9 8 730 https://ausmed.arts.uwa.edu.au/files/original/d8c4266655bf6be49c9cebce57a9a23a.JPG 007c2d4248e91d3545ac18d441faa3a4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles Altar, Launceston, Tasmania Subject The topic of the resource Altar, Catholic, Church of the Apostles, column, finials, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, pointed arch, spire, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander North Altar Bishop Willson Catholic Church of the Apostles column finials Gothic Gothic Revival lancet window Launceston pointed arch Robert William Willson. spire stained glass Tas Tasmania tracery Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/8536/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/8536/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Fight: St George Kills the Dragon VIâ€™ by Edward Burne-Jones Subject The topic of the resource Aesthetic Pre-Raphaelitism, armor, armour, art, artwork, chivalric tradition, chivalry, damsel, dragon, gallantry, George, knight, legend, Myles Birket Foster, myth, New South Wales, NSW, Pre-Raphaelite, Princess Sabra, St George, sword, The Hill, Witley. Description An account of the resource This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a â€˜St George and the Dragonâ€™ narrative cycle that Burne-Jones was commissioned to produce in 1864 for the dining room of Myles Birket Fosterâ€™s house, The Hill, in Witley, Surrey. Completed in 1866, this is the sixth painting in the series. It depicts an armoured St George slaying a reptilian looking dragon, while a female figure wearing a flowing white gown and a wreath of flowers - Princess Sabra from the legend - clasps her hands and watches tentatively from the sidelines. The deadly threat posed by the dragon, and by extension the valour of the knight in quashing it, is evident from the skull and broken lance lying in the foreground of the painting. Although the legend of St George slaying the dragon is Eastern in origin, it is thought to have been taken back to England by medieval crusaders, where it was incorporated into the chivalric tradition. As the patron saint of England, a champion of Christianity, and an exemplar of chivalric masculinity, St George was a popular subject for Pre-Raphaelite artists such as Burne-Jones, and for the Victorian medieval revival more generally. Creator An entity primarily responsible for making the resource Edward Burne-Jones Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1866 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 105.4cm x 130.8cm Aesthetic Pre-Raphaelitism Armor Armour art artwork chivalric tradition chivalry damsel dragon gallantry George knight legend Myles Birket Foster myth New South Wales NSW Pre-Raphaelite Princess Sabra St George sword The Hill Witley https://ausmed.arts.uwa.edu.au/files/original/a61354ad108001e1e19e3c51eb28e3ca.JPG 915a4432def0a0c120ea8cadf335f8a8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/eb3e7a46f41ab4a2bc6d9b97397dd62a.JPG 22aed25f5986120fc2c8a43418c3f935 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f14501517ba0783b5c9574ebbd286e8b.JPG 36c6e25eb20d17b45ca5e7c611ee40de Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Horizontal Retort Building, (Former) Launceston Gasworks, Launceston, Tasmania Subject The topic of the resource Horizontal retort building, Launceston, Launceston Gasworks, Romanesque, semi-circular arch, Tas, Tasmania. Description An account of the resource The horizontal retort building is one of a number of derelict buildings on the former Launceston Gasworks site in the northern Tasmanian city of Launceston. The brick with sandstone edging building was completed in 1860. The building includes Romanesque features, in particular the semi-circular arched windows and doors, many of which have now been bricked up. As can be seen in photograph 3, some Romanesque windows were also included in later (20th century) brick and steel buildings on the site. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 12, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Horizontal retort building Launceston Launceston Gasworks Romanesque semi-circular arch Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/6800e74ac77464ff5fd779ea7afce5f2.JPG da1265616ee71485fce01f175d2aea75 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/fb1942f2f2669164ddfd3b93aafe7c94.JPG 64045499506fc234b7120a95fea861a2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles interior, Launceston, Tasmania Subject The topic of the resource Catholic, Church of the Apostles, column, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, Alexander North, pointed arch, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson. Description An account of the resource The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows. For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1202">http://ausmed.arts.uwa.edu.au/items/show/1202</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Bishop Willson Cardinal Moran Catholic Church of the Apostles column Gothic Gothic Revival lancet window Launceston Patrick Francis Moran pointed arch Robert William Willson. stained glass Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/8e83932bb696d98ea5e6a26471732db9.JPG 06c69b060f46313d9b5c1a5821d646d6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/34c41bd6c148a9772ea90cce49a2c6f6.JPG 758e3eab7077d551d1dea599c6b69e64 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church of the Apostles exterior, Launceston, Tasmania Subject The topic of the resource Buttress, Catholic, Church of the Apostles, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, pointed arch, spire, stained glass, Tas, Tasmania, tower, tracery, Bishop Willson, Robert William Willson. Description