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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;br /&gt; &lt;a href="http://www.ea.com/the-sims-medieval" target="_blank"&gt;http://www.ea.com/the-sims-medieval&lt;/a&gt;</text>
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                <text>In SIMS Medieval, the latest instalment of the virtual reality SIMS computer game series, players control a number of different heroes and characters ranging from kings and queens to knights, merchants, priests and blacksmiths. They send these characters on quests to earn points, and use these points to build a medieval kingdom. They can then â€˜negotiate treaties, conduct trade or declare war on surrounding kingdomsâ€™.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article49052406" target="_blank"&gt;http://nla.gov.au/nla.news-article49052406&lt;/a&gt;</text>
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                <text>Commoners Invoked Magna Carta</text>
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                <text>Administrative system, Archbishop Stephen Langton, barons, boroughs, British Commonwealth, Bruton School, Charter, church, cities, commoners, commonwealth, Crown, crusades, feudal system, free trial, Great Charter (1215), human rights, inspeximus copy, judicial system, justice, King John (r.1199-1216), law, legal judgement, liberty, Library Committee, Lincoln Cathedral, Magna Carta, medieval law, medieval people, merchants, National Library, parliament, Professor Murdoch, rights, Robert Fitzwalter (d.1235), subjects, towns, trial by ordeal, United States, villein, weights and measures, William de Braioise</text>
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                <text>In this article rebutting criticisms levelled at the Australian Government for its decision to purchase an inspeximus copy (1297) of Magna Carta in 1952, the author begins by reminding readers that the important medieval document would be placed on display in the National Library, where it could be viewed by members of the public. He goes on to explain the significance of Magna Carta, stating that it did not function merely to protect the rights of barons as was often thought, but also those of â€˜the Church, merchants, cities, towns and boroughsâ€™. Additionally, he continues, it set up a judicial and administrative system and established precedents to guarantee the liberty of all subjects. Examples are then provided to support the authorâ€™s claim that medieval people recognised the wider remit of Magna Carta, including that of a villein who invoked the Charter to sue a Prior and a tenantâ€™s widow who invoked it against an Earl.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Cathedral of St. Francis Xavier, Geraldton, Western Australia </text>
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                <text>architect, architecture, Bishop Richard Ryan, Bishop William Bernard Kelly, Brunelleschi, California, chÃ¢teau, church, Catholic, Catholicism, Catholic church, clergy, Florence, French Renaissance, French Romanesque, Geraldton, Geraldton diocese, Monsignor John Cyril Hawes, outback, priest, Renaissance, Romanesque style, Spanish mission style, stone, WA, Western Australia, Western Australian outback, Saint Francis Xavier, St. Francis Xavier, St Francis Xavier, Francis Xavier, Geraldton</text>
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                <text>St Francis Xavier Church in Geraldton, Western Australia, designed by Monsignor John Cyril Hawes, has a mixture of Romanesque and Spanish mission style architecture. The first stone was laid in 1916, but following the death of Bishop Kelly the cathedral was not completed until 1938 due to a lack of funds and lack of enthusiasm from Kellyâ€™s replacement, Bishop Ryan.&#13;
&#13;
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&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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                <text>A poem featured in The Hobart Town Gazette and Van Diemen's Land Advertiser, which conforms to lyrical and bardic poetic traditions. It has medieval and classical undertones in both style and language. </text>
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                <text>National Library of Australia</text>
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