79 8 730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Illustration URL <span style="font-family: tahoma; font-size: x-small;"> <a href="http://trove.nla.gov.au/work/12174769" target="_blank"> http://trove.nla.gov.au/work/12174769</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Centennial International Exhibition Subject The topic of the resource arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, engraving, engravings, Samuel Calvert, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair Description An account of the resource An image of the Royal Exhibition Building during the Centennial International Exhibition in 1888, from the Illustrated Australian News. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (‘Rundbogenstil’). The dome specifically was modelled on Brunelleschi’s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004. The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. Creator An entity primarily responsible for making the resource Calvert, Samuel Source A related resource from which the described resource is derived State Library of Victoria Publisher An entity responsible for making the resource available Illustrated Australian News Date A point or period of time associated with an event in the lifecycle of the resource 15 August 1888 Rights Information about rights held in and over the resource State Library of Victoria Format The file format, physical medium, or dimensions of the resource Newspaper Illustration; Hyperlink arch architecture Brunelleschi building Carlton Gardens centennial Centennial International Exhibition dome engraving engravings exhibition exhibition building Florence Cathedral Great Hall industry international exhibition Italian influence Joseph Reed (c.1823-1890) Melbourne rounded arches Royal Exhibition Building Rundbogenstil style Samuel Calvert semi-circular arches showcase Victoria World Fair https://ausmed.arts.uwa.edu.au/files/original/9e787620fa59b9cb43ee7ad9306c3359.jpg 87bc4be60d3edc2c5dcc286c4771a87a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs (Colour) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Alban’s Anglican Church, Highgate, Western Australia Subject The topic of the resource Anglican, Anglican church, architect, architecture, bell turret, buttresses, church, church building, Fred Collett (builder), Highgate, J. J. Talbot Hobbs (1864-1938), leadlight windows, limestone, neo-romanesque, Norman architecture, oculus windows, parish church, preparatory school, quoins, red brick, romanesque architecture, semi-circular arches, St. Alban, St. George, Saint Alban, Saint George, Saint Michael, St. Michael, stained-glass, stained glass, stone, The Sisters of the Church of England, Victorian Romanesque style, Western Australia, WA Description An account of the resource St Alban’s Anglican Church, Highgate. St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St George’s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Alban’s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St George’s Cathedral. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church architect architecture bell turret buttresses Church church building Fred Collett (builder) Highgate J. J. Talbot Hobbs (1864-1938) leadlight windows limestone neo-Romanesque Norman architecture oculus windows parish church preparatory school quoins red brick Romanesque architecture Saint Alban Saint George Saint Michael semi-circular arches St. Alban St. George St. Michael stained glass stained-glass stone The Sisters of the Church of England Victorian Romanesque style WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/32f134eab929383dff32da14a30f8777.pdf dce82401759d659ba7727bdcf30b86af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Johnston Memorial Congregational Church Subject The topic of the resource acanthus scroll, balcony, balustrading, building interior, canopy, church, church building, church interior, Congregational Church, decoration, Fremantle, Perth, WA, Western Australia, frieze, gothic canopy, gothic design, interior decoration, interior design, Johnston Memorial Church, J. Ross Anderson, Joseph Johnston (1814-1892), Maltese cross, memorial plate, organ, quatrefoil, tracery, window Description An account of the resource This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line ‘with a foliated design introducing quartrefoils and Maltese crosses’, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as ‘Gothic’, and behind the rostrum ‘is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacher’. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth. The Johnston Memorial Church was completed in 1877 and was originally named the Congregational Church. It was later renamed in honour of long-serving congregational minister, Joseph Johnston (1814-1892). Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 20 August 1897, p. 47. Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English acanthus scroll balcony balustrading building interior canopy Church church building church interior Congregational Church decoration Fremantle frieze gothic canopy gothic design interior decoration interior design J. Ross Anderson Johnston Memorial Church Joseph Johnston (1814-1892) Maltese cross memorial plate organ Perth quatrefoil tracery WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/b3d51f84def5307e63b5ad17fff3da1d.jpg 92613688612622e640b5e3d2b6b5c33f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph x 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Patrick's Basilica, Fremantle Subject The topic of the resource arch, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA, window Description An account of the resource St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrick’s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photographs arch architect architecture Basilica blind arch blind tracery buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window lead-light windows limestone masonry Michael Cavanagh minor basilica missionaries mullion neo-Gothic Oblates of Mary Immaculate quatrefoil stained glass windows Sydney freestone Thomas Ryan OMI tower tracery tympanum Vatican WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/a1b0a34d9b18fc4ac511a857b0a12278.jpg a2c389009db4f7a6572b19d8b293edaf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Papal Insignia, St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource architect, architecture, basilica, Benedict XI (1303-1304), Boniface VIII (1294-1303), Catholic, Catholic Church, church, church building, Clement V (1305-1314), ecclesiastical heraldry, emblem, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, heraldry, insignia, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, papal insignia, papal keys, papal tiara, Sydney freestone, Thomas Ryan OMI, three-tiered tiara, triple-crowned tiara, Vatican, Western Australia, WA Description An account of the resource An image of the papal insignia consisting of a three-tiered tiara and keys at the entrance of St Patrick’s Basilica in Fremantle, Western Australia. The Vatican recognised St Patrick’s as a minor basilica in 1994. The tiara and keys are exclusive symbols of the papacy in ecclesiastical heraldry. The tiara represents the extra-liturgical headpiece worn by the Pope. While the origins of a distinct papal head-dress are debated, the evolution of the three tiers can be dated to the medieval period. Mitres adorned with a crown appear in artwork from the thirteenth century, and Pope Boniface VIII (1294-1303) added a second crown to his tiara to represent his temporal and spiritual power. A triple-crowned tiara is mentioned in an inventory of the Papal Treasury from 1315, suggesting that the third crown was added by either Benedict XI (1303-4) or Clement V (1305-1314). The use of keys to symbolise papal authority also dates from the thirteenth century. For more information, see Bruno Bernard Heim, Heraldry in the Catholic Church: Its Origins, Customs and Laws, (Van Duren, Gerard’s Cross, 1978), pp. 49-55. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was designed by architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. St Patrick’s was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Basilica Benedict XI (1303-1304) Boniface VIII (1294-1303) Catholic Catholic Church Church church building Clement V (1305-1314) ecclesiastical heraldry emblem Federation Gothic Style Fremantle gothic architecture Gothic Revival heraldry insignia masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate papal insignia papal keys papal tiara Saint Patrick St. Patrick Sydney freestone Thomas Ryan OMI three-tiered tiara triple-crowned tiara Vatican WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/d6eb67319013d1efa03aae90c908cf88.jpg f6cc4fbec308a4a27299200a2b350701 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource arch, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA, window Description An account of the resource St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrick’s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/83db37185fc97f8200aa332b67a2ff2a.jpg 765f7128d65d5340d6de5c86814a346b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lancet Windows, St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource arch, architect, architecture, basilica, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tracery, Vatican, Western Australia, WA, window Description An account of the resource A view of lancet windows at the Basilica of St Patrick’s in Fremantle, Western Australia. At the upper level are tripled lancet windows. Below, the windows of the aisle each contain a quatrefoil and a pair of lancet windows separated by a stone mullion. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica buttress Catholic Catholic Church Church church building Federation Gothic Style Fremantle gothic architecture Gothic Revival lancet arch lancet window lead-light windows limestone masonry Michael Cavanagh minor basilica missionaries mullion neo-Gothic Oblates of Mary Immaculate quatrefoil stained glass windows Sydney freestone Thomas Ryan OMI tracery Vatican WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/aee511fc9e445970ac2e1aeb7b51541b.jpg bcb817597d6810e0c113c7b5e5a5fd68 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 636 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying Buttresses, St Patrick’s Basilica, Fremantle, Western Australia Subject The topic of the resource arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA Description An account of the resource A view of a flying buttress at the Basilica of St Patrick’s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building. About St Patrick’s Basilica: St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica blind arch buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window limestone masonry Michael Cavanagh minor basilica missionaries neo-Gothic Oblates of Mary Immaculate Sydney freestone Thomas Ryan OMI tower tracery Vatican WA Western Australia