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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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PDF</text>
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              <text>&lt;a href="http://www.catalog.slsa.sa.gov.au/record=b2134573%7ES1"&gt;http://www.catalog.slsa.sa.gov.au:80/record=b2134573~S1&lt;/a&gt;</text>
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                <text>Labor Day Procession in Argent Street, Broken Hill</text>
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                <text>banner, banners, Broken Hill, float, floats, Labor, Labor Day, labour, labourer, New South Wales, NSW, parade, parades, procession, processions, street parade, trade, trade union, trade unionism, trades, union, unionism, unions, work, worker, working class</text>
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                <text>&lt;p&gt;A photograph from c. 1911 of a large crowd lining Argent Street in Broken Hill to watch a Labor Day procession of men carrying union banners.&lt;/p&gt;&#13;
&lt;p&gt;Union banners have a medieval predecessor in the banners used by guilds (an association of craftsmen in the same trade), with each guild having a banner to show their trade. Some historians consider trade unions to be the successors of medieval guilds.&lt;/p&gt;&#13;
&lt;p&gt;For an example of recreation medieval guild banners from 1909 in York see &lt;a href="http://www.theyorkcompany.co.uk/find_out_more/page020104.php" target="_blank"&gt;http://www.theyorkcompany.co.uk/find_out_more/page020104.php&lt;/a&gt;&lt;/p&gt;</text>
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                <text>ca. 1911</text>
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                <text>State Library of South Australia</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Original: 25.5x20.5cm b&amp;w photograph (pm); 21.5x16cm b&amp;w copyprint		</text>
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              <text>&lt;a href="http://photosau.com.au/Canterbury/scripts/home.asp"&gt;http://photosau.com.au/Canterbury/scripts/home.asp&lt;/a&gt;</text>
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                <text>Druitt's Lodge Procession Along Beamish Street, Campsie, New South Wales</text>
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                <text>banner, banners, Campsie, celebration, Druitt's Lodge, event, festival, fraternities, fraternity, Freemasonry, Lodge, masons, men, Mt Druitt, New South Wales, NSW, parade, parades, procession, processions, recreation, road, street,  Sydney</text>
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                <text>Hyperlink to an image of a Druitt's Lodge procession along Beamish Street in Campsie, Sydney, NSW.  &#13;
&#13;
The photograph was taken in the 1920s and shows a parade of Freemasons, some of whom are carrying banners. Although the origins of Freemasonry are extremely obscure, the earliest document which may be associated with Freemasonry is the Halliwell Manuscript or Regius Poem dating from the late fourteenth to mid fifteenth century and now held in the British Library. </text>
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                <text>ca 1920s</text>
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                <text>Canterbury City Council</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article32632366" target="_blank"&gt;http://nla.gov.au/nla.news-article32632366&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Untitled article: â€œthe medieval barbarities of our state criminal factoriesâ€</text>
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                <text>criminal justice, justice, crime, criminal, just, Fremantle, Fremantle prison, gaol, Geraldton Express, incarceration, imprisonment, innocence, medieval barbarity, parliamentary enquiry, penal system, prison, prison reform, prison sentence, punishment, reform, Royal Commission, violence, WA, Western Australia</text>
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                <text>In the second half of this article, an excerpt from the Geraldton Express discussing the Royal Commission into the penal system in Western Australia is reprinted. The Commission, it asserts, had already succeeded in awaking public opinion to the need for reform and had led to the release of a number of innocent men from prison. In an attempt to emphasise the obsolete practices and inhumane punishments of the penal administration, the author associates them with the pre-modern past. The role of the Commission is described as being â€œto inquire into the Chamber of National Horrors at Fremantle and the medieval barbarities of our state criminal factoriesâ€.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article32632366" target="_blank"&gt;http://nla.gov.au/nla.news-article32632366&lt;/a&gt;</text>
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                <text>West Australian Sunday Times</text>
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                <text>25 December 1898, p. 18.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>West Australian Sunday Times</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Newspaper Article:&lt;/p&gt;&#13;
&lt;p&gt;National Library of Australia &lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;a href="http://nla.gov.au/nla.news-article58662791" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://nla.gov.au/nla.news-article58662791&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Albert Chevalier, Atholl Fleming (1984-1972), Battle, Bishop of Beauvais, Bluebeard, British stage, Bruce Winston, canonisation, Captain La Hire, cast, characters, Charles VII, Charles de Ponthieu (1403-1461), Christopher Casson (1912-1996), Dauphin, Donald Eccles (1908-1986), drama, Dunois, Earl of Warwick, George Bernard Shaw (1856-1950), Hilda Davies, His Majestyâ€™s Theatre, Hundred Yearsâ€™ War (1336-1453), Inquisitor, Jeanne dâ€™Arc, Joan of Arc (1412-1431), Ladvenu, Leonard Bennett, Lewis Casson (1875-1969), maid of OrlÃ©ans, medieval France, Michael Martin-Harvey (1897-1975), New Theatre, Page, Perth, play, Poulengey, Rheims Cathedral, Robert de Baudricourt, Rouen, Saint Joan, â€œSaint Joanâ€, St. Joan, St Joan, saint, saints, stage, Sybil Thorndike (1882-1976), T. Tracy, theatre, theatrical production, trial, warrior, Zillah Carter (1864-1941)</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This article from the Sunday Times provides  a positive review of George Bernard Shaw&amp;rsquo;s &amp;ldquo;Saint Joan&amp;rdquo;, which  premiered in Australia at His Majesty&amp;rsquo;s Theatre in 1932. &amp;ldquo;Saint Joan&amp;rdquo; is  a play based  on the life (Scenes 1-5), trial (scene 6) and canonisation (Epilogue)  of Joan of Arc. The play&amp;rsquo;s depiction of medieval France is praised by  the reviewer as vivid and realistic. For a copy of Shaw&amp;rsquo;s &amp;ldquo;Saint Joan&amp;rdquo;,  see &lt;a href="http://gutenberg.net.au/ebooks02/0200811h.