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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Holyrood&amp;rsquo;, &lt;em&gt;The Bulletin,&lt;/em&gt; 12 November 1903</text>
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                <text>Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). </text>
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                <text>As a young man, William H. (&amp;lsquo;Will&amp;rsquo;) Ogilvie spent 12 years in outback Australia, &amp;lsquo;horse-breaking, droving, mustering and camping out on the vast plains&amp;rsquo; before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869&amp;ndash;1963)', &lt;em&gt;Australian Dictionary of Biography&lt;/em&gt;, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in &lt;em&gt;The Bulletin&lt;/em&gt;. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet&amp;rsquo;s reference to &amp;lsquo;ancient tower and archway&amp;rsquo; hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey &amp;ldquo;down the storied halls&amp;rdquo; while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the &amp;lsquo;Corridor of Kings&amp;rsquo; - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and &amp;lsquo;Bonnie&amp;rsquo; Prince Charlie (&amp;ldquo;a rebel prince&amp;rdquo;) and the 1745 Jacobite Uprising. Ogilvie&amp;rsquo;s nostalgic poem appeared in &lt;em&gt;The Bulletin&lt;/em&gt; in November 1903, after first being printed in &lt;em&gt;The Scotsman&lt;/em&gt;.</text>
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                <text>Will H. Ogilvie</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Rivals&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 14 July 1900</text>
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                <text>absent lovers, Boer War, chivalry, courtly love, Creeve Roe, favour, gift, heroism, Isabel, knight, maiden, marriage, romance, Sir Comfort, Sir Valour, soldier, valour, veldt, Victor Daley (1858-1905). </text>
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                <text>&amp;lsquo;Rivals&amp;rsquo; is an interesting attempt by medievalist writer Victor Daley to transform what must have been a fairly commonplace incident at that time into something more than it seems. The poem describes a young man, Sir Valour, taking leave of his sweetheart (&amp;ldquo;My Lady Fair&amp;rdquo;), and going off to fight in the Boer War. The leave-taking is transformed into a medieval tale, a deliberately romantic historicization of the present (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,&lt;/em&gt; Turnhout, Brepols, 2011, p.110), whereby the couple pledge true love and the lady presents him with a token of her favour, before he sets out for foreign lands. In her knight&amp;rsquo;s protracted absence, Sir Comfort, an older and much wealthier man, slyly wins the favours of &amp;ldquo;Sweet Isabel,&amp;rdquo; and marries her. This turnaround is presumably hastened by the giving of a number of beautiful and very costly items: &amp;ldquo;Some simple rubies, strings of pearls / And diamonds for [her] hair.&amp;rdquo; Here Creeve Roe contrasts the stark unpleasant realities of the war with quasi-medieval &amp;lsquo;courtly&amp;rsquo; values. The final scene, when the young man dies &amp;ldquo;in lands remote,&amp;rdquo; with Isabel&amp;rsquo;s name upon his lips, is one of shattered dreams and misplaced expectations.</text>
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                <text>14 July 1900, p.32</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Because of her Father&amp;rsquo;s Blood&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 25 June 1908</text>
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                <text>â€˜As It Is in the Days of Now,â€™ â€˜The Old Squire,â€™ ancestry, bravery, courage, Dame Ruth, forebears, Henry Lawson (1867-1922), knight, loyalty, outlaws, poem, Sir William series, war. </text>
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                <text>Henry Lawson produced several interrelated medieval poems c. 1908 which &lt;em&gt;The Bulletin&lt;/em&gt; published. &amp;lsquo;Because of her Father&amp;rsquo;s Blood&amp;rsquo; is the third poem of the Sir William series. While the knight is away crusading his aunt, Dame Ruth, is left to keep things in good order at home. This is a poignantly nostalgic poem of courage arising from dire and severe need, wherein an elderly lady and a handful of domestic servants keep a large and rapacious band of outlaws at bay &amp;lsquo;against all the odds.&amp;rsquo; There is something to be said, it seems, for resolute and purposeful determination under duress. That is the core message here, where ordinary men and women - domestics, scullions and grooms, none of them martial or overly brave - combine together under the considerable will and fierce determination of Dame Ruth, and heroic deeds are enacted as a result. Looking to her illustrious forebears provides the catalyst for Dame Ruth&amp;rsquo;s heroism and bravery: &amp;ldquo;For a fearsome mistress she was to serve, / Because of her father&amp;rsquo;s blood.&amp;rdquo; And, extending and applying this &amp;lsquo;medievalist&amp;rsquo; performative metaphor to the national cause, loyalty and bravery are strongly emblematic of Australia&amp;rsquo;s attitude towards and defence of the British Empire in its foreign wars.</text>
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        <name>â€˜As it is in the Days of Now</name>