An account of the resource The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania’s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> For the altar see <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1204">http://ausmed.arts.uwa.edu.au/items/show/1204</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1207">http://ausmed.arts.uwa.edu.au/items/show/1207</a>   Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson buttress Cardinal Moran Catholic Church of the Apostles Gothic Gothic Revival lancet window Launceston Patrick Francis Moran pointed arch Robert William Willson. spire stained glass Tas Tasmania tower tracery Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/703/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown Subject The topic of the resource Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour. Description An account of the resource This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled “Geoffrey Chaucer Reading the ‘Legend of Custance’ to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince’s Forty-Fifth Birthday”, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King’s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown’s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer & Laura MacCulloch, Ford Madox Brown: The Unofficial Pre-Raphaelite, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the ‘Father of English poetry’. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because “the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity” (Velma Bourgeois Richmond, “Ford Madox Brown’s Protestant Medievalism: Chaucer and Wycliffe”, Christianity and Literature, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled The Seeds and Fruits of English Poetry, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns. Creator An entity primarily responsible for making the resource Ford Madox Brown Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1847-1851 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 372cm x 296cm â€˜Legend of Custanceâ€™ Alice Perrers (1348-1400) anniversary art artwork birthday Black Prince (1330-1376) court Custance Dante Gabriel Rossetti (1828-1882) Edward III (1312-1377) English language Geoffrey Chaucer (c.1343-1400) history painting jester John of Gaunt (1340-1399) knight Lute palace of Sheen poetry Pre-Raphaelite reading royalty troubadour https://ausmed.arts.uwa.edu.au/files/original/806d59e37f5b147278bba99f45855bdc.JPG 3b45939a28c599b748c2fb6e0b20bb82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/25b3b8bbd5f08081bbb3e88229eeedc0.JPG 1081b42e1e7da94275b24b778698aade Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/18855818769e1c58ed09d81eefe0cb77.JPG 0b338cbb72b2e1751c775493189adf62 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Davidâ€™s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling. Description An account of the resource St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916. George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford. For more on St David's Cathedral see the 'Relation' section. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1149">http://ausmed.arts.uwa.edu.au/items/show/1149</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1179">http://ausmed.arts.uwa.edu.au/items/show/1179</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1166">http://ausmed.arts.uwa.edu.au/items/show/1166</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1155">http://ausmed.arts.uwa.edu.au/items/show/1155</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1168">http://ausmed.arts.uwa.edu.au/items/show/1168</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1184">http://ausmed.arts.uwa.edu.au/items/show/1184</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1174">http://ausmed.arts.uwa.edu.au/items/show/1174</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1171">http://ausmed.arts.uwa.edu.au/items/show/1171</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1190">http://ausmed.arts.uwa.edu.au/items/show/1190</a>           Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Altar Anglican column font George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart pointed arch Prince Alfred rood screen St Davidâ€™s Cathedral stained glass Tas Tasmania tracery vaulted ceiling. https://ausmed.arts.uwa.edu.au/files/original/438762de0b34e7a339530f037bf86a2f.JPG ca8edd4830527673b16a4296924bdbb0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource East Window, St Andrewâ€™s Anglican Church, Westbury, Tasmania Subject The topic of the resource Anglican, altar, Church of England, William Henry Clayton, Gothic, Gothic Revival, lancet window, pointed arch, reredos, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury. Description An account of the resource This East Window is in St Andrew’s Church of England (Anglican) in the small Tasmanian town of Westbury. The window is above the altar and reredos in the Sanctuary of the Gothic Revival church. The Sanctuary was completed in 1888 and consecrated in 1890 from a design by architect William Henry Clayton (1823-1877). The large pointed arch stained glass window with tracery is made up of three lancet windows. For more of the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1186">http://ausmed.arts.uwa.edu.au/items/show/1186</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1191">http://ausmed.arts.uwa.edu.au/items/show/1191</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1178">http://ausmed.arts.uwa.edu.au/items/show/1178</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Altar Anglican Church of England Gothic Gothic Revival lancet window pointed arch reredos St Andrewâ€™s Anglican Church stained glass Tas Tasmania tracery Westbury. William Henry Clayton