125 8 1266 https://ausmed.arts.uwa.edu.au/files/original/e4c9aa919fb4ed2f5682c83b5061ca06.JPG 6c5f2a9fbad9f8f6e51ae0787709a0ef Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/692c72895cca4d463c31e987d4ff6542.JPG dca6aa113ab37ccdb71f842094e61d9c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Anglican Church exterior, Deloraine, Tasmania Subject The topic of the resource Anglican, buttress, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, pointed arch, rose window, St Markâ€™s Church, spire, Tas, Tasmania, tower, tracery, turret. Description An account of the resource St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added, and the vestry was added in 1969. As can be seen in one of the photographs, the church is unfinished and a proposed extension to the south façade means that no windows have been added to that side. The most prominent part of St Mark’s is the three story octagonal tower on the north-west corner which is topped by a spire and includes lancet windows, pointed arch gables, and a stair turret. Other Gothic features of the brick church are the buttresses, pointed arch window in the west walls that include four lancet windows and tracery, pointed arch doorways, and a rose window. For the tower and west wall see <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 4, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Deloraine Gothic Gothic Revival lancet window pointed arch rose window spire St Markâ€™s Church Tas Tasmania tower tracery turret. William Henry Clayton https://ausmed.arts.uwa.edu.au/files/original/bccf098b535e447dfdd8c97d7c295c3a.JPG c497850ed01dd5ec409df08944ef398b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Anglican Church tower, Deloraine, Tasmania Subject The topic of the resource Anglican, buttress, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, pointed arch, porch, St Markâ€™s Church, spire, Tas, Tasmania, tower, tracery, turret. Description An account of the resource St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added, and the vestry was added in 1969. The most prominent part of St Mark’s is the three story octagonal tower on the north-west corner which is topped by a spire and includes lancet windows, pointed arch gables, and a stair turret. Other Gothic features of the brick church on the west wall are the corner buttresses, pointed arch window that includes four lancet windows and tracery, and the pointed arch doorway into the porch. For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a> For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 4, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/3baabfd9fcfcd435565a247344aa4653.JPG 520aa1e3659ec004192504831d3fb6ec Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ashurst Memorial Window, St Davidâ€™s Cathedral, Hobart, Tasmania Subject The topic of the resource Abel, Adam, Anglican, arcading, F.H. Ashurst, Burlison and Grylls, column, finial, Gothic, Hobart, Kingston, lancet window, London, memorial, Noah, pointed arch, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania. Description An account of the resource The Ashurst Memorial Window is in the west wall of St David’s Anglican Cathedral, Hobart. It was created by the firm Burlison and Grylls in London and installed in 1872. The window is made up of three lancet windows with a figure in each: Adam, Moses, and Abel. Below the each of the figures are scenes relating to their lives – ‘The fall’, ‘Building the ark’, and ‘Cain and Abel’. These scenes are framed by a representation of delicate Gothic-style stonework features columns, arcading, pointed arches, and pointed finials. Rev. F.H. Ashurst was a priest at Kingston, a town south of Hobart, who died in 1870. For the Cathedral interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Abel Adam Anglican arcading Burlison and Grylls column F.H. Ashurst finial Gothic Hobart Kingston lancet window London memorial Noah pointed arch St Davidâ€™s Cathedral stained glass Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/a9518ec83d80997e41f61061e16f3a85.JPG ec9fe8d78171c421703a5695a903fd87 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memorial Board, St Andrewâ€™s Anglican Church, Westbury, Tasmania Subject The topic of the resource Anglican, carving, Church of England, finial, Gothic, Gothic Revival, memorial, Memorial Board, niche, Ellen Nora Payne, pointed arch, St Andrewâ€™s Anglican Church, Tas, Tasmania, tracery, Westbury, woodcarver. Description An account of the resource This memorial board of the ‘St Andrews Memorial Endowment Roll’ is in St Andrew’s Church of England (Anglican) in the small Tasmanian town of Westbury. It was carved by the Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. As befits a church built in the Gothic Revival architectural style, the memorial board includes Gothic touches, primarily in the central panel. The carving of the Virgin and Child is housed in a Gothic niche featuring a pointed arch ending in a decorated finial. Behind the arch is the representation of two Gothic pointed arch windows with tracery forming a cross. There is also a finial on both vertical ends of the board. For more of the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican carving Church of England Ellen Nora Payne finial Gothic Gothic Revival memorial Memorial Board niche pointed arch St Andrewâ€™s Anglican Church Tas Tasmania tracery Westbury woodcarver. https://ausmed.arts.uwa.edu.au/files/original/e56da760c6670d4e66e172040cb09d7b.jpg fda22fffc2e8134cfac333383b157ff7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/61163683b5ecd37d82290fc7c48c5786.jpg 7bd44e632f3f3b8e6d05b40918f8bc19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Nicholas Memorial Window, St Michael and All Angels Anglican Church, Bothwell, Tasmania Subject The topic of the resource Anglican, armour, Bothwell, crenellation, Gothic, Gothic Revival, helmet, knight, lancet window, memorial, Edward Nicholas, parapet, pennant, plate armour, St George cross, St Michael and All Angels Church, spire, stained glass, sword, Tas, Tasmania, tower. Description An account of the resource The Edward Nicholas (d. 1881) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window consists of two lancet windows, each of which features Christ. He is framed by a representation of elaborate Gothic building with towers, crenellation, and spires. The window on the right includes two knights below Christ (who carries a pennant, or long narrow flag, of St George) dressed in plate armour and helmets of the late medieval period. One of the knights wears a sword. