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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Luke’s Church exterior, Bothwell, Tasmania
Subject
The topic of the resource
Anglican, John Lee Archer, George Arthur, Bothwell, buttress, crenellation, Gothic, Gothic Revival, parapet, pointed arch, Presbyterian, Romanesque, St Luke’s Church, Tas, Tasmania, tower, Uniting Church.
Description
An account of the resource
<p>St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government, St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but Lieutenant Governor George Arthur (1784-1854) directed Archer to change them to the Gothic style as he considered rounded windows unchristian (!). The church is in the Gothic Revival style with pointed arch doorways and windows, and corner buttresses. The central tower is topped by a crenellated parapet.</p>
<p>For the Celtic heads on the entrance doorway see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1154">http://ausmed.arts.uwa.edu.au/items/show/1154</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 8, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1154">http://ausmed.arts.uwa.edu.au/items/show/1154</a></p>
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
Anglican
Bothwell
buttress
crenellation
George Arthur
Gothic
Gothic Revival
John Lee Archer
parapet
pointed arch
Presbyterian
Romanesque
St Luke’s Church
Tas
Tasmania
tower
Uniting Church.
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
3888
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Luke’s Church interior, Bothwell, Tasmania
Subject
The topic of the resource
Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Luke’s Church, stained glass, Tas, Tasmania, Uniting Church.
Description
An account of the resource
<p>St Luke’s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke’s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed ‘Celtic’ crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common.</p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a></p>
<p>For the Celtic heads see <a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a></p>
<p> </p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 8, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1146">http://ausmed.arts.uwa.edu.au/items/show/1146</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1147">http://ausmed.arts.uwa.edu.au/items/show/1147</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
Bothwell
Celtic
Celtic cross
convict
George Arthur
Gothic
Gothic Revival
John Lee Archer
lancet window
pointed arch
Presbyterian
St Luke’s Church
stained glass
Tas
Tasmania
Uniting Church.
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Height
1944
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Anglican Church exterior, Deloraine, Tasmania
Subject
The topic of the resource
Anglican, buttress, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, pointed arch, rose window, St Mark’s Church, spire, Tas, Tasmania, tower, tracery, turret.
Description
An account of the resource
<p>St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added, and the vestry was added in 1969. As can be seen in one of the photographs, the church is unfinished and a proposed extension to the south façade means that no windows have been added to that side. The most prominent part of St Mark’s is the three story octagonal tower on the north-west corner which is topped by a spire and includes lancet windows, pointed arch gables, and a stair turret. Other Gothic features of the brick church are the buttresses, pointed arch window in the west walls that include four lancet windows and tracery, pointed arch doorways, and a rose window.</p>
<p>For the tower and west wall see <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 4, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
buttress
Deloraine
Gothic
Gothic Revival
lancet window
pointed arch
rose window
spire
St Mark’s Church
Tas
Tasmania
tower
tracery
turret.
William Henry Clayton
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Channels
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Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Anglican Church interior, Deloraine, Tasmania
Subject
The topic of the resource
Anglican, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, William Montgomery, Alexander North, pointed arch, reredos, rood screen, St Mark’s Church, stained glass, Tas, Tasmania, tracery, trusses.
Description
An account of the resource
<p>St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added. The interior includes many Gothic features; particularly the carved rood screen from c. 1920 and the reredos wood panelling from 1895 in photograph one, both of which include prominent pointed arches in their design. The east and west pointed arch windows with tracery are both made up of four lancet windows with stained glass. The stained glass in the east window (above the reredos) was made by Melbourne-based stained glass artist William Montgomery (1850-1927) in 1909. The choir stalls (in front of the rood screen) were designed by Alexander North (1858-1945) and installed in 1934.</p>
<p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 4, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1183">http://ausmed.arts.uwa.edu.au/items/show/1183</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a></p>
<p> </p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alexander North
Anglican
Deloraine
Gothic
Gothic Revival
lancet window
pointed arch
reredos
rood screen
St Mark’s Church
stained glass
Tas
Tasmania
tracery
trusses.
