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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.winthropsingers.com"&gt;www.winthropsingers.com&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Winthrop Singers</text>
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                <text>Nicholas Bannan, choir, Gregorian chant, Hildegarde of Bingen, Guillaume Machaut, performance, Perth, School of Music, St Georgeâ€™s College, University of Western Australia, WA, website, Western Australia, The Winthrop Singers.</text>
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                <text>&lt;p&gt;The Winthrop Singers is a choir formed in 2007 following collaboration between the School of Music at The University of Western Australia and St George&amp;rsquo;s College. The choir are led by Dr Nicholas Bannan and regularly perform at St George&amp;rsquo;s Chapel and elsewhere. Their repertoire often includes music from the medieval period, including Gregorian chant and works by Hildegarde of Bingen, and a special performance of Guillaume Machaut&amp;rsquo;s &amp;lsquo;Messe de Nostre Dame&amp;rsquo; in 2009.&lt;/p&gt;&#13;
&lt;p&gt;More information on The Winthrop Singers can be found at &lt;a href="http://www.winthropsingers.com"&gt;www.winthropsingers.com&lt;/a&gt; and &lt;a href="http://www.music.uwa.edu.au/concerts/special-events/singers"&gt;www.music.uwa.edu.au/concerts/special-events/singers&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This memorial commemorating troops from Northern Tasmania who participated in the Boer War, referred to as the 'War in South Africa' on the monument, was erected in 1904. It can be found in City Park in the city of Launceston and was made by the local stonemason Sylvanus Wilmot. The memorial is inspired by medieval ecclesiastical Gothic architecture, and features a pointed arched â€˜windowâ€™, blind arcading, and statues. There are four niches that in a Gothic church would usually contain statues of saints, but here they instead contain statues of soldiers. The statue of a woman on top of the memorial holds a wreath and a kite, or Norman, shield. The heraldic shield features a lion in the passant position. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St George&amp;rsquo;s Anglican Chapel is the chapel of St George&amp;rsquo;s College, a residential college for students attending The University of Western Australia in Perth. The foundation stone of the chapel was laid in 1928 by Archbishop Riley and the chapel was designed by Sir Talbot Hobbs. Unusually, the red brick chapel is built north-south rather than east-west like most churches. St George&amp;rsquo;s Chapel is built in the Gothic Revival style, and features side buttresses, pointed-arched windows and entrance, crenelated parapets at the top of the two towers, and lancet windows and&amp;nbsp; tracery on the large stained glass window above the entrance. The chapel is topped by a stone ring-headed, or Celtic, cross, a style popular in much of Britain and Ireland during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For St George&amp;rsquo;s College see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/83"&gt;http://ausmed.arts.uwa.edu.au/items/show/83&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Absent lover, anti-nostalgia, chivalry, critique, cuckoldry, Courtly Love, false friendship, gold, Henry Lawson (1867-1922), Holy Land, honour, knight, knighthood, Lady Clare, Noblesse oblige, reputation, romance, Sir Antony Mark, Sir William, the Crusades.  </text>
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                <text>This poem, which is best described as &amp;ldquo;an anti-nostalgic demystification of chivalric heroism&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.143), draws a link to the medieval past to suggest that little has changed with regards human behaviour. &amp;lsquo;As it is in the Days of Now,&amp;rsquo; is a tale of cover-up, falsity, and cuckoldry. Here, everyone but Sir William is aware of an affair that took place between his Lady and his best friend while he was fighting in the Holy Land. The poor man even unwittingly drinks wine in the company of his rival and false friend. Lawson&amp;rsquo;s ubiquitous narrator states, &amp;ldquo;And the true friend pledges the false friend thrice.&amp;rdquo; Lawson refuses to romanticise love in accordance with medieval notions of chivalry. Lust and cupidity are here disguised and subsumed into &amp;lsquo;noblesse oblige,&amp;rsquo; and Lawson&amp;rsquo;s poem rather denigrates selfish &amp;lsquo;knightly&amp;rsquo; behaviour, with its false friendships, cuckoldry, and risible notions of Courtly Love. The poem in fact, is an angry riposte to nineteenth-century nostalgia and naivet&amp;eacute; as it relates to the individual&amp;rsquo;s lack of nous and foresight.</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>12 March 1908, p.39</text>
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                <text>Public Domain</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;The Sagamen&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 2 May 1907</text>
