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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Christmas party, Christmas, party, costume, festivity, festivities, medieval dress, medieval costume, medieval recreation, Monk, Perth Medieval and Renaissance Group, Perth Medieval and Renaissance Group (PMRG), PMRG, recreation, anachronism</text>
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                <text>&lt;p&gt;Members of the Perth Medieval and Renaissance Group in medieval costume posing for photos at the PMRG Christmas Party in 2003.&lt;/p&gt;&#13;
&lt;p&gt;The Perth Medieval and Renaissance group was founded in 1981. Its  membership is comprised of staff, graduates and postgraduates of Western  Australian universities, and also members of the general public with an  interest in the culture, life and history of medieval and early modern  Europe. PMRG offers a forum to showcase local, national and  international scholarship in the field by hosting seminar papers and  presentations by local and visiting scholars throughout the year. For  more information on PMRG, see: &lt;a href="http://www.pmrg.arts.uwa.edu.au/Creator/Contributor" target="_blank"&gt;http://www.pmrg.arts.uwa.edu.au/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Redemptorist Monastery, North Perth, Western Australia</text>
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                <text>arch, architect, architecture, blind tracery, Catholic church, cement dressing, corbel, Cottesloe limestone, crenellations, ecclesiastical building, false machiolation, Federation Gothic Style, gothic architecture, James Cavanagh, limestone, Michael Cavanagh, monastery, mullion, neo-gothic, North Perth, pinnacles, Redemptorist monastery, Redemptorist Order, religious order, St Paul, St Peter,  turrets, W. Fairweather, Western Australia, WA</text>
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                <text>A view of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006.&#13;
&#13;
The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Centennial International Exhibition</text>
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                <text>arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, engraving, engravings, Samuel Calvert, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair</text>
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                <text>An image of the Royal Exhibition Building during the Centennial International Exhibition in 1888, from the Illustrated Australian News. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). The dome specifically was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&#13;
&#13;
The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901.</text>
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                <text>Calvert, Samuel</text>
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                <text>State Library of Victoria</text>
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                <text>Illustrated Australian News</text>
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                <text>State Library of Victoria</text>
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        <name>Centennial International Exhibition</name>
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        <name>exhibition</name>
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        <name>Florence Cathedral</name>
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        <name>Great Hall</name>
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      <tag tagId="214">
        <name>industry</name>
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        <name>international exhibition</name>
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        <name>Royal Exhibition Building</name>
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        <name>Samuel Calvert</name>
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        <name>World Fair</name>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA</text>
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                <text>St Albanâ€™s Anglican Church, Highgate. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. The St Albanâ€™s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915.</text>
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                <text>McEwan, Joanne</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>St. Alban</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Armour-clad Members of the SCA at the 2010 College Challenge Between St. Basil and St. Lazarus</text>
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                <text>Saint Basil, Saint Lazarus, St. Lazarus, St. Basil, UWA, Murdoch University, Murdoch, University of Western Australia, Kingdom of Lochac, College Challenge, armour, knight, knighthood, metalwork, medieval metalwork, armoury, tournament, SCA, Society for Creative Anachronism, medieval craft, armour making, tourney</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Members of the Society for Creative Anachronism dressed in armour in  preparation for a battle at the College Challenge, 2010, between St.  Basil's (UWA) and St. Lazarus (Murdoch). In Perth, Western Australia, these are the only two chapters of the SCA  which are based in colleges.&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism &lt;/strong&gt;is  an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand.  &lt;br /&gt; &lt;br /&gt; Information regarding the &lt;strong&gt;College of St. Basil the Great&lt;/strong&gt; (UWA) can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carter, Bree</text>
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                <text>19 December 2010</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;Members of the Society for Creative Anachronism (SCA) fighting in a  tournament known as 'the College Challenge.' The battle depicted in  these images was fought between members from both St. Basil (UWA) and  St. Lazarus (Murdoch). In Perth, Western  Australia, these are only two chapters of the SCA which are based in  colleges.&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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McEwan, Joanne</text>
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                <text>&lt;p&gt;Costumes displayed at the Society for Creative Anachronism's College Challenge, December 2010 between St. Basil (UWA) and St. Lazarus (Murdoch).&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac   (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and   're-creation' of Medieval and Early Modern cultures and their histories   before the seventeenth century. As the prime example of a 'living   history' group, members of the SCA aim to re-create the past through   applying elements of historical knowledge to a practical engagement with   Medieval and Early Modern crafts, martial arts, science, metalwork and   cooking (for example). The Society was created by graduates of the   University of Berkley in California in the 1960s and has since branched   out to include 19 kingdoms, with over 30,000 members in locations  across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carnevale, carnival, carnivale, Catholic Church, Catholicism, Church, costume, custom, disorder, Feast of Epiphany, festival, festivity, Fremantle, Lent, mask, masquerade, medieval custom, medieval festival, parade, popular festival, ridicule, ritual, Shrove Tuesday, tradition, Western Australia, WA, banner, banners</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Costumed revellers parading down Fremantleâ€™s cappuccino strip in Western Australia during the 2011 Fremantle Carnevale parade.&#13;
Carnevale is a traditional community festival that temporarily promotes disorder and frivolity using masquerade, cross-dressing, music, dance and the popular or ritualised ridicule of authority figures. In the medieval period, it came to be strongly associated with the Catholic period of Lent. Carnevale was thereafter regarded as a time for festivity and light-hearted jest beginning with the Feast of the Epiphany and lasting until Shrove Tuesday, when the church bells would toll to signal the beginning of Lent.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5015">
                <text>McEwan, Joanne</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5016">
                <text>3 March 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5017">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5018">
                <text>Digital Photograph</text>
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        <name>banner</name>
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        <name>banners</name>
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        <name>Carnevale</name>
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        <name>carnival</name>
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        <name>carnivale</name>
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        <name>Catholic Church</name>
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        <name>Church</name>
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        <name>Feast of Epiphany</name>
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        <name>Fremantle</name>
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        <name>Shrove Tuesday</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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