126 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://catalogue.slwa.wa.gov.au/record=b2198159%7ES2" target="_blank">http://catalogue.slwa.wa.gov.au/record=b2198159~S2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Druids Procession, Nedlands Subject The topic of the resource Battle, Britain, British resistance, Britons, Caractacus, Caratacus, Cartimandua, Catuvellauni tribe, Celtic, Celtic revival, chieftain, Claudius (10BCE-54CE), conquest, druids, druidism, Emperor, execution, exoneration, float, imprisonment, invasion, Izzy Orloff (1891-1983), military prisoner, Nedlands, neo-druidism, pagan, parade, pardon, procession, Roman Emperor, Roman Senate, Rome, speech, Togodumnus, trial, WA, Western Australia Description An account of the resource This black and white photograph, taken by WA photographer Izzy Orloff in 1924, depicts a horse-drawn float taking part in a <span class="il">Druids</span> procession in Perth in 1924. Being re-enacted on the float, the banner suggests, was the trial of Caractacus before the Roman Emperor. Caractacus was a chieftain of the British Catuvellauni tribe who, with his brother Togodumnus (until he was killed in battle), led the resistance to Roman Conquest in the first century AD. Following Claudius&rsquo; successful invasion of Britain in 43AD, Caractacus went into exile. He was imprisoned years later by Cartimandua in Wales and handed over to the Romans, who sentenced him to execution. Caractacus was allowed to address the Roman Senate before his execution and is reputed to have made such an impression on Emperor Claudius that he was pardoned and permitted to live peacefully in Rome. The Roman invasion of Britain sought to stamp out druidism. However, there is some evidence that <span class="il">druids</span>, or members of the priestly class in Celtic society, continued to exist in Ireland at least throughout the early medieval period (See for example, Philip Freeman, "<span class="il">Druids</span>" in The Oxford Encyclopedia of Ancient Greece and Rome, Michael Gagarin (ed.), Oxford University Press, 2010, &lt;<a href="http://www.oxford-greecerome.com/entry?entry=t294.e401" target="_blank">http://www.oxford-greecerome.com/entry?entry=t294.e401</a>&gt;, Accessed 6 May 2011). Creator An entity primarily responsible for making the resource Orloff, Izzy Source A related resource from which the described resource is derived State Library of Western Australia Publisher An entity responsible for making the resource available Izzy Orloff collection; BA1059/929, State Library of Western Australia, online media reference 012135D. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource State Library of Western Australia Format The file format, physical medium, or dimensions of the resource Photographic Print battle Britain British resistance Britons Caractacus Caratacus Cartimandua Catuvellauni tribe Celtic Celtic revival chieftain Claudius (10BCE-54CE) conquest druidism druids Emperor execution exoneration float imprisonment invasion Izzy Orloff (1891-1983) military prisoner Nedlands neo-druidism pagan parade pardon procession Roman Emperor Roman Senate Rome speech Togodumnus trial WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/914c507ac22d50b5e93b90bde84255e0.jpg c8529e293c980eb87f0654872fef5184 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2079 Width 2262 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Making chain mail at the Perth Medieval Fayre Subject The topic of the resource Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, Perth, Perth Medieval Fayre, plate armour, protective clothing, re-creation, recreation, riveting, soldier, WA, WAMA, warfare, weaponry, weapon, weapons, Western Australia, WA, Western Australian Medieval Alliance Description An account of the resource A photograph depicting chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns – for example gloves, shirts, hoods and chin-guards – by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75). The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Apparel armament Armour battle body armour byrnie chain chain mail chain-mail chainmail chin-guard coif crossbow defensive armament garment glove handcrafted handmade armour hood knight longbow mail mail armour mail shirt medieval armour medieval craft metal rings metalwork mitons Perth Perth Medieval Fayre plate armour protective clothing re-creation recreation riveting soldier WA WAMA warfare weapon weaponry weapons Western Australia Western Australian Medieval Alliance https://ausmed.arts.uwa.edu.au/files/original/9729fdefea9be24d44c58900bf4921c4.jpg 7d59e4c80b4912c8dc75bee3d29acbe9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2736 Width 1701 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Perth Medieval Fayre: Making Chain Mail Subject The topic of the resource Apparel, armament, armour, battle, body armour, byrnie, chain, chain mail, chain-mail, chainmail, chin-guard, coif, crossbow, defensive armament, garment, glove, handcrafted, handmade armour, hood, knight, longbow, mail, mail armour, mail shirt, metal rings, metalwork, medieval armour, medieval craft, mitons, Perth, Perth Medieval Fayre, plate armour, protective clothing, re-creation, recreation, riveting, soldier, WA, WAMA, warfare, weaponry, weapon, weapons, Western Australia, WA, Western Australian Medieval Alliance Description An account of the resource A photograph of chain mail being hand-crafted according to the traditional medieval method at the Perth Medieval Fayre. Chain mail is made by interlocking a number of metal rings to