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                <text>armour, battle-axe, conquest, dragon ship, Francis William Ophel (1871-1912), Freya, heroism, Iceland, Norns, Odin, paganism, runes, sagas, shields, Skaldic tales, spells, swords, Thor, Valhalla, Valkyrie, Vikings, violence, warriors.</text>
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                <text>&amp;lsquo;Prospect Good&amp;rsquo; was the nom de plume of the gold prospector, fossicker, and bush poet, Francis William Ophel. This poem, &amp;lsquo;The Sagamen,&amp;rsquo; is filled with vivid imagery drawn in the style of Old Icelandic sagas (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.142). According to Ophel&amp;rsquo;s logic, the content of these Skaldic tales is no different from speeches and editorials designed to legitimize nineteenth-century imperial narratives; they cleverly subvert truth and disguise real-life events under a nuanced and textured layer of bravado and heroic deeds where violence is praised and overvalued. In contrast, Ophel&amp;rsquo;s is likely suggesting here that there is nothing glorious about slaughter, plunder, theft and rapine, and the over reliance on strong-arm tactics. Presumably the political rationale for this strategy is formed along the lines of: &amp;lsquo;they&amp;rsquo; did it &amp;lsquo;back then,&amp;rsquo; so it must be alright for &amp;lsquo;us&amp;rsquo; to emulate &amp;lsquo;now&amp;rsquo;; but Ophel, who realises that this reasoning is mendacious, states plainly and firmly in The Sagamen&amp;rsquo;s final couplet: &amp;ldquo;The naked truth is hidden / Beneath a web of words".</text>
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                <text>Public Domain</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <elementContainer>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hurdy Gurdy demonstration</text>
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          <element elementId="49">
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                <text>Alana Bennett, conference, demonstration, hurdy gurdy, instrument, music, performance, Perth, poem, â€˜Receptionsâ€™, University of Western Australia, WA, Western Australia.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This photograph shows Alana Bennett playing a six stringed Phoenix Standard hurdy gurdy made by Helmut Gotschy in Germany (&lt;a href="http://www.gotschy.com"&gt;www.gotschy.com&lt;/a&gt;). The hurdy gurdy is a stringed instrument played by using a crank-turned wheel. It developed from fiddles and was first used during the medieval period. The predecessor of the hurdy gurdy, the organistrum, is first mentioned in a treatise found in a manuscript written at Augsburg (Germany) in c. 1100. Alana presented a paper at the &amp;lsquo;Receptions: Medieval and Early Modern Cultural Appropriations&amp;rsquo; conference held at The University of Western Australia in August 2012 and gave an impromptu demonstration of the hurdy gurdy during a break.&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26005">
                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>August 18, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26007">
                <text>No copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26008">
                <text>Digital Photograph</text>
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        <name>Alana Bennet</name>
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        <name>conference</name>
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      <tag tagId="875">
        <name>demonstration</name>
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        <name>hurdy gurdy</name>
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        <name>instrument</name>
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      <tag tagId="237">
        <name>music</name>
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        <name>performance</name>
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      <tag tagId="150">
        <name>Perth</name>
      </tag>
      <tag tagId="1595">
        <name>poem</name>
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      <tag tagId="582">
        <name>University of Western Australia</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="4600">
        <name>Western Australia.</name>
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                <name>Bit Depth</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="24955">
              <text>Digital Photograph;JPEG</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24948">
                <text>St Peterâ€™s Church exterior, Fingal, Tasmania</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24949">
                <text>Anglican, arched window, bellcote, buttress, Fingal, Gothic, Gothic Revival, lancet window, pointed arch, porch, St Peterâ€™s, Tas, Tasmania.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24950">
                <text>St Peterâ€™s Anglican Church, dedicated in 1867, is in the town of Fingal, Tasmania. The stone church is built in the Gothic Revival style, and features buttresses, pointed-arched windows and entrance, a porch, and a bellcote.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24951">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24952">
