131 8 1266 https://ausmed.arts.uwa.edu.au/files/original/fb683f92293d84bafcf7bc9d657b8dcb.pdf 18ba6e83f1a0ff78ba02d7463e8ca5d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="%20http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Are We Medieval?' The Worker, 2 January 1904 Subject The topic of the resource Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress, trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. Description An account of the resource This article from Brisbane publication The Worker rebukes derisive comments published by a London journalist mocking Australia’s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie’s quip that ‘Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life’, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: ‘We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress’. Creator An entity primarily responsible for making the resource Cintra Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Publisher An entity responsible for making the resource available The Worker Date A point or period of time associated with an event in the lifecycle of the resource 2 January 1904, p.3 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Criticism democracy economy guild industrialisation labour legislation McKenzie medieval guilds politics Professor Thorold Rogers progress trade trade bosses trade guilds trade unionism wages workers working conditions https://ausmed.arts.uwa.edu.au/files/original/79d55fb6c53a1e7e6c8173315dee8fa5.pdf c9ef35139f0a67773a996cde54119e1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article49605228" target="_self">http://nla.gov.au/nla.news-article49605228</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roaming Tiger, The West Australian, 12 December 1953 Subject The topic of the resource Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf. Description An account of the resource This interest piece from The West Australian in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour. Creator An entity primarily responsible for making the resource C. R. Collins Source A related resource from which the described resource is derived National library of Australia: <a href="http://nla.gov.au/nla.news-article49605228" target="_self">http://nla.gov.au/nla.news-article49605228</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 12 December 1953, p.33 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Aesop Androcles Animals anthropomorphism circus coat of arms courage emblem fables folklore gratitude honour lion loyalty Medieval Romance Narrandera New South Wales NSW popular culture Red Riding Hood Remus Reynard the Fox she-wolf stories story-tellers symbolism tiger wolf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&ViewID=2&MnuID=2" target="_self">http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&ViewID=2&MnuID=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Then one of them, which was a lawyer, asked him a question', by Grace Cossington Smith Subject The topic of the resource art, Australian artist, biblical, Blake Prize, devotional art, Giotto (c.1266-1337), Grace Cossington Smith (1892-1984), Masaccio, Matthew, painters, religious art, Renaissance art, scripture, Tommaso di ser Giovanni di Simone (c.1401-1428), Tribute Money. Description An account of the resource This painting by Sydney artist Grace Cossington Smith derives its title,'Then one of them, which was a lawyer, asked him a question', from Matthew, Chapter xxii, verse 35. Although better known for her paintings of domestic interiors, this is one of two biblical works Cossington Smith painted for entry into the newly established Blake Prize for Religious Art in the early 1950s. Influenced generally by Renaissance artists such as Giotto, whose paintings she had seen in Italy, Cossington Smith used Masaccio’s 'Tribute Money' (from the Carmine in Florence) in particular as a model for this painting (see Bruce James, Grace Cossington Smith, Roseville, Craftsman House, 1990, p.135). It featured alongside a number of Cossington Smith’s other works as part of an exhibition titled Grace Cossington Smith: A Retrospective Exhibition at the National Gallery of Australia in 2005. Creator An entity primarily responsible for making the resource Grace Cossington Smith AO OBE (1892-1984) Source A related resource from which the described resource is derived National Gallery of Australia, accession no. NGA 1976.1059 Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource National Gallery of Australia Format The file format, physical medium, or dimensions of the resource Oil on canvas on paperboard painting, 59.1x86.3cm art Australian artist biblical Blake Prize devotional art Giotto (c.1266-1337) Grace Cossington Smith (1892-1984) Masaccio Matthew painters religious art Renaissance art scripture Tommaso di ser Giovanni di Simone (c.1401-1428) Tribute Money https://ausmed.arts.uwa.edu.au/files/original/ddd2cff8c30d26b6fc80ac545f3fe118.pdf 39b8b093ec1a1f4163d427bfdfd9a31d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article4073779" target="_self">http://nla.gov.au/nla.news-article4073779</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Mr Waller Napier Returns’, The Argus, 10 March 1930. Subject The topic of the resource art, electric furnace, medieval craft, Melbourne, Melbourne Town Hall, Mervyn Napier Waller (1893-1972), mosaic, mural paintings, National Gallery, stained glass, VIC, Victoria. Description An account of the resource This article from The Argus in 1930 reports on the return to Melbourne of famed Australian mosaic and stained glass artist Mervyn Napier Wallace and his wife. Napier, whose mosaics in the Melbourne Town Hall and the National Gallery were already well known, returned from visiting Europe with the most recent kind of electric furnace for firing and annealing stained glass and an intention to set up a studio in Melbourne. During his tour of Europe the works that attracted him most, the article reports, were those hailing from the medieval period when stained glass was regarded as a craft rather than an art form, namely 4th-13th century France and 12th-13th century Italy. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia: <a href="http://nla.gov.au/nla.news-article4073779" target="_self">http://nla.gov.au/nla.news-article4073779</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 10 March 1930, p.6 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article art electric furnace medieval craft Melbourne Melbourne Town Hall Mervyn Napier Waller (1893-1972) mosaic mural paintings National Gallery stained glass Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/c13b90ff71216995444145f14e3c2401.JPG cc38a6a55c0b58c42523ec8542c31103 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/fa3055902f66f098b82817bc0065ca5e.JPG bfc7be30198a8fd7dd74202c0438b7eb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/5f8e825aa5aafac75954fc9f8f63d19c.JPG f5bfd7c22096c58f86811bda987e4fad Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Duncan House, Launceston, Tasmania Subject The topic of the resource Art Deco, City Motors, crenellation, Duncan House, Ford, Gothic, Launceston, parapet, Colin Philip, pointed arch, Tas, Tasmania. Description An account of the resource Duncan House is on Brisbane Street in central Launceston, Tasmania. It was designed by architect Colin Philip in 1934 as the Ford showroom for City Motors. The three storey Art Deco building features a number of medieval Gothic features including a crenelated parapet at the front and side (which was continued on a later extension at the rear), an arched entrance, and pointed arch doorways in the corridor. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 25, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Art Deco City Motors Colin Philip crenellation Duncan House Ford Gothic Launceston parapet pointed arch Tas Tasmania. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.morris.org.au/index.html">http://www.morris.org.au/index.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Australian Morris Ring Subject The topic of the resource ACT, Australian Capital Territory, Australian Morris Ring, Borders Morris, costume, Cotswold Morris, dance, England, folk dance, folk music, Morris Dancers, New South Wales, North West Morris, NSW, performance, Qld, Queensland, SA, Sides, South Australia, Tas, Tasmania, Vic, Victoria, WA, website, Western Australia. Description An account of the resource Australian Morris Ring is an organisation that represents Australian Morris dancers. It represents ‘sides’, or Morris dancing teams, in all Australian states and territories except the Northern Territory. The groups perform the Cotswold, Borders (the border between Wales and England), and North West (of England) versions of Morris dancing, Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin. For more information see <a href="http://www.morris.org.au/index.html">http://www.morris.org.au/index.html</a> Creator An entity primarily responsible for making the resource Australian Morris Ring Contributor An entity responsible for making contributions to the resource Kimberley Brown Graphic Design Rights Information about rights held in and over the resource Australian Morris Ring Format The file format, physical medium, or dimensions of the resource Website ACT Australian Capital Territory Australian Morris Ring Borders Morris costume Cotswold Morris dance England folk dance folk music Morris Dancers New South Wales North West Morris NSW performance Qld Queensland SA Sides South Australia Tas Tasmania Vic Victoria WA website Western Australia. https://ausmed.arts.uwa.edu.au/files/original/1d25b8e9ec97d51b7ab17f4b5e22e24b.pdf a00da3b2d74f067871a121cce52b6a04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article59602764" target="_self">http://nla.gov.au/nla.news-article59602764</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mothers Day, The Register, 7 May 1915 Subject The topic of the resource Adelaide, celebration, Church services, custom, duty, gifts, gratitude, family, festival, homage, Lent, May, medieval custom, mother, mothering, motherâ€™s day, observance, tradition, SA, South Australia, Sunday, white flowers, Young Womenâ€™s Christian Association. Description An account of the resource This article from The Register in 1915 traces the origins of Mothers’ Day celebrations to the medieval period, when adolescent children would be afforded a holiday from work on the fourth Sunday in Lent to ‘go a-mothering’. On such occasions, the article explains, family members would assemble and pay homage to mothers by presenting gifts, and a general air of festivity ensued with special Church services and prayers containing more than usual reference to family life. While some elements of the festivities were not adopted in Australia, the article continues, the observance of mothers day is regularly marked by the wearing of white flowers, and by annual festivals such as the one conducted at the Young Women’s Christian Association headquarters in Adelaide. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article59602764" target="_self">http://nla.gov.au/nla.news-article59602764</a> Publisher An entity responsible for making the resource available The Register Date A point or period of time associated with an event in the lifecycle of the resource 7 May 1915, p.6 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Adelaide celebration Church services custom duty family festival gifts gratitude homage Lent May medieval custom Mother motherâ€™s day mothering observance SA South Australia Sunday tradition white flowers Young Womenâ€™s Christian Association https://ausmed.arts.uwa.edu.au/files/original/fd3daac28c55dc9eabc35bdcd7392f80.JPG b94362dd9e4163299a0a83d5555da15a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/31374afd39880ab87aae1396bea47feb.JPG 88345806af222fb2919ffa71c6d65dfd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carr Villa Memorial Park Entrance Chapel, Launceston, Tasmania Subject The topic of the resource Buttress, Carr Villa Memorial Park, cemetery, chapel, entrance, Gothic, Gothic Revival, lancet windows, Launceston, pointed arch, spire, Tas, Tasmania, tower. Description An account of the resource Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. This photograph shows the front and side of the building. For the rear and interior of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1098</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photographs buttress Carr Villa Memorial Park cemetery chapel entrance Gothic Gothic Revival lancet windows Launceston pointed arch spire Tas Tasmania tower.