form small sections. Each ring is linked through four others and then the end is riveted. Additional links are then inserted to join the sections together and create a meshed material. The mail can be shaped into patterns – for example gloves, shirts, hoods and chin-guards – by increasing or decreasing the number of metal rings in a row when the sections are created. Chain mail was used extensively in the middle ages to fashion protective garments that were worn as body armour by medieval knights and soldiers. It was gradually superseded by plate armour in the fourteenth century, possibly as a result of the increasing use of high-powered weapons such as crossbows and longbows (See Kelly DeVries, Medieval Military Technology, Peterborough, Broadview Press, 1992, p.75). The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Apparel armament Armour battle body armour byrnie chain chain mail chain-mail chainmail chin-guard coif crossbow defensive armament garment glove handcrafted handmade armour hood knight longbow mail mail armour mail shirt medieval armour medieval craft metal rings metalwork mitons Perth Perth Medieval Fayre plate armour protective clothing re-creation recreation riveting soldier WA WAMA warfare weapon weaponry weapons Western Australia Western Australian Medieval Alliance https://ausmed.arts.uwa.edu.au/files/original/820b56db6e32000c180d2548886a793e.pdf 21ef3e0d1c96c91a6500dd60248de04f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Usher of the Black Rod Subject The topic of the resource Assembly, Black Rod, Commons, Constitution, Council, Knights of the Garter, Legislative Council, legislature, Lords, medieval institution, medieval office, messenger, New South Wales, Parliament, parliamentary officials, parliamentary sessions, parliamentary traditions, public duty, Queensland, salary, Sergeant-at-Arms, South Australia, Tasmania, tradition, Usher, “Usher of the Black Rod”, Victoria, Western Australia Description An account of the resource In this article from the Western Mail, the use of the traditional medieval title “The Usher of the Black Rod” for the parliamentary official who acts as a messenger for the Lords in Commons is addressed. In deciding to adopt the full title Western Australia followed an example that had been set by Tasmania, Queensland and New South Wales. Victoria, in contrast, opted to shorten the title to “Usher”, while South Australia dispensed with it altogether and addressed the corresponding official by the title “Sergeant-at-Arms”. The continued use of the full title in four of the six Australian parliaments, the article suggests, “is an instance of that devotion to old institutions which even in these days of all manner of change is a very pronounced English characteristic”. The prestige accompanying the office of the Usher of the Black Rod dates from the attachment of the original Usher to the Knights of the Garter, the highest order of English sovereigns. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 3 January 1891, p.15 Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Digitised Newspaper Article Language A language of the resource English https://ausmed.arts.uwa.edu.au/files/original/f10b2a6b91ebfd2b84111b01a8d4059d.JPG 64dfe2fc589745a03177ffaaecf182f0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 551 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knights Fighting at the SCA College Challenge, 2010 Subject The topic of the resource SCA, Society for Creative Anachronism, St. Basil, Saint Basil, Saint Lazarus, St. Lazarus, kettle hat, armour, armoury, knights, knight, knighthood, chivalry, Kingdom of Lochac, armour making, costume, costumes, UWA, University for Western Australia, Murdoch University, medieval armour, tournament, tourney, battle, medieval craft, craft, metalwork, banner, banners, Swan, black swan, Swan banner, WA, Western Australia Description An account of the resource <p>This image depicts two members of the Society for Creative Anachronism (SCA) fighting at the SCA 'College Challenge.' A handmade banner depicting two black swans, the state emblem for Western Australia, is billowing nearby. The College Challenge was fought between members from both St. Basil (UWA) and St. Lazarus (Murdoch). In Perth, Western Australia, these are only two chapters of the SCA which are based in colleges.</p> <p>About the Society for Creative Anachronism and the Kingdom of Lochac (the Australian and New Zealand regional branch of the SCA): <br /> <br /> <strong>The Society for Creative Anachronism</strong> is an international organisation which focuses on the study and 're-creation' of Medieval and Early Modern cultures and their histories before the seventeenth century. As the prime example of a 'living history' group, members of the SCA aim to re-create the past through applying elements of historical knowledge to a practical engagement with Medieval and Early Modern crafts, martial arts, science, metalwork and cooking (for example). The Society was created by graduates of the University of Berkley in California in the 1960s and has since branched out to include 19 kingdoms, with over 30,000 members in locations across the globe.