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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜The bride woreâ€¦ a swordâ€™</text>
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                <text>Celtic, costume, Hobart, Hannah Martin, Medievalist wedding, The Mercury, newspaper, Port Arthur, re-enactment, SCA, Society for Creative Anachronism, sword, Tas, Tasmania, The bride woreâ€¦ a sword, torc, wedding.</text>
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                <text>&lt;p&gt;The article &amp;lsquo;The bride wore&amp;hellip; a sword&amp;rsquo; by reporter Hannah Martin appeared in the online version of the Tasmanian newspaper The Mercury. The article reports on a medieval &amp;lsquo;Celtic&amp;rsquo;-style wedding of two members of the Society of Creative Anachronism. The Hobart couple were married at Port Arthur wearing specially made medieval costumes and brandishing a sword each. The also wore torcs, or neck-rings, an item occasionally found in the medieval period but more common earlier. Many of the guests also wore medieval costumes.&lt;/p&gt;&#13;
&lt;p&gt;For the article, including photographs, see &lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Martin, Hannah</text>
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                <text>The Mercury</text>
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                <text>The Mercury, Hannah Martin</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://blacktown-advocate.whereilive.com.au/news/story/blacktown-festival-medieval-fayre-takes-nurragingy-reserve-back-to-the-middle-ages-at-doonside/"&gt;http://blacktown-advocate.whereilive.com.au/news/story/blacktown-festival-medieval-fayre-takes-nurragingy-reserve-back-to-the-middle-ages-at-doonside/&lt;/a&gt;</text>
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                <text>Armour, Blacktown, Blacktown Advocate, Blacktown Medieval Fayre, costume, fair, jousting, knights, Ben McClellan, New South Wales, newspaper, NSW, re-creation, re-enactment, Sydney</text>
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                <text>This online newspaper article by Ben McClellan appeared in the Blacktown Advocate on May 21, 2012. It reports on the recent Blacktown (western Sydney) Medieval Fayre. According to the article, the Fayre featured medieval-themed stalls, demonstrations of medieval blacksmithing and cooking, people in costumes including Lords and Ladies, jousting demonstrations, and ended with a battle of people dressed as medieval knights in full armour. The article includes links to photographs taken at the Fayre.</text>
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                <text>Blacktown Advocate, Ben McClellan</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜The Scaly Monsterâ€™</text>
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                <text>Alderman, â€˜Bloody Jack,â€™ boat, cartoon, democracy, E. Montague Scott (1835-1909), John McElhone (1833-1898), knight, NSW politics, political cartoon, politics, Sydney Municipal Council,  respectability</text>
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                <text>&amp;lsquo;The Scaly Monster&amp;rsquo; drawing shows an unruffled &amp;lsquo;Bloody Jack&amp;rsquo; McElhone boarding a vessel embarking for England. This feisty Sydney alderman had a reputation for forthrightness and &amp;lsquo;fisticuffs,&amp;rsquo; which was not always appreciated by others. He was once referred to by Daniel O&amp;rsquo;Connor as &amp;ldquo;&amp;lsquo;an illiterate mountebank,&amp;rsquo; &amp;lsquo;a commercial Shylock,&amp;rsquo; &amp;lsquo;an unscrupulous vulture,&amp;rsquo; and &amp;lsquo;a political Quilp&amp;rsquo;&amp;rdquo; (See Martha Rutledge, 'McElhone, John (1833&amp;ndash;1898)',Australian Dictionary of Biography, National Centre of Biography, Australian National University, &lt;a href="http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529"&gt;http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529&lt;/a&gt;, accessed 11 June 2012). O&amp;rsquo;Connor had previously had a run-in with McElhone after calling him a &amp;ldquo;servile lickspittle&amp;rdquo;, for which he received a punch below the left eye. It is not entirely clear to whom or what &amp;lsquo;The Scaly Monster of the House&amp;rsquo; refers when he states, &amp;ldquo;I do not care two straws what the public think. I treat the whole matter with contempt&amp;rdquo;. It is probable that the cartoonist is merely highlighting the typical McElhone response to opposition of any kind. By all accounts he was well-used to causing indignation and political controversy. He was, however, essentially an honest man who frequently asked difficult questions of the government, and as a result &amp;ldquo;exposed many public wrongs&amp;rdquo; in the process. A bearded knight charging from behind may be Sir Henry Parkes, or it could be Sir John Robertson who also sported a luxuriant beard and flowing white locks. Either way, the &amp;lsquo;knight&amp;rsquo; is a representative &amp;ldquo;champion of democracy&amp;rdquo; (Marguerite Mahood,The Loaded Line: Australian Political Caricature 1788-1901,Carlton: Melbourne University Press, 1973, p.131), and a visible embodiment of political fairness and respectability.</text>
