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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article17408348" target="_self"&gt;http://nla.gov.au/nla.news-article17408348&lt;/a&gt;</text>
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                <text>Gift of &amp;pound;100 for Lepers, &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, 28 September 1937</text>
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                <text>Barbarity, Coast Lazaret Hospital, criminals, disease, Dr E. H. Molesworth, ill-treatment, imprisonment, individual rights, infection, International Leprosy Association,  Lazarus House, leprosy, Little Bay, medical treatment, medicine, medieval attitudes, New South Wales, NSW, primitive treatment, prisoners, scourge, segregation, skin diseases, susceptibility, Sydney University. </text>
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                <text>This article from the Sydney Morning Herald in 1937 relates the concerns and criticisms of Dr E. H. Molesworth, a lecturer in skin diseases at The University of Sydney, regarding the treatment of leprosy at the Coast Lazaret Hospital in the New South Wales region of Little Bay. Containing lengthy quotes, the article conveys Dr Molesworth&amp;rsquo;s view that Australian attitudes towards leprosy were still medieval, primitive and reactionary, and that as a consequence treatment for the disease was falling well behind the times when compared to European cities. The disease, he suggests, was still being viewed as a horrible scourge (as it had been in the middle ages), and so people suffering from it were regarded as dangerous pariahs who should be segregated from society. The resultant approach regarding treatment for the disease &amp;ndash; to nominate specific areas away from the general populace and to lock sufferers away &amp;ndash; deprived people of their individual rights and was tantamount to treating them like criminals, Dr Molesworth complained. It also made the disease more dangerous, because people who could be treated were concealing their condition on account of the stigma it continued to attract.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article17408348" target="_self"&gt;http://nla.gov.au/nla.news-article17408348&lt;/a&gt;</text>
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                <text>The Sydney Morning Herald</text>
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                <text>28 September 1937, p.12</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>The Discovery of Australia: Made in the Fifteenth Century, &lt;em&gt;The Chronicle&lt;/em&gt;, 27 March 1897</text>
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                <text>Aragon, Australian booksellers, Castile, Christopher Columbus (1451-1506), conquest, E. A. Petherick &amp; Co., Edward Augustus Petherick, exploration, Ferdinand II of Aragon (1452-1516), Isabella of Castile (1451-1504), kangaroo, Medieval Spain, New World, paper, Royal Geographical Society.</text>
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                <text>&lt;p&gt;This short notice in &lt;em&gt;The Chronicle &lt;/em&gt;in 1897 informs readers about a paper in which Edward Augustus Petherick, the head of Australian booksellers E.A. Petherick &amp;amp; Co., would argue that Australia was founded in the medieval period. His evidence, the article advises, was that a kangaroo was presented to King Ferdinand and Queen Isabella of Spain in 1499. The marriage of Isabella and Ferdinand in 1469 unified the houses of Castile and Aragon under one throne. They led the Christian reconquest of Spain and the overthrow of Muslim Granada in the early 1490s, and were at the forefront of New World Exploration in the late fifteenth century. Isabella and Ferdinand authorised and funded the expeditions of Christopher Columbus between 1492 and 1498.&lt;/p&gt;</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Chronicle&lt;/em&gt;</text>
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                <text>27 March 1897, p.12</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&lt;p&gt;This drawing of Robin Hood appeared on page 14 of the Rockhampton, Queensland, newspaper the &lt;em&gt;Morning Bulletin&lt;/em&gt; on August 9, 1935. The drawing by Robert Cantle appears in the &amp;lsquo;Children&amp;rsquo;s Corner&amp;rsquo; section of the newspaper and depicts the popular medieval English outlaw in action with a bow and arrow.&lt;/p&gt;&#13;
&lt;p&gt;The&amp;nbsp;full newspaper page&amp;nbsp;can be viewed&lt;br /&gt;at &lt;a href="http://nla.gov.au/nla.news-article54788762"&gt;http://nla.gov.au/nla.news-article54788762&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cantle, Robert</text>
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                <text>Public Domain; National Library of Australia</text>
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                <text>&lt;p&gt;&amp;lsquo;Alfred Was Great King&amp;rsquo; is an anonymous article that appeared in the Charters Towers, Queensland, newspaper &lt;em&gt;The Northern Miner&lt;/em&gt; in 1954. The article is about the ninth-century Anglo-Saxon/English king Alfred of Wessex, or Alfred the Great. The article enthusiastically supports his title and discusses Alfred&amp;rsquo;s achievements &amp;ndash; saving Wessex from Danish (Viking) invaders, laying the foundations for English law, beginning its naval tradition, and promoting education and prose literature. A lot of text is devoted to another of Alfred&amp;rsquo;s achievements, the establishment of the Old English Chronicle, now usually referred to as the Anglo-Saxon Chronicle. It is described in the article as &amp;lsquo;the first great work in English prose&amp;rsquo;. &lt;/p&gt;&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&lt;p&gt;The 1949 article &amp;lsquo;Tasmania&amp;rsquo;s Historic Towers&amp;rsquo; by M.S.R. Sharland appeared in the Hobart, Tasmania, based newspaper The Mercury. The article discusses a number of stand-alone towers in Tasmania, including two medieval-styled examples, the pigeon tower on Panshanger Estate and the water tower at Evandale. The author bemoans the functionalism of modern architecture and is glad that earlier builders created structures of beauty, even if they may seem to be a &amp;lsquo;folly&amp;rsquo;.