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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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            <description>A name given to the resource</description>
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                <text>Sword-fight, Balingup Medieval Carnivale parade</text>
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                <text>Balingup, Balingup Medieval Carnivale, carnival, parade, re-creation, recreation, Shire of Donnybrook-Balingup, South-West WA, sword-fight, sword, swords, knights, knight, horse, weapons, weaponry, battle, WA, Western Australia</text>
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                <text>A close-up digital photograph of a section of the parade at the Balingup Medieval Carnivale. This image features an impromptu sword-fight. Unfortunately for the combatant on horseback, he has no clear height advantage over his opponent on foot. The parade went through the town of Balingup before ending up at the carnivale site. It took place on both days of the carnivale in the early afternoon. </text>
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                <text>McLeod, Shane</text>
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                <text>27 August 2011</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.swordcraft.com.au/"&gt;http://www.swordcraft.com.au/&lt;/a&gt;</text>
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                <text>Archery, armour, arrow, battle, costume, fantasy, game,The Lord of the Rings, Melbourne, Orc, performance, re-enactment, roleplay, Swordcraft, J.R.R. Tolkien, Vic, Victoria, Warhammer, weapons, World of War</text>
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                <text>Swordcraft is a live medieval re-enactment roleplaying game in which players wear realistic costumes and fight with realistic-looking weapons made of rubber and foam, and padded arrows. For photographs see the Gallery on their website. The group is based in Melbourne, Victoria, and meets weekly for games, often attracting over 100 participants. The website describes the game as â€˜paintball meets medieval/fantasy battleâ€™. The group acknowledges the games debt to medievalism, citing The Lord of the Rings (Orcs are featured), Warhammer, and World of War as influences, along with actual medieval history.</text>
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                <text>Swordcraft</text>
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                <text>7 June 2012</text>
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                <text>Swordcraft</text>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Sydney City Library, Haymarket, New South Wales</text>
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            <description>The topic of the resource</description>
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                <text>Bank, capital, CBC Bank, Classical, column, Commercial Banking Company of Sydney, Gothic, Gothic Revival, Haymarket, library, moulding, New South Wales, NSW, pointed arch, Romanesque, Romanesque Revival, semi-circular arch, Sydney, Sydney City Library, Tudor arch</text>
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                <text>The current Sydney City Library building in Haymarket was built for the Commercial Banking Corporation of Sydney in 1875. The sandstone building on the corner of George and Hay Streets incorporates a number of architectural styles that can be traced back to the medieval period. The ground level of the building has semi-circular arched windows and doorway (not in photograph) in the Romanesque Revival style. Semi-circular arched windows are also featured on the second storey, but the pointed arch mouldings above the windows are in the Gothic Revival style. The small windows on the third storey have Tudor arches. The columns with decorated capitals on the second and third storeys are also common in Romanesque, as well as Classical, architecture.</text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>17 December 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photograph; JPEG</text>
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        <name>Romanesque Revival</name>
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        <name>Sydney City Library</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';" lang="EN-AU"&gt; &lt;a href="http://tasmanian-gothic.com/" target="_blank"&gt;http://tasmanian-gothic.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Tasmanian Gothic is the website for Tasmanian artist Elizabeth Barsham (formerly E.M. Christensen). Her work is inspired by such things as medieval tapestries and the Renaissance artists Pieter Bruegel and Albrecht DÃ¼rer (according to the â€˜just a Tasmanianâ€™ tab).</text>
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                <text>Barsham, Elizabeth</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Elizabeth Barsham, Tasmanian Gothic</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Pieter Bruegel</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="15757">
              <text>Newspaper Article</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The "India" Small Pox Scare</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>smallpox, small pox, disease, quarantine, ship, S.S. India, Albany, doctor, medieval regulations, medieval medical practices</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In this letter to the editor of the West Australian Sunday Times in March 1900, the correspondent â€œB. Knightedâ€ complains about quarantine practices that required doctors who boarded ships docked at Albany to quarantine patients suffering from smallpox and other exposed passengers, but then allowed the doctor himself to disembark and resume treating members of the community. The strict quarantine mandate for anyone on board the ship when the doctor was satisfied that disinfecting his hands could prevent the spread of the disease was, the correspondent claims, an undesirable remnant of an â€˜obsolete and medieval practiceâ€™.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Knighted, B.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15752">
                <text>National Library of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>The West Australian Sunday Times</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15754">
                <text>11 March 1900, p. 2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15755">
                <text>The West Australian Sunday Times</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15756">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
    <tagContainer>
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        <name>Albany</name>
      </tag>
      <tag tagId="438">
        <name>disease</name>
      </tag>
      <tag tagId="443">
        <name>doctor</name>
      </tag>
      <tag tagId="445">
        <name>medieval medical practices</name>
      </tag>
      <tag tagId="444">
        <name>medieval regulations</name>
      </tag>
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        <name>quarantine</name>
      </tag>
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        <name>S.S. India</name>
      </tag>
      <tag tagId="440">
        <name>ship</name>
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      <tag tagId="3746">
        <name>small pox</name>
      </tag>
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        <name>smallpox</name>
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                    <text>3</text>
