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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Winthrop Tower Balconette, The University of Western Australia.</text>
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                <text>arch, architecture, balconette, balcony, banksia, clock tower, column, Conrad Sayce, corbel, Crawley, cross, decorated capital, fortification, King John II (b.1455-1495), King Manuel I (b.1469-1521), Lisbon, Manueline style, Moorish influence, Portugal, â€œRenaissanceâ€ style, Rodney Alsop, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, Tower of BelÃ©m, Torres de BelÃ©m, university buildings, Western Australia, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal"&gt;A view of the balconette on the north facing wall  of Winthrop Tower at The University of Western Australia. Photographs of  a similar balconette taken by Winthrop Hall&amp;rsquo;s architect Rodney Alsop  (held in The University of Western Australia Archives Image Collection  61463P) suggest that the design was modelled on balconies at the Torres  de Bel&amp;eacute;m (Tower of Bel&amp;eacute;m) in Lisbon, Portugal (see &lt;span style="font-size: 11pt; color: #1f497d;"&gt;&lt;a href="http://www.bluffton.edu/%7Esullivanm/portugal/Lisbon/belem/belem.html" target="_blank"&gt;http://www.bluffton.edu/~sullivanm/portugal/Lisbon/belem/belem.html&lt;/a&gt;&lt;/span&gt;). The Tower of Bel&amp;eacute;m is a  fortified tower built in a characteristically Portuguese architectural  style known as Manueline, though it also incorporates features of  medieval military architecture and Moorish architecture. It was  commissioned by King John II (r.1481-1495) in the late fifteenth century  and built during the reign of King Manuel I (r.1495-1521), probably  between 1514 and 1521. Alsop made his Winthrop Tower balconette  distinctively Australian by using Banksia flowers and leaves for the  decorated capitals of the columns.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;About Winthrop Hall:&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Winthrop  Hall was designed by Melbourne architects Rodney Alsop and Conrad  Sayce, whose joint entry won an architectural competition held by the  University Senate in 1927. The impetus for the competition was a large  bequest left by the University&amp;rsquo;s first Chancellor, Sir John Winthrop  Hackett, upon his death in 1916. Alsop and Sayce began the project of  building Winthrop Hall, Hackett Hall and the Arts and Administration  Building together, but disagreed over changes to the design and Sayce  left before the buildings were completed. Winthrop Hall was officially  opened at a ceremony on 13 April 1932. The architectural style of  Winthrop Hall and the Hackett Buildings was described by Alsop as  &amp;ldquo;Renaissance&amp;rdquo;.&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>The Chateau Tahbilk Vineyard Company's Exhibit at the 1888 Exhibition</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>University of Melbourne, university, Melbourne, Queen's College, gothic architecture, gothic revival, neo-gothic, gothic, architecture, architect, gothic building, W.A. Quick, E.H. Sugden</text>
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                <text>convict church, church, Christian, Christianity, convict, Port Arthur, Tasmania, gothic, gothic revival, neo-gothic, gothic architecture, architecture, engraving, turrets, crenelation </text>
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                <text>This atmospheric engraving from 1887 in The Illustrated Australian News depicts the gothic architectual style, including crenellation and turrets, of the 'Old Convict Church' at the penal settlement of Port Arthur in Tasmania.</text>
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                <text>Anon.</text>
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                <text>The Illustrated Australian News</text>
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                <text>The Illustrated Australian News</text>
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            <name>Date</name>
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                <text>8 January 1887</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14890">
                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Engraving [orig.]; Hyperlink</text>
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            <description>A language of the resource</description>
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        <name>architecture</name>
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        <name>Christian</name>
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        <name>convict</name>
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        <name>Convict Church</name>
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        <name>crenellation</name>
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        <name>engraving</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>neo-Gothic</name>
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        <name>Port Arthur</name>
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        <name>turrets</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/12732916aee598123876852c6c95e32e.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Engraving featured in The Illustrated Australian News</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Design for the Federal Coffee Palace, Collins Street West Melbourne</text>
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                <text>Federal Coffee Palace, Melbourne, Victoria, architecture, gothic architecture, gothic revival, neo-gothic</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An engraving featured in &lt;em&gt;The Illustrated Australian News &lt;/em&gt;of a design for the Federal Coffee Palace in West Melbourne. The gothic style of the design is very typical of nineteenth century architecture in Australia and other nations with British colonial influences. &lt;br /&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3842">
                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="3843">
                <text>The Illustrated Australian News</text>
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            <name>Publisher</name>
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                <text>The Illustrated Australian News</text>
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            <name>Date</name>
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                <text>24 July 1886</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3846">
                <text>The Illustrated London News</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3847">
                <text>Engraving [orig.];&#13;
PDF</text>
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        <name>architecture</name>
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        <name>Federal Coffee Palace</name>
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        <name>gothic architecture</name>
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        <name>Gothic Revival</name>
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        <name>Melbourne</name>
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        <name>neo-Gothic</name>
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      <tag tagId="890">
        <name>Victoria</name>
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