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/924" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/924&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1039&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&lt;p&gt;&amp;lsquo;&amp;lsquo;Thingless Names&amp;rsquo;? The St George Legend in Australia&amp;rsquo; is an article by Andrew Lynch from The University of Western Australia. It appeared in the La Trobe Journal (No. 81, pp. 40-52) in Autumn 2008. The article briefly considers the impact of medievalism in Australia during the nineteenth century before focussing in particular on the many uses of the figure of St George, with or without the dragon, which can be found throughout Australia. A wide range of examples, including statues, stained glass windows, street names, poetry, beer commercials, St George Illawarra Dragons rugby club, are used, and there is a particular focus on St George&amp;rsquo;s Cathedral in Perth. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_self"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Viking Song&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 25 August 1910</text>
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                <text>anvil, Australian Navy, David McKee Wright (1869-1928), forge, National Defence, national pride, Norse mythology, Odin, politics, Thor, Thorâ€™s Hammer, Vikings. </text>
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                <text>&lt;p&gt;David McKee Wright draws inspiration from the journeys of the Vikings across the North Sea in this poetic martial &amp;lsquo;ditty&amp;rsquo; that brims with national pride:&lt;/p&gt;&#13;
&lt;p&gt;Australia with her bright hair glowing&lt;br /&gt;Has her eye on the furrows of the deep &lt;br /&gt;[...] &lt;br /&gt;Clang, clang, clang on the anvil &lt;br /&gt;There are steel ships wanted on the sea!&lt;/p&gt;&#13;
&lt;p&gt;The reason for Wright&amp;rsquo;s show of enthusiasm was doubtless the creation of the Australian Navy in 1909. Billy Hughes told the &lt;em&gt;Sydney Morning Herald&lt;/em&gt; in 1910 that &amp;ldquo;Mr Deakin had taken Mr Watson&amp;rsquo;s scheme [c. 1905] and adorned it with that magnificent eloquence of his till it shone [...] But it was a thing in the clouds [...] The Fisher Government transformed it into iron and steel and guns&amp;rdquo; (See The &lt;em&gt;Sydney Morning Herald&lt;/em&gt;, Wednesday, 16 February 1910, pp. 9-10. &lt;a href="http://nla.gov.au/nla.news-article15133137" target="_self"&gt;http://nla.gov.au/nla.news-article15133137&lt;/a&gt;). When the fleet eventually arrived off Australian shores in October 1913, it was welcomed &amp;ldquo;By very large and demonstrative crowds [...] and fervently patriotic speeches were made at the welcoming banquet&amp;rdquo; (F. K. Crowley, &lt;em&gt;A New History of Australia&lt;/em&gt;, Richmond, William Heinemann, 1984, p.294). During the Federal electioneering of February 1910, the fleet featured large in the overall proceedings. The Deakin-Cook Fusion Party lost the 1910 election, but Australia still got its navy, and balladeers and patriots sang its praises.&lt;/p&gt;</text>
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                <text>David McKee Wright </text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>25 August 1910, p.3</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="25343">
                <text>Public Domain</text>
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            <name>Format</name>
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              <elementText elementTextId="25344">
                <text>Journal (Microfilm)</text>
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        <name>anvil</name>
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        <name>Odin</name>
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        <name>Thor</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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            <name>Title</name>
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                <text>&amp;lsquo;On Keira&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 16 June 1910</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Armour, chivalry, death, E. J. Brady (1869-1952), Gerringong, humour, Illawarra region, knight, loss, love, Mt Keira, NSW, old age, regret, Shoalhaven, Wollongong escarpment, youth.</text>
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                <text>This intensely nostalgic medieval poem by E. J. Brady &amp;ldquo;is most distinctive for its unapologetic insertion of the chivalric into the local&amp;rdquo;, which becomes the source of unintended humour (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,&lt;/em&gt; Turnhout, Brepols, 2011, p.141). Looking out on that same geological vista (the Wollongong escarpment), it is indeed difficult to envisage Brady&amp;rsquo;s youthful knight in armour dashing stubbornly to fame and fortune at the expense of his own happiness, with anything like a straight face. However, with some deft poetic substitution and &amp;ldquo;Tennysonian&amp;rdquo; reworking on Brady&amp;rsquo;s part (D&amp;rsquo;Arcens, p.141), the Illawarra region of NSW is transformed, at least temporarily, into a mystical fairyland. As the narrator of the poem here regretfully contemplates the paths he didn&amp;rsquo;t follow, this poem serves as a poignant reminder to readers of the need to make the right decisions in life, especially those concerning love and happiness, lest they suffer the unrelenting pangs of grief and loss.</text>
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              <elementText elementTextId="25295">
                <text>E. J. Brady</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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                <text>16 June 1910, p.39</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="25299">
                <text>Public Domain</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1031" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1031&lt;/a&gt;</text>
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        <name>E. J. Brady (1869-1952)</name>
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        <name>Gerringong</name>
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