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                <text>Anglican, Anglicanism, Archbishop of Sydney, canon law, Catholic, Catholicism, chasuble, Church hierarchy, Diocese of Sydney, dispute, ecclesiastical authority, ecclesiastical dress, ecclesiastical sanction, John Charles Wright (1861-1933), medieval Catholicism, medieval religion, medieval theology, memorial, Prayer Book, Protestantism, Reformation, religion, religious practice, Sydney, theology, vestments</text>
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                <text>In this article, a summary is provided of the Archbishop of Sydneyâ€™s response to a memorial regarding the controversial debate over the wearing of vestments by Anglican clergy. According to Dr Wright, the article reports, the use of vestments was deliberately discarded by the Anglican Church at the reformation along with other aspects of medieval theology, and the â€œrevivalâ€ of vestments equated to â€œa deliberate reintroduction of medieval usageâ€. He therefore would not sanction the use of vestments until the canon law was altered to make the practice legal.&#13;
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John Charles Wright was appointed Archbishop of Sydney in 1909. He was known for his adherence to laws of the Church, and for his insistence that his role was to administer the existing laws, not devise new ones. He was particularly opposed to the use of the chasuble by Anglican clergy, and made clergy within his diocese agree not to wear them. See Stephen E. Judd, â€œWright, John Charles (1861-1933)â€, Australian Dictionary of Biography, Volume 12, Melbourne University Press, 1990, pp. 585-586.</text>
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                <text>In this article from the Australian Illustrated News, Joseph Edward Boehm&amp;rsquo;s statue of St George and the Dragon is lauded as &amp;ldquo;perhaps one of the finest examples in bronze that has ever appeared in the colony&amp;rdquo;. The statue, which depicts St George astride his horse, armed with a large spear and inflicting the death blow on a &amp;ldquo;very substantial reptile, neither a griffon nor a wyvern, but partaking strongly of the nature of an iguana&amp;rdquo;, was displayed in the Great Hall during the 1888 International Exhibition in Melbourne. The article&amp;rsquo;s praise for this work stands in contradiction to former criticisms of the sculpture from the likes of Edmund Grosse for lacking &amp;lsquo;largeness&amp;rsquo; and for being overly poetic and idealised (See Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;). The author of the article suggests that although &amp;ldquo;strict probabilities&amp;rdquo; had not been observed, the sculpture was to be commended for its aesthetically pleasing depiction of a combat between good and evil.&lt;br /&gt; Boehm&amp;rsquo;s statue of St George and the Dragon was purchased by the State Library of Victoria for the sum of &amp;pound;1000 following the Exhibition. It was installed at the entrance to the library in 1889 where, after some slight repositioning to accommodate Fr&amp;eacute;miet&amp;rsquo;s Jeanne d&amp;rsquo;Arc in 1907, it still stands.</text>
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                <text>Images of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of &amp;pound;1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate Fr&amp;eacute;miet&amp;rsquo;s Jeanne d&amp;rsquo;Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragon&amp;rsquo;s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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