;br /&gt;A multitude of birds innumerable, &lt;br /&gt;So that Saint Francis was amazed thereat, &lt;br /&gt;And said to his companions: &amp;ldquo;In the road &lt;br /&gt;Ye shall await me here, whole I go preach &lt;br /&gt;Unto the birds my sisters&amp;rdquo;: and he went &lt;br /&gt;Within the field, and to the birds &amp;lsquo;gan preach &lt;br /&gt;That on the ground were sitting; and at once &lt;br /&gt;Those that were on the trees did come to him,&lt;br /&gt;And, one and all, stayed motionless until &lt;br /&gt;Saint Francis had done preaching, and e&amp;rsquo;en then&lt;br /&gt;Departed not till he had given them &lt;br /&gt;His Benediction.&lt;/p&gt;&#13;
&lt;p&gt;(James Rhoades, &lt;em&gt;The Little Flowers of St Francis: Rendered into English Verse&lt;/em&gt;, London, 1904, pp.88-89).&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Michael Galovic</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="29418">
                <text>&lt;a href="http://www.michaelgalovic.com" target="_self"&gt;http://www.michaelgalovic.com&lt;/a&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29419">
                <text>1998</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29420">
                <text>Michael Galovic</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29421">
                <text>Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
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        <name>â€˜new iconsâ€™</name>
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      <tag tagId="734">
        <name>Animals</name>
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        <name>art</name>
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      <tag tagId="952">
        <name>Assisi</name>
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        <name>Bevagna</name>
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      <tag tagId="4297">
        <name>birds</name>
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      <tag tagId="5754">
        <name>Cardinal Ugolini</name>
      </tag>
      <tag tagId="67">
        <name>Catholicism</name>
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        <name>Christianity</name>
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        <name>Francis of Assisi</name>
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        <name>Francsciscan</name>
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        <name>Giovanni Francesco do Bernadone</name>
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        <name>icon</name>
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        <name>iconography</name>
      </tag>
      <tag tagId="5747">
        <name>modern art</name>
      </tag>
      <tag tagId="5755">
        <name>Pope Gregory IX</name>
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        <name>Pope Innocent III</name>
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        <name>Portiuncula</name>
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        <name>poverty</name>
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        <name>St Francis of Assisi</name>
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        <name>The Little Flowers of St Francis</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.missmaud.com.au/ArchivedArticles/tabid/235/ArticleID/110/Default.aspx"&gt;http://www.missmaud.com.au/ArchivedArticles/tabid/235/ArticleID/110/Default.aspx&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="33914">
                <text>"The GÃ¶theborg Welcoming Party"</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="33915">
                <text>GÃ¶theborg, ship, boat, Swedish, Sweden, Fremantle, Fremantle Harbour, Miss Maud, viking, vikings, bakehouse, hotel, restaurant</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="33916">
                <text>A hyperlink to an archived news article on the Miss Maud's website. On 13 May 2006 employees of Miss Maud's bakehouse, hotel, restaurant and pastry houses welcomed the Swedish Ship GÃ¶theborg as it stopped off at Fremantle Harbour on its journey from Sweden to China.  &#13;
&#13;
According to the article, the Miss Maud employees donned "viking helmets complete with matching swords" to welcome in the ship.&#13;
&#13;
(Follow the hyperlink to see the full article and accompanying images of the welcoming of the GÃ¶theborg).</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="33917">
                <text>Miss Maud</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="33918">
                <text>www.missmaud.com.au/ArchivedArticles/tabid/235/ArticleID/110/Default.aspx</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="33919">
                <text>Miss Maude</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33920">
                <text>13 May 2006</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33921">
                <text>Miss Maud</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33922">
                <text>Hyperlink/Online news article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33923">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>bakehouse</name>
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      <tag tagId="2557">
        <name>boat</name>
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      <tag tagId="1067">
        <name>Fremantle</name>
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      <tag tagId="6239">
        <name>Fremantle Harbour</name>
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      <tag tagId="6238">
        <name>GÃ¶theborg</name>
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      <tag tagId="2542">
        <name>hotel</name>
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      <tag tagId="6228">
        <name>Miss Maud</name>
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      <tag tagId="2859">
        <name>restaurant</name>
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      <tag tagId="440">
        <name>ship</name>
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      <tag tagId="3084">
        <name>Sweden</name>
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      <tag tagId="3085">
        <name>Swedish</name>
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      <tag tagId="2556">
        <name>viking</name>
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      <tag tagId="2703">
        <name>vikings</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="28">
          <name>URL</name>
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            <elementText elementTextId="33447">
              <text>&lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="33440">
                <text>Gerni Weekend Warriors advertisement</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="33441">
                <text>Advert, advertisement, armour, centurion, costume, helmet, Gerni, Gerni Weekend Warriors, MJW, Mongol, New South Wales, NSW, retail, Roman, Sydney, television, tv, Viking, warrior, weapon, website, YouTube.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;&amp;lsquo;Gerni Weekend Warriors&amp;rsquo; is a marketing campaign created by Sydney ad agency MJW to promote Gerni high pressure water cleaners. The television advert features three men dressed as warriors from the past using a Gerni to clean their cars and houses, with the Gerni clearly taking the place of a weapon. The men are dressed as a Roman centurion with cape, helmet and breastplate; a Viking (c. 800-1000) wearing a horned helmet and animal skin; and a thirteenth century Mongol wearing a fur-lined conical helmet, fur boots, and upper-body armour.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For an article on the marketing campaign see &lt;a href="http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni"&gt;http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33443">
                <text>MJW</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33444">
                <text>August, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33445">
                <text>Gerni, MJW</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33446">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="4995">
        <name>Advert</name>
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      <tag tagId="1157">
        <name>advertisement</name>
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      <tag tagId="153">
        <name>Armour</name>
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      <tag tagId="6213">
        <name>centurion</name>
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      <tag tagId="1409">
        <name>costume</name>
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      <tag tagId="6214">
        <name>Gerni</name>
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      <tag tagId="6215">
        <name>Gerni Weekend Warriors</name>
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      <tag tagId="1555">
        <name>helmet</name>
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      <tag tagId="6216">
        <name>MJW</name>
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      <tag tagId="6217">
        <name>Mongol</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="2081">
        <name>retail</name>
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        <name>Roman</name>
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      <tag tagId="122">
        <name>Sydney</name>
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        <name>television</name>
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        <name>tv</name>
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        <name>viking</name>
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      <tag tagId="2330">
        <name>warrior</name>
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        <name>weapon</name>
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        <name>website</name>
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      <tag tagId="5919">
        <name>YouTube.</name>
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