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                <name>Height</name>
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                    <text>933</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="20240">
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                <text>The 1865 Building: Brunswick Uniting Church, Melbourne, Victoria</text>
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            <description>The topic of the resource</description>
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                <text>architecture, Brunswick, buttress, Charles Webb (1821-1898), church, church building, decorated gothic window, Evander McIver, gable, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, quoin, spire, tower, tracery, VIC, Victoria, Victorian Gothic, arches, arch</text>
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            <description>An account of the resource</description>
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                <text>A view of original church building at the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church, featured here, was constructed in 1865 to the neo-gothic design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20236">
                <text>McEwan, Susan</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>May, 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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      <tag tagId="1077">
        <name>lancet arch</name>
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        <name>lancet window</name>
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      <tag tagId="71">
        <name>neo-Gothic</name>
      </tag>
      <tag tagId="1083">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18729">
                <text>The â€˜Advance Australiaâ€™ Arms Window in the Queen Victoria Building, Sydney</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18730">
                <text>architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18731">
                <text>Urry, David (Digital Image)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18732">
                <text>3 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18733">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18734">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1207">
        <name>arcade</name>
      </tag>
      <tag tagId="74">
        <name>architecture</name>
      </tag>
      <tag tagId="4319">
        <name>cartwheel window</name>
      </tag>
      <tag tagId="4320">
        <name>coat-of-arms</name>
      </tag>
      <tag tagId="4321">
        <name>endeavour</name>
      </tag>
      <tag tagId="3502">
        <name>heraldic</name>
      </tag>
      <tag tagId="362">
        <name>heraldry</name>
      </tag>
      <tag tagId="3590">
        <name>identity</name>
      </tag>
      <tag tagId="1428">
        <name>neo-Romanesque</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4322">
        <name>Queen Victoria Building</name>
      </tag>
      <tag tagId="2831">
        <name>retail arcade</name>
      </tag>
      <tag tagId="4323">
        <name>Romanesque Revival architecture</name>
      </tag>
      <tag tagId="4324">
        <name>shopping arcade</name>
      </tag>
      <tag tagId="4316">
        <name>Southern Cross</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="4325">
        <name>unification</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="748" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18722">
              <text>&lt;p&gt;&lt;em&gt;The City of Sydney Archives digital photograph bank: &lt;/em&gt;&lt;a href="http://photosau.com.au/Cos/scripts/home.asp" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Times New Roman;"&gt;http://photosau.com.au/Cos/scripts/home.asp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Type: &amp;lsquo;stained glass&amp;rsquo; into the Search box, then &amp;lsquo;click&amp;rsquo; Search&lt;/p&gt;&#13;
View: Image 5 &amp;ndash; 006121 (click to enlarge).</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18715">
                <text>The â€˜Australiaâ€™ window; or â€˜Oceaniaâ€™ in the Sydney Town Hall</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18716">
                <text>Allegory, centenary, colony, Goodlet &amp; Smith, lantern, Lucien Henry, nationalism, neo-romanesque, New South Wales, Norman Revival, NSW, patriotism, Romanesque, Southern Cross, stained glass, Sydney, Sydney Town Hall, symbolism, trident, Union Jack, window</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18717">
                <text>One of two neo-romanesque with rounded heads and stylised borders designed by Frenchman Lucian Henry and manufactured by Goodlet &amp; Smith for the Sydney Town Hall auditorium, at a time when national fervour was running high in the late nineteenth century. These windows are reminiscent of Romanesque or Norman figural windows dating from the eleventh century. A tall allegorical figure, which doubtless personifies the colony of NSW, wears a helmet of ramâ€™s horns encircled by the sunâ€™s rays. She carries a minerâ€™s lantern and a trident. The figure is draped in the Union Jack, and framed by four white stars on blue grounds in the shape of the Southern Cross. The fifth star is placed upon the womanâ€™s forehead. Symbolism of this type has decidedly classical and also medieval precedents (See James Hall, Dictionary of Subjects and Symbols in Art, 2nd Edition, Boulder, Westview Press, 2008, p.316). The woman stands astride the globe, which is inscribed with her name. The central window is flanked by decorative (and recognisably) Australian floral sidelights adorned with the words â€˜Advance Australiaâ€™ and the dates of the centenary (1788-1888). This â€˜Australiaâ€™ window is one of two inspirational Lucien Henry stair windows installed to celebrate Sydneyâ€™s centenary and to promote the developing national identity narrative.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18718">
                <text>Lucien Henry (designer)&#13;
Goodlet &amp; Smith (manufacturers)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18719">
                <text>Sydney, 1887-88 (windows)&#13;
Sydney, c. 1989 (photograph)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18720">
                <text>Â© City of Sydney Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18721">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="4311">
        <name>allegory</name>
      </tag>
      <tag tagId="1446">
        <name>centenary</name>
      </tag>
      <tag tagId="774">
        <name>colony</name>
      </tag>
      <tag tagId="4312">
        <name>Goodlet &amp; Smith</name>
      </tag>
      <tag tagId="4313">
        <name>lantern</name>
      </tag>
      <tag tagId="4314">
        <name>Lucien Henry</name>
      </tag>
      <tag tagId="477">
        <name>nationalism</name>
      </tag>
      <tag tagId="1428">
        <name>neo-Romanesque</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="4121">
        <name>Norman Revival</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4315">
        <name>patriotism</name>
      </tag>
      <tag tagId="2066">
        <name>Romanesque</name>
      </tag>
      <tag tagId="4316">
        <name>Southern Cross</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="2398">
        <name>Sydney Town Hall</name>
      </tag>
      <tag tagId="4013">
        <name>symbolism</name>
      </tag>
      <tag tagId="4317">
        <name>trident</name>
      </tag>
      <tag tagId="4318">
        <name>Union Jack</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
