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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Original: 25.5x20.5cm b&amp;w photograph (pm); 21.5x16cm b&amp;w copyprint		</text>
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              <text>&lt;a href="http://photosau.com.au/Canterbury/scripts/home.asp"&gt;http://photosau.com.au/Canterbury/scripts/home.asp&lt;/a&gt;</text>
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                <text>Druitt's Lodge Procession Along Beamish Street, Campsie, New South Wales</text>
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                <text>Hyperlink to an image of a Druitt's Lodge procession along Beamish Street in Campsie, Sydney, NSW.  &#13;
&#13;
The photograph was taken in the 1920s and shows a parade of Freemasons, some of whom are carrying banners. Although the origins of Freemasonry are extremely obscure, the earliest document which may be associated with Freemasonry is the Halliwell Manuscript or Regius Poem dating from the late fourteenth to mid fifteenth century and now held in the British Library. </text>
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                <text>ca 1920s</text>
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                <text>Canterbury City Council</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Presentation Convent, Geraldton, Western Australia</text>
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                <text>Bishop Kelly, Catholic, Catholicism, religious, religion, Christian, Christianity, convent, Geraldton, Geraldton Sisters, Gothic, architecture, Gothic revival, cross, niche, Presentation Convent, Geraldton Presentation Sisters, spires, WA, Western Australia, William Kelly</text>
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                <text>An image of Stella Maris College in Geraldton. The purpose-built college for the Geraldton Presentation Sisters was completed in 1912, after the foundation stone had been laid by Bishop William Kelly in 1911. The building was designed by Mother Brigid who had entered the convent in 1895. The style of the brick building is primarily colonial but has a grand Gothic-style stone entrance featuring a niche, four turrets and crenellation. The left-hand side of the building also features crenellation. The logo above the entrance is an interesting mix of Australian and medieval images, including an emu and kangaroo, along with an Irish harp and a medieval round tower most commonly found in Irish churchyards.&#13;
&#13;
Further information is available in Ruth Marchant James, From Cork to Capricorn: A History of the Presentation Sisters in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1996) and The Call and the Vision: the Presentation Sisters, 100 Years in Western Australia, 1891-1991 (Congregation of the Presentation Sisters of Western Australia, 1991).</text>
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                <text>McLeod, Shane</text>
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                <text>28 May 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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PDF</text>
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              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/69611"&gt;http://hdl.handle.net/10462/deriv/69611&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Members of the Saint David's Society of Brisbane</text>
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                <text>&lt;p&gt;An image depicting men and women of the Welsh Saint David's Society of Brisbane, gathered around the Society's banner, which depicts a dragon.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;BRIEF HISTORY OF THE SOCIETY:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Saint David&amp;rsquo;s Welsh Society was founded on 16th April 1918 with the aim of acknowledging and celebrating the Welsh origins of its members and to promote an appreciation of various aspects of Welsh culture within the Brisbane community of Welsh immigrants and their descendants. The Society continues to fill that role and welcomes as members all those with historical or cultural connections with Wales or an interest in Welsh cultures and history. Some of the traditions brought to Australia are still recognised and enjoyed by the Society.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;AIMS OF THE SOCIETY: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The aims of the Society are to promote the following:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Welsh culture, language, literature and music;&lt;/li&gt;&#13;
&lt;li&gt;Welsh traditions and ceremonies;&lt;/li&gt;&#13;
&lt;li&gt;The Arts and Sciences associated with and derived from Wales and Welsh;&lt;/li&gt;&#13;
&lt;li&gt;Fellowship and a sense of community among our members by means of regular meetings and functions;&lt;/li&gt;&#13;
&lt;li&gt;&amp;nbsp;To foster relationships with other organizations in Australia and overseas which have similar aims.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Discover more about the Society at:&lt;a href="http://www.brisbanewelsh.org.au/"&gt;http://www.brisbanewelsh.org.au/&lt;/a&gt;</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>&lt;p&gt;Image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>Image of the sculpture Ascalon in front of St Georgeâ€™s Cathedral, Perth. The work was created by Marcus Canning and Christian de Vietri and unveiled in 2011. Ascalon is the name of the lance used by St George to slay the dragon in many medieval romances. As well as the lance, the sculpture features the cloak of St George and an abstract representation of the slain dragon in black epoxy coated steel plate.</text>
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                <text>Image of a copy of an eighth-century cross in St Georgeâ€™s Cathedral, Perth. The cross was given to the Cathedral in 1935 by the Friends of Canterbury Cathedral. The cross is on a stone plaque and is a copy of the Anglo-Saxon cross from Canterbury Cathedral, England. The Latin inscription states that the original was made in the eighth century, however it is now thought more likely to be from the mid-ninth century. The design of the original cross was based on Anglo-Saxon brooches.The stone in which the cross is set was supposedly taken from the walls of Christ Church, Canterbury.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>York Minster Bells</text>
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                <text>Sydney University, Sydney, university, universities, bell, bells, York Minster, Taylor &amp; Company, Leicester, Leicestershire, contract </text>
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                <text>An image of the recasting of the York Minster Bells, which are described as being "the heaviest ringing in England." The article states Taylor &amp; Company of Longborough, Leicester, who worked on the bells, were contracted to cast the carillon for Sydney University.</text>
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                <text>The Sydney Morning Herald</text>
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                <text>The Sydney Morning Herald</text>
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                <text>17 July 1926, p. 11. </text>
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                <text>The Sydney Morning Herald</text>
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                  <text>Medievalism at the Foundations</text>
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