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://gutenberg.net.au/ebooks02/0200811h.html&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 10pt;"&gt;About Joan of Arc:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 0pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the  age of about 12, Joan had visions of saints and heard heavenly voices  that increasingly urged her to fight for France during the Hundred  Years&amp;rsquo; War. She travelled to the court of Charles  De Ponthieu, the Orl&amp;eacute;anist claimant to the throne, where she was  provided with a suit of armour and her distinctive banner depicting a  golden fleur-de-lys. She secured a decisive military victory to rescue  the city of Orl&amp;eacute;ans from the Earl of Salisbury&amp;rsquo;s English  army in 1429, and was present at the coronation of Charles VII.  However, in May the following year Joan was captured by Burgundian  forces at Compi&amp;egrave;gne, and was handed over to the English. She was tried  at Rouen on charges of witchcraft and heresy, and was  condemned to death. On 30 May 1431, she was executed. Two and a half  decades later, the case was appealed and her conviction was overturned.  She was beatified in 1909 and canonised as a saint in 1920.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span style="font-size: 10pt;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58662791" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://nla.gov.au/nla.news-article58662791&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>National Library of Australia</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Newspaper Article: National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A Bereaved Empire</text>
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                <text>Augustus, Augustus (63BC-19AD), bereavement, British Empire, corn laws, Darius (550-486BC), death, democracy, emancipation, Empire, enfranchisement, free press, free schools, grief, invention, Louis XIV (1638-1715), loyalty, medieval proclamation, monarch, monarchy, mourning, nation, Queen Elizabeth (r.1558-1603), Queen Victoria (r.1837-1901), political equality, progress, railway, reform, republic, republicanism, royalty, science, sovereign, steamer, telegraph, triumph</text>
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                <text>In this article upon the death of Queen Victoria (on 22 January 1901), her reign is described as a period in which â€œwe took a sudden step from medieval darkness to the metaphorically blinding brilliancy of the dawn of the twentieth centuryâ€. Citing the expansion of Empire, the extension of the franchise, the invention of railway, telegraph and the steamship and the establishment of free schools as examples of progress, the article suggests that the legacy of the Victorian era will surpass that of all others, including Augustus, Louis XIV and Elizabeth I, for its combination of intellectual splendour, artistic brilliance and political development. Under Victoria, the author suggests, Britain had become a republic in all but name, because in a break from tradition she was â€œthe Queen of the people, not of Peers and Aristocrats; the Queen of the cottage, and not of the Castleâ€. This shift and the growth of public affection that accompanied it is highlighted by the author in the suggestion that an adaptation of the traditional proclamation â€œThe King is Dead, Long Live the Kingâ€, in use since the medieval period to signify the immediate transfer of sovereignty onto the heir, was unthinkable because her beloved subjects needed time to mourn.  </text>
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&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>27 January 1901, p. 6.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article. National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>"Men Call Me a Fool"</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This article provides a short review of Dan  Totheroh&amp;rsquo;s historical novel &amp;ldquo;Men Call me Fool&amp;rdquo;,  published by Selwyn and Blount in 1929. Set in fourteenth-century  France at the court of King Francis I, the plot centres on a  professional fool and a youthful duchess who falls in love with him.  Although professional fools were common in medieval courtly  circles, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span&gt;&lt;span lang="EN"&gt;the reviewer tells the reader, &amp;ldquo;mostly they were hunchbacks or deformed, but this one&lt;/span&gt;&lt;span&gt; was an Adonis&lt;/span&gt;&amp;rdquo;, and also a troubadour. Summing up, the reviewer  concludes that &amp;ldquo;There is a good deal of the atmosphere of the times and  much that is realistic in the lives of these professional fools&amp;rdquo; and  &amp;ldquo;the characterisation of the sensual king and  his nobles is convincing&amp;rdquo;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;To access a copy of this novel, see &lt;a href="http://babel.hathitrust.org/cgi/pt?id=uc1.b312683" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://babel.hathitrust.org/cgi/pt?id=uc1.b312683&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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            <elementTextContainer>
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                <text>The Sunday Times</text>
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              <elementText elementTextId="8402">
