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                <text>Beautiful, arched, gothic style ceiling at St. Mary's Cathedral, East Perth.&#13;
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About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof.</text>
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                <text>Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof.</text>
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                <text>A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as â€œRenaissanceâ€, and as being of Italian ancestry, but notably â€œanglicised and adapted to the local conditionsâ€ (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over â€œthe wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authoritiesâ€, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136).&#13;
&#13;
Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the Universityâ€™s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsopâ€™s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993).&#13;
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                <text>Images of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of â€œThe Tournament of Armoured Knightsâ€ at London Court in Western Australia. In a window above the clock at the Hay Street entrance, these four mechanical knights joust at the chiming of every quarter hour on the clock. Each of the four knights appears fully armoured on horseback armed with a lance. They can be differentiated by the â€˜caprisonsâ€™, or horse blankets, which display varying heraldic decorations. A crenellated Norman style castle serves as a backdrop.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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&lt;p&gt;&lt;a href="http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html" target="_blank"&gt;http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Amidst media fervour over the royal wedding of Prince William and Kate Middleton (Princess Catherine), Geoffrey Robertson raises the Australian republican question in this opinion piece. Beginning with reference to Thomas Paineâ€™s denunciation of hereditary monarchy and the religious bias of the 1701 Act of Settlement which prevents non-Protestant heirs from succeeding to the British throne, Robertson suggests that Australiaâ€™s enduring penchant for royal tradition is what keeps it part of the commonwealth. He goes on to cite examples of what he refers to as â€˜medieval nonsenseâ€™ that â€˜still applies in Australiaâ€™, including the feudal principle of primogeniture, the 1351 Treason Act and obsolete but unrepealed laws such as one that vests the ownership of wild swans with the monarch.</text>
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