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        <name>â€™ â€˜The Old Squire</name>
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              <description>A name given to the resource</description>
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              <text>&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>One-Man Tank: â€œMedieval Knightâ€</text>
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                <text>&lt;p&gt;This article in the Melbourne newspaper The Argus in 1926 describes the invention of a one-man tank. The report is based on photographs published in the London newspaper the Daily Telegraph. It describes the tank as reintroducing &amp;lsquo;the medieval knight in armour&amp;rsquo;. The medieval imagery is continued with the description of the building of the tanks as &amp;lsquo;a veritable beating of plough shares into swords&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article3743134"&gt;http://nla.gov.au/nla.news-article3743134&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="24152">
                <text>The Argus</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article23754864" target="_self"&gt;http://nla.gov.au/nla.news-article23754864&lt;/a&gt;</text>
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                <text>â€œRobin Hoodâ€ (pantomime)</text>
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            <description>The topic of the resource</description>
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                <text>Bijou Theatre, Hobart, The Mercury, newspaper, outlaw, pantomime, performance, Robin Hood, Tas, Tasmania, theatre.</text>
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            <description>An account of the resource</description>
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                <text>This 1924 article in the Hobart based newspaper The Mercury advertises two performances of the pantomine 'Robin Hood' at the Bijou Theatre. The performances were held 'by special request' following an earlier successful season. The pantomine is presumably based on the exploits of the legendary medieval English outlaw Robin Hood.</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="28405">
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="28406">
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            <elementTextContainer>
              <elementText elementTextId="28408">
                <text>The Mercury</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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      <tag tagId="4809">
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>URL</name>
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                <text>â€œRobin Hoodâ€ (comic opera)</text>
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                <text>&lt;p&gt;This piece titled &amp;ldquo;Robin Hood&amp;rdquo; in the &amp;lsquo;Amusements&amp;rsquo; section of the Sydney Morning Herald newspaper appeared on June 30, 1928. It brings to attention a new production of the comic/light opera Robin Hood at the Sydney Conservatorium of Music in the Royal Botanic Gardens, formerly the stables of Government House. Elsewhere on the same page in the &amp;lsquo;Music and Drama&amp;rsquo; section there is a complimentary article to remind readers of two previous seasons of the opera, and to discuss the opera&amp;rsquo;s origins and style. The &amp;lsquo;rustic&amp;rsquo; opera by Americans Reginald De Koven (music) and Harry B. Smith (libretto) was written in Chicago in the 1880s and, according to the newspaper article, features comic treatment of the characters of the Sherriff and Sir Guy. The opera is based on the popular adventures of the outlaw Robin Hood and is set in Nottingham, England, during the reign of Richard I (the Lionheart) during his time abroad on crusade.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;http://nla.gov.au/nla.news-article28052740&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="28415">
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementTextContainer>
              <elementText elementTextId="28417">
                <text>Sydney Morning Herald</text>
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              <elementText elementTextId="28418">
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              <name>Title</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Viking Brand label</text>
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            <description>The topic of the resource</description>
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                <text>Ad, advert, advertisement, dragon ship, Gokstad ship, Hobart, W.H. Ikin &amp; Son, label, shield, ship, Tas, Tasmania, Viking, Viking Brand, Viking Brand Fancy Grade Pears.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This pear case label for Viking Brand Fancy Grade Pears is approximately A4-size. It probably dates from 1938 or 1939 (see link below). Viking Brand were exported by W.H. Ikin &amp;amp; Son in Hobart and the produce was from Tasmania. The advert depicts a Viking dragon boat with both oars and sail being used. The boat also has round shields along its side, as is historically attested from the tenth-century Gokstad ship found in 1880 and now housed in the Viking Ship Museum near Oslo, Norway. The advertisement also proudly states that the pears are &amp;lsquo;Empire Produce&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://catalogue.statelibrary.tas.gov.au/item/?id=682142"&gt;http://catalogue.statelibrary.tas.gov.au/item/?id=682142&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="28423">