                <text>13 October 1929, p. 29.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8403">
                <text>The Sunday Times</text>
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          </element>
          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8404">
                <text>Digital Newspaper Article</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8405">
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        <name>Adonis</name>
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        <name>book</name>
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        <name>books</name>
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        <name>court</name>
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        <name>duchess</name>
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        <name>fool</name>
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        <name>Francis I (1494-1547)</name>
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        <name>hunchback</name>
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        <name>king</name>
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      <tag tagId="251">
        <name>literature</name>
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        <name>medieval France</name>
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        <name>nobles</name>
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        <name>professional fool</name>
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        <name>review</name>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;Digital Newspaper Article: National Library of Australia - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>A Medieval Inspiration</text>
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                <text>clothing, dress, gown, fashion, headdress, medieval lines, moire, pearl, simplicity, trimmings, wedding, wedding dress, womenâ€™s fashion</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="8419">
                <text>In this instalment of â€œThe Ladiesâ€™ Sectionâ€ of the Sunday Times, an illustration is provided of a fashionable wedding dress described as being â€œof medieval inspirationâ€. The simplicity of the dress, the caption suggests, is what constitutes its charm. The dress is cut along medieval lines and embellished with pearl trimmings. </text>
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          <element elementId="39">
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="8420">
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                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58413526" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58413526&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="45">
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                <text>The Sunday Times</text>
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                <text>28 April 1929, p. 5.</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8424">
                <text>The Sunday Times</text>
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      <tag tagId="1134">
        <name>medieval lines</name>
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        <name>pearl</name>
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        <name>simplicity</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article50339347" target="_blank"&gt;http://nla.gov.au/nla.news-article50339347&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>A Medieval Romance</text>
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                <text>Ó”lfred, Alfred the Great (848/9-899), Anglo-Saxon, â€œAnglo-Saxon Chronicleâ€, annals, army, Asser, Athelney, battle, book, book review, Chippenham, chronicle, Danelaw, Danes, East Anglia, Edington, Ethandune, Guthrum, historical romance, invasion, Jeffery Farnol, king, â€œLife of Alfredâ€, novel, recreation, romance, romanticisation, siege, â€œThe King Livethâ€, victory, Vikings, war, Wessex, West Saxon, Wiltshire</text>
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                <text>In this review of Jeffery Farnol&amp;rsquo;s historical romance &amp;ldquo;The King Liveth&amp;rdquo;,  the novel is recommended to readers who appreciate the &amp;ldquo;picturesque  recreation of the England of those far off [Anglo-Saxon] days&amp;rdquo;. Set in  the ninth-century and culminating in the Battle of Ethundane (Edington)  in 878, the reviewer claims that this tale of Alfred the Great is based  on evidence from chronicles. This most likely refers to the &amp;ldquo;Anglo-Saxon  Chronicle&amp;rdquo;, and perhaps Asser&amp;rsquo;s &amp;ldquo;Life of Alfred&amp;rdquo;, both written during  Alfred&amp;rsquo;s reign. After being forced to flee to the marshes around  Athelney following the invasion of the Viking great army led by Guthrum  (where the burning of the cakes episode mentioned by the reviewer  supposedly happened), Alfred was able to rally an army and defeat the  Vikings. The survivors fled to Chippenham but following a two-week siege  they asked for a treaty. A peace treaty followed by which Guthrum and  his leading supporters were baptised and the following year they settled  East Anglia (part of the &amp;lsquo;Danelaw&amp;rsquo;), where Guthrum reigned until 890.&lt;br /&gt; &lt;br /&gt; For a copy of the book&amp;rsquo;s cover and the dust jacket summary, see: &lt;a href="http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm" target="_blank"&gt;http://newportvintagebooks.com/gallery/farnol/pages/Far_KingLiveth_UK.htm&lt;/a&gt;.&lt;br /&gt; &lt;br /&gt; For more on Alfred, see Patrick Wormald, &amp;lsquo;Alfred (848/9&amp;ndash;899)&amp;rsquo;, Oxford  Dictionary of National Biography, Oxford University Press, 2004; [&lt;a href="http://www.oxforddnb.com/view/article/183" target="_blank"&gt;http://www.oxforddnb.com/view/article/183&lt;/a&gt;, accessed 15 June 2011].</text>
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                <text>National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article50339347" target="_blank"&gt;http://nla.gov.au/nla.news-article50339347&lt;/a&gt;</text>
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