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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Novaroâ€™s Italian Restaurant sign, Launceston, Tasmania</text>
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                <text>Coat of arms, flag, halo, Italy, Latin, Launceston, lion, Lion of St Mark, logo, Novaroâ€™s Italian Restaurant, Republic of Venice, Restaurant, sign, St Mark, Tas, Tasmania, Venice, winged lion.</text>
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                <text>&lt;p&gt;Novaro&amp;rsquo;s Italian Restaurant is in Brisbane Street in the northern Tasmanian city of Launceston. The photograph shows the sign for the restaurant, which features a Lion of St Mark. This particular version is, with the addition of a halo, essentially the same as the one that appeared on the flag and coat of arms of the medieval Republic of Venice and still continues to be associated with Venice today, including its film festival. The logo features a winged lion holding an open book with one paw. The Latin text on the book reads &amp;lsquo;Pax tibi Marce, evangelista meus&amp;rsquo; (Peace be with you, Mark my evangelist), which comes from an early medieval Venetian legend about an angel appearing to St Mark at a lagoon at Venice.&lt;/p&gt;&#13;
&lt;p&gt;For their website, which features a silhouette of the Lion of St Mark, see &lt;a href="http://www.novaros.com/site/index.html"&gt;http://www.novaros.com/site/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) St Peterâ€™s Catholic Church, Kempton, Tasmania </text>
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                <text>Buttress, Catholic, crenellation, Monsignor Gilleran, house, Kempton, parapet, pointed arch, Romanesque, Romanesque Revival, St Peterâ€™s Church, semi-circular arch, spire, stained glass, Tas, Tasmania, tower, Alan Cameron Walker.</text>
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                <text>The former St Peterâ€™s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peterâ€™s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence.</text>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Boagâ€™s Brewery building, Launceston, Tasmania</text>
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                <text>Beer, Arthur Biddell, James Boag, Boagâ€™s Brewery, J Boag &amp; Sonâ€™s Brewery, confectionary, Launceston, Thomas Wilkes Monds, Romanesque, Romanesque Revival, semi-circular arch, store, Tas, Tasmania.</text>
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                <text>This building is now part of J Boag &amp; Sonâ€™s Brewery in the northern Tasmanian city of Launceston. It was built as a store in 1886 by the flour miller Thomas Wilkes Monds (1829-1916) and was rented by the confectioner Arthur Biddell. The brick store features Romanesque semi-circular arched windows and doorways on the ground floor of the building. They are accentuated by the pattern of alternate red and pale bricks.</text>
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                <text>McLeod, Shane</text>
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                <text>November 18, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
              </elementText>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>James Boag</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Markâ€™s Church of England, Pontville, Tasmania </text>
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                <text>Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Markâ€™s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window.</text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For the rear of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1238"&gt;http://ausmed.arts.uwa.edu.au/items/show/1238&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 21, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1238"&gt;http://ausmed.arts.uwa.edu.au/items/show/1238&lt;/a&gt;</text>
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                <text>2xDigital Photograph</text>
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        <name>St Markâ€™s Church of England</name>
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                  <text>Medievalism in the Classroom</text>
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              <name>Description</name>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Launceston Church Grammar School crest, Mowbray, Launceston, Tasmania</text>
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          <element elementId="49">
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                <text>Castle, coat of arms, crenellation, crest, education, Latin, Launceston, Launceston Church Grammar School, Mowbray, parapet, school, sculpture, shield, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The school crest, or coat of arms, features a shield with the image of a castle with crenelated parapets and square towers. Above the castle is an open book and two bees. Below the shield is a Latin tag which reads &amp;lsquo;Unless the Lord is with us, our labour is in vain&amp;rsquo;. Featured is an ornate sculptured crest and a more recent simplified version. These photographs were taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;buildings with&amp;nbsp;medieval features on the&amp;nbsp;campus see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Mowbray</name>
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        <name>school</name>
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        <name>sculpture</name>
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        <name>Tas</name>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque and the Arts and Crafts Movement. The Romanesque elements of the building are in evidence on its semi-circular arched entrance doorway. The arch is supported by two shaped columns and the alternating bands of red brick and light-coloured stone (particularly apparent on the photograph of the inside entrance doorway) is reminiscent of Byzantine buildings. Immediately above the arch are bas-relief in the Arts and Crafts style of Australian foliage and two shields displaying the Union Jack. The second storey above the entrance has two windows with semi-circular arched windows supported by columns with capitals. Above this is an oval window attic window with lead lighting.&lt;/p&gt;&#13;
&lt;p&gt;For more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For the rest of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1233"&gt;http://ausmed.arts.uwa.edu.au/items/show/1233&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1233"&gt;http://ausmed.arts.uwa.edu.au/items/show/1233&lt;/a&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Launceston Church Grammar School tower, Mowbray, Launceston, Tasmania</text>
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                <text>Buttress, education, Launceston, Launceston Church Grammar School, Mowbray, school, Tas, Tasmania, tower, turret.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. This photograph of a modern interpretation of a medieval tower was taken on the Mowbray campus. The brick square clock tower has eight corner buttresses, most prominent on the lower part of the structure, which end in four corner turrets off the top of the tower.&lt;/p&gt;&#13;
&lt;p&gt;For more medieval features of the school see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 17, 2012</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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