                <text>August 27, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24953">
                <text>No copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24954">
                <text>3xDigital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                    <text>3</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&amp;lsquo;The Old Squire&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 28 May 1908</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>â€˜As it is in the Days of Now,â€™ Black Death, conquest, despotism, famine, Henry Lawson (1867-1922), honour, ingratitude, justice, king, knight, knighthood, loyalty, neglect, noble, pestilence, plague, Old Swithin, rescue, service, sickness, siege, Sir William, squire, Swithin, sword, Virland (Old Estonia).</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25004">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;, which was resolutely &amp;ldquo;anti-imperialist&amp;rdquo; in its outlook, published a range of verses, ballads and other &amp;ldquo;poems in which the Middle Ages were represented as despotic and barbaric&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.143). While &amp;lsquo;The Old Squire&amp;rsquo; doesn&amp;rsquo;t do this explicitly, it is undeniably a &amp;ldquo;tale of faithful service unrewarded&amp;rdquo; (D&amp;rsquo;Arcens, p.144). Here we again follow the adventures of Sir William, Henry Lawson&amp;rsquo;s cuckolded knight from &amp;lsquo;As it is in the Days of Now&amp;rsquo; (See &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;). Sir William, his squire, the King and the narrator ride into Virland with the intention of conquering the City, only to find the inhabitants suffering in the throes of the Black Death. Sir William is portrayed in the poem as arrogant and thoughtless for failing to appreciate the longstanding and faithful service of his squire, Old Swithin. After dutifully clearing out the dead from the City, Swithin collapses after trying to rescue a child from plague infested quarters. He is portrayed as noble in character but, unjustly, not in name; instead, &amp;lsquo;His heart was ever pained, / because of that old knighthood / that he should once have gained&amp;rsquo;. When his worth is finally recognised and the King attempts to knight him at the end of the poem, it is too late for he is already dead. While not an outright attack on all authority, this poem &amp;ldquo;implicitly condemns aristocratic arrogance and the [...] inequity of the feudal system&amp;rdquo; (D&amp;rsquo;Arcens, p.144).</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25005">
                <text>Henry Lawson</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>28 May 1908, p.40</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25009">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="25010">
                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1020"&gt;http://ausmed.arts.uwa.edu.au/items/show/1020&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25011">
                <text>Journal (Microfilm)</text>
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        <name>â€˜As it is in the Days of Now</name>
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      <tag tagId="5255">
        <name>â€™ Black Death</name>
      </tag>
      <tag tagId="2040">
        <name>conquest</name>
      </tag>
      <tag tagId="5256">
        <name>despotism</name>
      </tag>
      <tag tagId="5257">
        <name>famine</name>
      </tag>
      <tag tagId="1579">
        <name>Henry Lawson (1867-1922)</name>
      </tag>
      <tag tagId="2868">
        <name>honour</name>
      </tag>
      <tag tagId="5258">
        <name>ingratitude</name>
      </tag>
      <tag tagId="1159">
        <name>justice</name>
      </tag>
      <tag tagId="1382">
        <name>king</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="139">
        <name>knighthood</name>
      </tag>
      <tag tagId="1448">
        <name>loyalty</name>
      </tag>
      <tag tagId="5259">
        <name>neglect</name>
      </tag>
      <tag tagId="5260">
        <name>noble</name>
      </tag>
      <tag tagId="5263">
        <name>Old Swithin</name>
      </tag>
      <tag tagId="5261">
        <name>pestilence</name>
      </tag>
      <tag tagId="5262">
        <name>plague</name>
      </tag>
      <tag tagId="3682">
        <name>rescue</name>
      </tag>
      <tag tagId="5264">
        <name>service</name>
      </tag>
      <tag tagId="5265">
        <name>sickness</name>
      </tag>
      <tag tagId="2700">
        <name>siege</name>
      </tag>
      <tag tagId="5244">
        <name>Sir William</name>
      </tag>
      <tag tagId="5266">
        <name>squire</name>
      </tag>
      <tag tagId="5267">
        <name>Swithin</name>
      </tag>
      <tag tagId="363">
        <name>sword</name>
      </tag>
      <tag tagId="5268">
        <name>Virland (Old Estonia)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
