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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL/00793"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;</text>
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                <text>Souvenir Shield: Private C.E. Urry, 1 Battalion, AIF</text>
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                <text>heraldry, badge, badges, Gallipoli, World War, First World War, World War I, Lonepine, C.E. Urry, shield, armourer, aluminium, Turkey, Anzac Cove, Western Front, coat-of arms</text>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;REL/00793 Front and reverse&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Small aluminium shield. Engraved on the obverse is, '528 PRIVATE C E URRY 25TH APRIL GALLIPOLI HMS SCOURGE 5TH JUNE GERMAN OFFICERS TRENCH 6TH AUGUST LONE PINE EVACUATED 20TH DEC 19TH APRIL LAVENTIE 28TH MARCH FRANCE'. Engraved on the reverse is, '526 C E URRY 6TH AUGUST LONE PINE DARDENELLES'.&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;Summary:&lt;br /&gt;Associated with the service of Private Charles Edward Urry, 1 Battalion, AIF. Born in 1897 in Sydney, Charles Urry was nineteen years old and working as a carpenter when he enlisted in the AIF on 17 August 1914. At the time he was also a member of the Militia (33 Infantry Regiment). 526 Private C E Urry embarked aboard HMAT Afric from Sydney on 18 October 1914 with 1 Battalion B Company . After seeing action on Gallipoli and at the Somme, Private Urry was killed in action near Ypres, Belgium on 11 September 1916. &lt;br /&gt;&lt;br /&gt; This shield was carried by Private Urry during his service. It is believed that just prior to embarkation in Australia, several B Company men had these shields made up by the Battalion armourer. Each soldier engraved his service number and name into the shield and added 'battle honours' as the war progressed. The shield was sent to his mother after his death, as part of his personal effects. Private Urry's brother, 6169 Private Alfred Thomas Urry served with 19 Battalion, AIF during the war. He returned to Australia in 1919.&amp;nbsp;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;br /&gt; This poignant unofficial insignia of war indicates both a sense of identity amongst B company and a 'coat-of-arms' for lower-ranked soldiers: a working man's heraldic shield, if you will. The company conscripted their armourer to make these aluminium badges to be taken on campaign. Urry engraved his with combat locations and dates, as well as 'german officers', 'HMS Scourge', 'evacuated'. They sit in striking contrast to the glorious, gold, sophisticated badges of the company commanders. See General Sir John Monash, for example. &lt;br /&gt; HH&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Private Charles Edward Urry</text>
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                <text>Australian War Memorial</text>
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                <text>1914-1916</text>
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REL/00793</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Black &amp; white - Glass original quarter plate negative.&#13;
Made in United Kingdom: England, Greater London, London.</text>
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                <text>Investiture at Buckingham Palace Australian Officer</text>
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                <text>His Majesty, King George V, bestowing the Companion of the Order of St Michael and St George (CMG) award upon an Australian ofï¬cer at an investiture held at Buckingham Palace.</text>
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                <text>3 May 1919</text>
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                <text>&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;Copyright expired - public domain [&lt;a href="http://www.awm.gov.au/copyright/#pd" target="_blank"&gt;http://www.awm.gov.au/copyright/#pd&lt;/a&gt;]&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Sir John Monash knighted by King George V in France</text>
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                <text>&lt;span&gt;General Sir John Monash was created Knight Commander of the Order of the Bath on 1 Jan 1918, and Knight Grand Cross of St Michael and St George on 1 Jan 1919. He is seen receiving his knighthood as Knight Commander of the Order of the Bath on 1&lt;/span&gt;&lt;span&gt;2 August 1918&lt;/span&gt;&lt;span&gt;;&amp;nbsp; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. &lt;/span&gt;The location is &lt;span&gt;France: Picardie, Somme, Bertangles.&lt;/span&gt;&lt;br /&gt; John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;br /&gt; &lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;br /&gt; &lt;br /&gt; The motto of the Order of the Bath is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Tria Juncta in uno (&lt;/span&gt;Three joined in one) &lt;/span&gt;&lt;br /&gt; The motto of the Order of St Michael and St George is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Auspicium Melioris Aev&lt;/span&gt;i (Token of a better age)&lt;br /&gt; &lt;br /&gt; Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;span&gt;'His Majesty King George V, knighting Lieutenant General Sir John Monash, Australian Corps Commander, at the Corps Headquarters in the Chateau, when General Monash was invested as a Knight Commander of the Bath. The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Carruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'&lt;br /&gt; &lt;/span&gt;&#13;