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Armour Bothwell crenellation Edward Nicholas Gothic Gothic Revival helmet knight lancet window memorial parapet pennant pennon plate armour spire St George cross St Michael and All Angels Church stained glass sword Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/f65341a42730100f43c2f5d91b4b4155.JPG 058d07cc8a7f803487e7207f08ffd9de Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/ac70f4ec3ae4c39b99631934e39adf6e.JPG fba2df64b92c2726d7344b40c17319d4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Markâ€™s Anglican Church interior, Deloraine, Tasmania Subject The topic of the resource Anglican, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, William Montgomery, Alexander North, pointed arch, reredos, rood screen, St Markâ€™s Church, stained glass, Tas, Tasmania, tracery, trusses. Description An account of the resource St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added. The interior includes many Gothic features; particularly the carved rood screen from c. 1920 and the reredos wood panelling from 1895 in photograph one, both of which include prominent pointed arches in their design. The east and west pointed arch windows with tracery are both made up of four lancet windows with stained glass. The stained glass in the east window (above the reredos) was made by Melbourne-based stained glass artist William Montgomery (1850-1927) in 1909. The choir stalls (in front of the rood screen) were designed by Alexander North (1858-1945) and installed in 1934. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 4, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Anglican Deloraine Gothic Gothic Revival lancet window pointed arch reredos rood screen St Markâ€™s Church stained glass Tas Tasmania tracery trusses. William Henry Clayton William Montgomery https://ausmed.arts.uwa.edu.au/files/original/21a4f2da2b1bd41e11bab9dc0c78603c.JPG ec9931268eec4b0472a810ecc1a8cc46 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Window of Roman-era Saints, St Davidâ€™s Cathedral, Hobart, Tasmania Subject The topic of the resource St Alban, Anglican, armour, blind arcading, column, finial, Gothic, heraldry, Hobart, lancet window, St Laurence, plate armour, pointed arch, Roman Empire, Romanesque, St Davidâ€™s Cathedral, shield, stained glass, St Stephen, sword, Tas, Tasmania, tracery. Description An account of the resource The Window of Roman-era Saints is in the south wall of St David’s Anglican Cathedral, Hobart. The large pointed arch window with stonework tracery is made up of three lancet windows with stained glass. Each lancet window features a Saint martyred during the rule of the Roman Empire: St Stephen (died c. 34), St Alban (3rd century), and St Laurence (c. 225-258). St Alban is depicted as a knight from the late middle ages in plate armour, an embroidered tunic, and wearing a sword. The saints stand upon a tiled platform of Gothic stonework featuring columns, blind arcading, pointed finials, as well as Romanesque semi-circular arches. Below each of the platforms is a heraldic shield. For the interior of the Cathedral see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Armour blind arcading column finial Gothic heraldry Hobart lancet window plate armour pointed arch Roman Empire Romanesque shield St Alban St Davidâ€™s Cathedral St Laurence St Stephen stained glass sword Tas Tasmania tracery. https://ausmed.arts.uwa.edu.au/files/original/8ae64b210b460afe9f246110834d10e1.JPG a73537b2887e4a991f0bb4ebd3f05966 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/46f789b0a5acb49134341ac36eaf4fa0.JPG 4a4e9bdc3c14b93905a94e8f3647d904 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Andrewâ€™s Anglican Church interior, Westbury, Tasmania Subject The topic of the resource Anglican, James Blackburn, carving, Church of England, convict, Gothic, Gothic Revival, memorial, Ellen Nora Payne, pointed arch, pulpit, rood screen, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury, woodcarver. Description An account of the resource The interior of St Andrew’s Church of England (Anglican) in the small Tasmanian town of Westbury continues the Gothic Revival style of its exterior.  The nave was designed by the convict architect James Blackburn (1803-1854) in 1840-02. Of particular note are the various carvings by Tasmanian woodcarver Ellen Nora Payne (1865-1962) of Hobart, who had been born in the Westbury district. These include the pulpit which was carved in London sometime between 1901 and 1906, and the ‘Seven Sisters’ rood, or chancel, screen completed in 1938 as a memorial to her seven dead sisters. The screen features a recreation of tracery common in Gothic windows. Other Gothic features are the large pointed arch east window with tracery made up of three lancet windows with stained glass, lancet windows in the north and south walls, and the internal pointed-arch doors and doorways. For more of the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1197">http://ausmed.arts.uwa.edu.au/items/show/1197</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican carving Church of England convict Ellen Nora Payne Gothic Gothic Revival James Blackburn memorial pointed arch pulpit rood screen St Andrewâ€™s Anglican Church stained glass Tas Tasmania tracery Westbury woodcarver.