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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>A Knight in The University of Sydney Commem Day Parade, 1937</text>
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                <text>Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.&#13;
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                <text>State Library of New South Wales, Digital Order No. hood_14975</text>
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                <text>State Library of New South Wales, Hood Collection part I: Sydney streets, buildings, people, activities and events, c.1925-1955</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;Digital Newspaper Article: National Library of Australia - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;</text>
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                <text>A Medieval Inspiration</text>
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                <text>clothing, dress, gown, fashion, headdress, medieval lines, moire, pearl, simplicity, trimmings, wedding, wedding dress, womenâ€™s fashion</text>
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                <text>In this instalment of â€œThe Ladiesâ€™ Sectionâ€ of the Sunday Times, an illustration is provided of a fashionable wedding dress described as being â€œof medieval inspirationâ€. The simplicity of the dress, the caption suggests, is what constitutes its charm. The dress is cut along medieval lines and embellished with pearl trimmings. </text>
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                <text>The Sunday Times</text>
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                <text>28 April 1929, p. 5.</text>
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                <text>The Sunday Times</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A Medieval Manor House</text>
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                <text>accommodation, aviary, buttery, chapel, children, dining-room, enemies, fifteenth century, fortification, gardens, great hall, hall, housing, kitchen, Lord, Lord of the Manor, Manor, manor-house, medieval housing, medieval social relations, pantry, residence, tower, tunnel</text>
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                <text>In this article from a regular childrenâ€™s column in the Sunday Times called â€œThe Girls and Boys Clubâ€, a standard and idealised description of medieval manor houses is provided. According to the author, a fifteenth-century manor house was a grand residence that featured a great hall, a huge kitchen with adjoining pantry and buttery, a large dining-room, a private chapel, an aviary, a tower, courtyards and beautifully landscaped gardens. It was presided over by a lord and is described as a â€˜little townâ€™ because it housed hundreds of people. An interesting but unexplained comment towards the end of the article also suggests that manor houses had underground tunnels because in the â€˜bad old daysâ€™ of the medieval period, the Lord of the manor â€˜was likely to make enemies almost overnight, through no fault of his ownâ€™.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>6 October 1935</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <name>Title</name>
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                <text>Ó”lfred, Alfred the Great (848/9-899), Anglo-Saxon, â€œAnglo-Saxon Chronicleâ€, annals, army, Asser, Athelney, battle, book, book review, Chippenham, chronicle, Danelaw, Danes, East Anglia, Edington, Ethandune, Guthrum, historical romance, invasion, Jeffery Farnol, king, â€œLife of Alfredâ€, novel, recreation, romance, romanticisation, siege, â€œThe King Livethâ€, victory, Vikings, war, Wessex, West Saxon, Wiltshire</text>
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                <text>In this review of Jeffery Farnol&amp;rsquo;s historical romance &amp;ldquo;The King Liveth&amp;rdquo;,  the novel is recommended to readers who appreciate the &amp;ldquo;picturesque  recreation of the England of those far off [Anglo-Saxon] days&amp;rdquo;. Set in  the ninth-century and culminating in the Battle of Ethundane (Edington)  in 878, the reviewer claims that this tale of Alfred the Great is based  on evidence from chronicles. This most likely refers to the &amp;ldquo;Anglo-Saxon  Chronicle&amp;rdquo;, and perhaps Asser&amp;rsquo;s &amp;ldquo;Life of Alfred&amp;rdquo;, both written during  Alfred&amp;rsquo;s reign. After being forced to flee to the marshes around  Athelney following the invasion of the Viking great army led by Guthrum  (where the burning of the cakes episode mentioned by the reviewer  supposedly happened), Alfred was able to rally an army and defeat the  Vikings. The survivors fled to Chippenham but following a two-week siege  they asked for a treaty. A peace treaty followed by which Guthrum and  his leading supporters were baptised and the following year they settled  East Anglia (part of the &amp;lsquo;Danelaw&amp;rsquo;), where Guthrum reigned until 890.&lt;br /&gt; &lt;br /&gt; For a copy of the book&amp;rsquo;s cover and the dust jacket summary, see: &lt;a href="http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm" target="_blank"&gt;http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm&lt;/a&gt;.&lt;br /&gt; &lt;br /&gt; For more on Alfred, see Patrick Wormald, &amp;lsquo;Alfred (848/9&amp;ndash;899)&amp;rsquo;, Oxford  Dictionary of National Biography, Oxford University Press, 2004; [&lt;a href="http://www.oxforddnb.com/view/article/183" target="_blank"&gt;http://www.oxforddnb.com/view/article/183&lt;/a&gt;, accessed 15 June 2011].</text>
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                <text>National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article50339347" target="_blank"&gt;http://nla.gov.au/nla.news-article50339347&lt;/a&gt;</text>
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                <text>The West Australian</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian</text>
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            <description>A language of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article38948745" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38948745&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="50">
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                <text>A Page for Women and Perhaps Men: Medieval Angels</text>
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            <description>The topic of the resource</description>
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                <text>Included on this page from the Western Mail in 1935 is a photograph of three women, identified as the Petter sisters, dressed as â€˜medieval angelsâ€™ at a Halloween Ball in London.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2130">
                <text>The Western Mail</text>
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        <name>angel</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Apparel, armament, armour, battle, body armour, defensive armament, garment, handcrafted, handmade armour, knight, metalwork, medieval armour, medieval craft, Perth, Perth Medieval Fayre, plate armour, skirmish, protective clothing, re-creation, recreation, steel, WA, WAMA, warfare, weaponry, Western Australia, Western Australian Medieval Alliance</text>
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                <text>A suit of plate armour on display at the Perth medieval Fayre. This type of armour, consisting of a breastplate and various other plates to protect the arms, legs, elbows, hands and shoulders, was crafted from steel and began to replace chainmail as the favoured armour for knights during the fourteenth century. For an explanation of changes to plate armour, including the addition and development of rerebraces, vambraces, pauldrons and gauntlets, in the fourteenth and fifteenth centuries, see Kelly DeVries, Medieval Military Technology, Peterborough, Broadview press, 1992.&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                <text>McEwan, Joanne</text>
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