                <text>Viking Brand</text>
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                <text>1938-1939</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28425">
                <text>Viking Brand</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="28426">
                <text>Scanned document/JPEG</text>
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        <name>Ad</name>
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      <tag tagId="4995">
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        <name>advertisement</name>
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      <tag tagId="3304">
        <name>dragon ship</name>
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      <tag tagId="5105">
        <name>Gokstad ship</name>
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      <tag tagId="320">
        <name>Hobart</name>
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        <name>label</name>
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      <tag tagId="723">
        <name>shield</name>
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      <tag tagId="440">
        <name>ship</name>
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        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
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        <name>viking</name>
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      <tag tagId="5107">
        <name>Viking Brand</name>
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        <name>Viking Brand Fancy Grade Pears.</name>
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        <name>W.H. Ikin &amp; Son</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/9ab7ec13078755c08d96b104eacf4e9b.jpg</src>
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              <element elementId="74">
                <name>Bit Depth</name>
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                    <text>8</text>
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                <name>Channels</name>
                <description/>
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                  <elementText elementTextId="23659">
                    <text>3</text>
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                <name>Height</name>
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                  <elementText elementTextId="23662">
                    <text>1175</text>
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                <name>Width</name>
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                  <elementText elementTextId="23663">
                    <text>856</text>
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="23690">
              <text>Microfilm</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="23682">
                <text>&amp;lsquo;Rival Saints&amp;rsquo; &lt;em&gt;The Bulletin&lt;/em&gt;, 2 May 1903.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23683">
                <text>Budget, Federation, Livingston Hopkins aka â€˜Hopâ€™ (1846-1927), Manifesto, New South Wales, NSW politics, politics, sainthood, saints, sanctity, showmanship, Sir George Reid (1845-1918), Sir Joseph Carruthers (1856-1932), stained glass, taxation.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23684">
                <text>This 1903 Bulletin cover by Hop, which lampoons NSW politicians Sir George Reid (the Freetrade advocate) and Sir Joseph Carruthers (illustrated here holding a copy of his reform policy), draws on medievalism by depicting them as saints in stylised medieval stained glass windows. The figure on the left, Sir George Reid, is monocled, generously rotund, and wearing a walrus moustache. He was at various times the NSW Premier, Australian Prime Minister, and in later years, Australian High Commissioner. Although the cartoon depicts him openly displaying the word Federation on his ample frontage, he is generally regarded as having been somewhat ambivalent about its future (W. G. McMinn, 'Reid, Sir George Houstoun (1845&amp;ndash;1918)', &lt;em&gt;Australian Dictionary of Biography&lt;/em&gt;, http://adb.anu.edu.au/biography/reid-sir-george-houstoun-8173). Elsewhere in the same issue, The Bulletin takes Sir Joseph Carruthers&amp;rsquo; Manifesto, which he is shown holding here, to task, dismissing it because &amp;ldquo;There is not a word about taxation, not a word about borrowing, nor about spending loan money&amp;rdquo; (See &lt;em&gt;The Bulletin&lt;/em&gt;, 2 May, 1903, p.9). Hop&amp;rsquo;s cartoon suggests that neither of these figures is deserving of the recognition of sainthood, regardless of their titles, bluster, and showmanship.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="23685">
                <text>Livingston Hopkins (â€˜Hopâ€™)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="23686">
                <text>The Bulletin</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="23687">
                <text>The Bulletin</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="23688">
                <text>2 May 1903 (Cover)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23689">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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