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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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â€˜The Australian Jubilee Peerage: A Detailed Scheme for the Institution of Various Long-Needed Australian Orders of Nobilityâ€™, The Bulletin, 25 June 1887</text>
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                <text>â€˜pedigree hunting,â€™ Australian politics, Britain, heraldry, honours, Jubilee, knight, knighthood, Livingston York Hopkins (1846-1927), Melbourne, nobility, peerage, politics, political figures, Queen Victoria, social mobility, Victoria, VIC, White Knight of Kerry</text>
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                <text>This full-page illustration by the Bulletinâ€™s American-born cartoonist Livingston Hopkins (aka â€˜Hopâ€™), pokes fun at some of Australiaâ€™s prominent political figures. The 25 June 1887 issue of the Bulletin reviewed Queen Victoriaâ€™s Golden Jubilee, and Hopâ€™s cartoon â€œlampooned the jubilee peerages that had been bestowedâ€ on the distant British outpost (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.21). It seems that Australians from all backgrounds and social milieu desired these honours from the British monarch: a search for long-forgotten (aka â€˜illustriousâ€™) forbears was relentlessly pursued by public figures, and the claiming of heraldic devices (if obtainable) was de rigueur. As a result, Burkeâ€™s Peerage was forced to devote two volumes in 1891 and 1895 to â€œColonial Gentryâ€ (D'Arcens, p.24). Hopâ€™s cartoon offered Bulletin readers a tongue-in-cheek selection of new honours, including â€˜The Order of P.G.â€™ to be â€œconferred only upon the old and true colonial aristocracyâ€ (Bulletin,p .18). â€œP.G.â€ is a reference to â€œthe convict inmates of Pinchgut, the notoriously punitive prison-island in Sydney Cove (better known today as Fort Denison)â€. It also serves as a timely reminder to those with â€˜blinkeredâ€™ memories â€œof the decidedly ignoble originsâ€ of many of the Colonyâ€™s original European settlers (Dâ€™Arcens, p.23). </text>
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                <text>25 June 1887 (p. 18).</text>
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                <text>'Are We Medieval?' &lt;em&gt;The Worker&lt;/em&gt;, 2 January 1904</text>
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                <text>Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress,  trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. </text>
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                <text>This article from Brisbane publication &lt;em&gt;The Worker&lt;/em&gt; rebukes derisive comments published by a London journalist mocking Australia&amp;rsquo;s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie&amp;rsquo;s quip that &amp;lsquo;Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life&amp;rsquo;, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: &amp;lsquo;We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress&amp;rsquo;.</text>
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                <text>Cintra</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article71036792" target="_self"&gt;http://nla.gov.au/nla.news-article71036792&lt;/a&gt;</text>
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                <text>2 January 1904, p.3</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>'Golden era of neo-Gothic', Domain Website</text>
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                <text>ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website</text>
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                <text>This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. </text>
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                <text>Brown, Jenny</text>
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                <text>November 13, 2010</text>
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                <text>Domain, Jenny Brown</text>
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                <text>A film review in the â€˜Camperdown Chronicleâ€™ on August 24, 1929 for â€˜The Vikingâ€™. The review is featured in the â€˜Camperdown Theatre: Tonightâ€™s Picturesâ€™ section on page 5. Unlike other reviews of the film, this one focuses on the main actors (for example, â€™Pauline Starke dyed her Titian hair to appearâ€™) and characters (Leif Eriksson and Helga, Erik the Red, his wife Thorhild) rather than the ships and costumes. Erik the Red is described as â€˜the pagan ruler of Greenlandâ€™, while the supporting cast who play â€˜the Viking types of Norsemenâ€™ manage to create â€˜an appearance as of a lost tribe brought back to lifeâ€™. This is one of many reviews (some of the others can also be found on the â€˜Medievalism on the Pageâ€™ section of this website â€“ see Viking Memories and The Viking) which appeared in newspapers around Australia for what was evidently a very popular film.</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Article in the Examiner newspaper, Launceston, from June 29, 1949, p. 7. The article includes a photograph of the recreated Viking ship the Ormen Friske, and a short report on her arrival in Stockholm for the World Sport Exhibition. The Swedish-built ship was based on the ninth-century Gokstad ship. The Ormen Friske was lost in a storm with all hands in 1950. Although the ship had no Australian connection the story was presumably considered to be of general public interest.  </text>
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                <text>The Examiner</text>
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              <elementText elementTextId="9805">
                <text>The Examiner</text>
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        <name>Ormen Friske</name>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article. National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>"Men Call Me a Fool"</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This article provides a short review of Dan  Totheroh&amp;rsquo;s historical novel &amp;ldquo;Men Call me Fool&amp;rdquo;,  published by Selwyn and Blount in 1929. Set in fourteenth-century  France at the court of King Francis I, the plot centres on a  professional fool and a youthful duchess who falls in love with him.  Although professional fools were common in medieval courtly  circles, &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span&gt;&lt;span lang="EN"&gt;the reviewer tells the reader, &amp;ldquo;mostly they were hunchbacks or deformed, but this one&lt;/span&gt;&lt;span&gt; was an Adonis&lt;/span&gt;&amp;rdquo;, and also a troubadour. Summing up, the reviewer  concludes that &amp;ldquo;There is a good deal of the atmosphere of the times and  much that is realistic in the lives of these professional fools&amp;rdquo; and  &amp;ldquo;the characterisation of the sensual king and  his nobles is convincing&amp;rdquo;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;To access a copy of this novel, see &lt;a href="http://babel.hathitrust.org/cgi/pt?id=uc1.b312683" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://babel.hathitrust.org/cgi/pt?id=uc1.b312683&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article58388271" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article58388271&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Sunday Times</text>
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                <text>13 October 1929, p. 29.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="8403">
                <text>The Sunday Times</text>
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            <name>Language</name>
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        <name>court</name>
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        <name>duchess</name>
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        <name>fool</name>
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        <name>Francis I (1494-1547)</name>
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        <name>hunchback</name>
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