William Henry Clayton
William Montgomery
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Anglican Church tower, Deloraine, Tasmania
Subject
The topic of the resource
Anglican, buttress, William Henry Clayton, Deloraine, Gothic, Gothic Revival, lancet window, pointed arch, porch, St Mark’s Church, spire, Tas, Tasmania, tower, tracery, turret.
Description
An account of the resource
<p>St Mark’s Anglican Church is in the northern Tasmanian town of Deloraine. It was designed by William Henry Clayton (1823-1877) in the Gothic Revival style, in particular ‘Decorated’ or ‘Victorian Free’ Gothic. The foundation stone was laid in 1856 and the church was consecrated in 1860. In 1878 the chancel, sanctuary, north transept and rose window were added, and the vestry was added in 1969. The most prominent part of St Mark’s is the three story octagonal tower on the north-west corner which is topped by a spire and includes lancet windows, pointed arch gables, and a stair turret. Other Gothic features of the brick church on the west wall are the corner buttresses, pointed arch window that includes four lancet windows and tracery, and the pointed arch doorway into the porch.</p>
<p>For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 4, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1182">http://ausmed.arts.uwa.edu.au/items/show/1182</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1188">http://ausmed.arts.uwa.edu.au/items/show/1188</a></p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
-
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2271eb5352c4cb8f68d6f5f96c8700a1
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Channels
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Height
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Width
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Church of England rear, Pontville, Tasmania
Subject
The topic of the resource
Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower.
Description
An account of the resource
<p>St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
arrow slit
blind doorway
buttress
Celtic cross
cemetery
Church of England
column
convict
garden
James Blackburn
John Franklin
Joseph Moir
Neo-Norman
Pontville
Romanesque
Romanesque Revival
semi-circular arch
St Mark’s Church of England
stained glass
Tas
Tasmania
tower.
-
https://ausmed.arts.uwa.edu.au/files/original/807c8118548541256c02aa1c2671b06c.JPG
ee168b8fe9e5997ca5460fb37b401be9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
https://ausmed.arts.uwa.edu.au/files/original/b824b92369c8a19eecccbc423543336a.JPG
1c09683058d358ebd208d1e3a83438ba
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mark’s Church of England, Pontville, Tasmania
Subject
The topic of the resource
Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window.
Description
An account of the resource
<p>St Mark’s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark’s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.</p>
<p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p>
<p>For the rear of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
November 21, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Anglican
arcade
arrow slit
buttress
capital
Celtic cross
Church of England
column
convict
James Blackburn
John Franklin
Joseph Moir
Neo-Norman
Pontville
Romanesque
Romanesque Revival
semi-circular arch
St Mark’s Church of England
stained glass
Tas
Tasmania
tower
trefoil window.
-
https://ausmed.arts.uwa.edu.au/files/original/05e50b490e5a29f37166fc6f32533cc8.jpg
5a562d14fa80829d83a6620bdca5f4aa
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
648
Width
972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St Mary’s Anglican Church, Busselton
Subject
The topic of the resource
Anglican, arched windows, bellcote, Busselton, church, jarrah, limestone, Romanesque, rounded arch, St Mary’s, St Mary’s Anglican Church, sheoak, WA, Western Australia, saint, saints, St. Mary, Saint Mary
Description
An account of the resource
An image of St Mary’s Anglican Church, located in the City of Busselton in the south-west of Western Australia. Building of the church began in 1844 and it was consecrated in 1848, possibly making it the oldest stone church in the state. The limestone and jarrah church has a sheoak shingle roof and is built in the Romanesque style. The style is most evident in the semi-circular arched windows.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
March 24, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
arched windows
bellcote
Busselton
Church
jarrah
limestone
Romanesque
rounded arch
saint
Saint Mary
saints
sheoak
St Mary’s
St Mary’s Anglican Church
St. Mary
WA
Western Australia