&lt;div&gt;&#13;
&lt;div&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/E02964" target="_blank"&gt;http://cas.awm.gov.au/item/E02964&lt;/a&gt;&lt;/cite&gt;&lt;/div&gt;&#13;
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                <text>General Sir John Monash - Gold Signet Ring</text>
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                <text>Sir John Monash, knighthood, First World War, World War I, World War, WW1, personal jewellery, Orders of Knighthood, knight, knighthood, ring, rings, jewellery, insignia, heraldry, latin motto, 'marte et arte', lion rampant, compass, seal ring, privy seal</text>
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                <text>&lt;span&gt;Signet ring made from 18 carat gold. The face of the ring is impressed with a lion rampant holding a compass. In a scroll below is the latin motto 'MARTE ET ARTE' [By war and arts]. These words are impressed in the reverse to enable the ring to be used as a seal. The inner band of the ring is stamped with a maker's mark and the carat. &lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt;&lt;br /&gt; John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;br /&gt; &lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. He was a key strategist in the campaigns in France and served and commanded troops in Gallipoli.&lt;br /&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;span&gt;'&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;John Monash was born in Melbourne on 27 June 1865. He was dux of Scotch College and studied arts and engineering at Melbourne University, where he was also involved in debating and student politics. Outside of university he dabbled in acting. In 1884 he joined the university company of the 4th Battalion, Victorian Rifles. &lt;br /&gt; &lt;br /&gt; Monash worked on the construction of the Princes Bridge in Melbourne and in 1888 was placed in charge of constructing a new railway even though he had yet to complete his degree. Monash married Hannah Moss in April 1891. He finished his studies in 1895 and, having decided to combine engineering with a military career, was promoted to captain in the Garrison Artillery that year. In 1897 Monash was promoted to major in the North Melbourne Battery and served there for 11 years. &lt;br /&gt; &lt;br /&gt; Meanwhile, he and a friend had established a private engineering practice in 1894. The business grew steadily but a series of setbacks left him with large debts in 1902. Starting again, Monash recovered and became wealthy. He also gained promotion to lieutenant colonel in the Australian Intelligence Corps in 1908. Now prospering in business and the Army, in 1913 Colonel Monash took command of the 13th Infantry Brigade. &lt;br /&gt; &lt;br /&gt; After the outbreak of war, Monash took command of the AIF's 4th Infantry Brigade, landing at Gallipoli on 26 April 1915. In July he was promoted to brigadier. Monash took his brigade to France in June 1916. He became a major general in July and took command of the 3rd Division. The division's first major battle, Messines, was hailed as a great success. Further success followed and in May 1918, Monash was promoted to lieutenant general and given command of the Australian Corps. His first battle in this role, Hamel, came to be considered the 'perfect battle'. Monash remained in command through the victorious battles in the last months of the war. &lt;br /&gt; &lt;br /&gt; After spending eight months in London overseeing the repatriation of the AIF, Monash was welcomed home in Melbourne by an enthusiastic public on Boxing Day 1919. He returned to business and in 1920 became manager of Victoria's State Electricity Commission. An advocate for returned soldiers, Monash also held a range of high-level positions. His opinions were widely sought and he became a leading figure in Melbourne's Jewish community. &lt;br /&gt; &lt;br /&gt; Monash was promoted to general in November 1929. He died of heart disease in Melbourne on 8 October 1931 and was given a state funeral attended by some 250,000 mourners. '&lt;br /&gt; &lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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                <text>arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, electric light, exhibition, exhibition building, Florence Cathedral, engraving, engravings, Great Hall, illumination, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Melbourne by night, night, night-viewing, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair, F.A. Sleap</text>
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                <text>&lt;p&gt;An image of the Royal Exhibition Building lit up at night during the Centennial International Exhibition in 1888, from the Illustrated Australian News. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (&amp;lsquo;Rundbogenstil&amp;rsquo;). The dome specifically was modelled on Brunelleschi&amp;rsquo;s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. Electric light was installed in the Building in 1888, which enabled visitors to attend the Exhibition at night for the first time. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. For more about the Royal Exhibition Building, including a virtual tour inside the building, see the Museum Victoria Royal Exhibition Building website: &lt;a href="http://museumvictoria.com.au/reb/" target="_blank"&gt;http://museumvictoria.com.au/reb/&lt;/a&gt;&lt;/p&gt;</text>
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&#13;
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&#13;
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