<br /> <br /> <strong>The Kingdom of Lochac</strong> is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. <br /> <br /> Information regarding <strong>the College of St. Basil the Great </strong>can be found at <a href="http://lochac.sca.org/basil/index.php?page=home">http://lochac.sca.org/basil/index.php?page=home</a></p> Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 19 December 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Armour armour making armoury banner banners battle black swan chivalry costume costumes craft kettle hat Kingdom of Lochac knight knighthood knights medieval armour medieval craft metalwork Murdoch University Saint Basil Saint Lazarus SCA Society for Creative Anachronism St. Basil St. Lazarus Swan Swan banner tournament tourney University for Western Australia UWA WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/172793bb9248f0ac6109bc923559dc77.pdf 8fb2e5e778e005561151d74b4b0c369a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article/review; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatre review: Emlyn Williams ‘The Wind of Heaven’ Subject The topic of the resource Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw ‘Saint Joan’, good versus evil, Minerva Theatre, Jerome K. Jerome, ‘The Passing of the Third Floor Back’ play, jester, pilgrims, pilgrim Description An account of the resource A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, ‘The Wind of Heaven’ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldier’s widow and the whole town. Jerome K. Jerome’s play about a mysterious Stranger is ‘the saint over-done’. The final play, ‘The Marvellous History of Saint Bernard’, divides its stage into heaven, earth and hell. This picture ‘was as real to the medieval mind as the Harbour Bridge is to us’. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play ‘Saint Joan’. Creator An entity primarily responsible for making the resource A.T. Source A related resource from which the described resource is derived Sydney Morning Herald Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 26 April 1947 Rights Information about rights held in and over the resource Public Domain Trove Format The file format, physical medium, or dimensions of the resource Newspaper Review Language A language of the resource English ‘The Passing of the Third Floor Back’ play Adam Adam and Eve angel Barry Jackson Bernard Shaw ‘Saint Joan’ children children as portents of the divine divine divinity drama Eve fifteenth century Gabriel Genesian players good versus evil hagiography Henri Gheon Jerome K. Jerome jester manuscript Marc Connelly medieval saints Minerva Theatre pilgrim pilgrims play saint saints saints in drama Sydney The Green Pastures The Marvellous History of Saint Bernard theatre Wind of Heaven https://ausmed.arts.uwa.edu.au/files/original/beb4fa5635c958140dc8d6b96afbf964.pdf bf559ff7f631991e9ad7bc6ea3cdec88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meeting of Chamberlain and Eden clad as medieval admirals Subject The topic of the resource Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine Description An account of the resource A ‘Punch’ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled ‘Mediterranean piracy’, saying ‘I say, even in holiday time. I think we shall have to take some notice of this’ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the ‘Cairns Post’ Friday 3 September 1937, ‘Barrier Miner’ (Broken Hill, NSW) Friday 3 September 1937 with headlines ‘Punch Cartoon Urges Britain to Act’, ‘Sydney Morning Herald’ (Thursday 2 September 1937; ‘The West Australian’ Thursday 2 September 1937, ‘Morning Bulletin’ (Rockhampton, Qld.), Friday 3 September 1937, ‘Examiner’ (Launceston, Tas.) Friday 3 September 1937. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived The Canberra Times Publisher An entity responsible for making the resource available The Canberra Times Date A point or period of time associated with an event in the lifecycle of the resource 3 Sept 1937 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Armour caricature cartoon cartoons as political comment Chamberlain Eden France General France Mediterranean piracy Mussolini piracy political politics Pre-World War II Punch Punch Magazine submarines war World War WWII https://ausmed.arts.uwa.edu.au/files/original/5053bc0458063e2a5699d3122aacbe1d.jpg 58165180cdcabc7b5dbf97886de06200 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 688 Width 960 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Western Façade, St John the Evangelist Anglican, Fremantle, WA Subject The topic of the resource Anglican, Anglican Church, arch, architect, architecture, buttress, church, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood & Son, King’s Square, lancet window, lancet arch, gothic revival, gothic, gothic building, building, lead-light windows, limestone, masonry, neo-gothic, porch, rose window, stained glass window, W. Smith, Western Australia, window Description An account of the resource A view of the western façade of St John the Evangelist Anglican Church in Fremantle, Western Australia. Located in King’s Square, this church was designed by W. Smith and built by J. J. Harwood and Son to replace an older church that had served the Anglican congregation in Fremantle since 1843. The foundation stone was laid in 1878 and the new building consecrated in 1882. Built in a Victorian neo-gothic style, the western façade of the church is notable for its high gable, rose window and the row of symmetrical lancet windows stretching across the width of the building. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church arch architect architecture building buttress Church church building Evangelicalism Fremantle Gothic gothic architecture Gothic building Gothic Revival J. J. Harwood & Son King’s Square lancet arch lancet window lead-light windows limestone masonry neo-Gothic porch rose window stained glass window W. Smith Western Australia window