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                <text>3 May 1884 (p. 13)</text>
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                <text>&lt;p&gt;This online newspaper article by David Wilson appeared in the My Small Business section of The Sydney Morning Herald. The article features an interview with Rod Walker about his business Full Tilt. The Bathurst-based business run fully costumed jousting demonstrations. Jousting became a popular form of entertainment during the High Middle Ages, allowing knights to practice their combat skills.&lt;/p&gt;&#13;
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&lt;p&gt;For the company see &lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Tasmanian Gothic is the website for Tasmanian artist Elizabeth Barsham (formerly E.M. Christensen). Her work is inspired by such things as medieval tapestries and the Renaissance artists Pieter Bruegel and Albrecht DÃ¼rer (according to the â€˜just a Tasmanianâ€™ tab).</text>
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                <text>Elizabeth Barsham, Tasmanian Gothic</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;For the articles see &lt;a href="http://www.theage.com.au/national/border-fight-spells-trouble-for-viking-busker-20120106-1po02.html" target="_blank"&gt; &lt;span style="color: #800080;"&gt;http://www.theage.com.au/national/border-fight-spells-trouble-for-viking-busker-20120106-1po02.html&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.bordermail.com.au/news/local/news/general/viking-charged-over-security-guard-scuffle/2411514.aspx" target="_blank"&gt; &lt;span style="color: #800080;"&gt;http://www.bordermail.com.au/news/local/news/general/viking-charged-over-security-guard-scuffle/2411514.aspx&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The online newspaper article â€˜Border fight spells trouble for viking buskerâ€™ appears in the online version of The Age newspaper, having originally appearing in the Albury, Victoria, newspaper The Border Mail. The article reports on the arrest in Albury of a Melbourne busker who dressed as a Viking in gold body paint. From the photographs included in the article the Viking attire consists of a waistcoat, horned helmet, gloves, and pants. The â€˜Vikingâ€™ also carried a sword as part of his act. </text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://au.news.yahoo.com/thewest/a/-/newshome/12368662/medieval-mental-health-service-to-be-modernised/" target="_blank"&gt;http://au.news.yahoo.com/thewest/a/-/newshome/12368662/medieval-mental-health-service-to-be-modernised/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>This article by Angela Pownall appeared in the online version of The West Australian newspaper. It reports on State Government legislation aimed at modernising the Western Australian mental health system. The existing system is described as being â€˜medievalâ€™ and â€˜archaicâ€™, suggesting that the two terms are synonymous.</text>
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                <text>The West Australian</text>
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                <text>16 December 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The West Australian; Angela Pownall</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://nla.gov.au/nla.news-article19531625" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article19531625&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Viking Dragon Ship Article</text>
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                <text>Brisbane, The Brisbane Courier, ship, recreation, replica, QLD, Queensland, Viking, wizard</text>
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                <text>A newspaper article on page 7 of the Queensland newspaper The Brisbane Courier on 11 August, 1908. The article reports on the reopening of the Viking Dragon Ship at St Paulâ€™s Hall, and the accompanying entertainment. Described as a â€˜Viking entertainmentâ€™, this included Ulfhednar, Wizard of the North, Grjotgurd the Nimble, Elfski, Hauk the Strong, and a wrestling demonstration.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>The Brisbane Courier</text>
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                <text>11 August 1908</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="15054">
                <text>No Copyright</text>
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        <name>viking</name>
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        <name>wizard</name>
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