61 8 730 https://ausmed.arts.uwa.edu.au/files/original/ba545b86b802f13f9dd3e01c5b4bfa3e.jpg 8d4947acdece3c86b07b88efa3af95f1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 480 https://ausmed.arts.uwa.edu.au/files/original/33a9c37050e7d041666c9f2cd7bcd192.jpg 323fb73c95eb39e152c5e57bd33d2484 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 566 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs; JPEGs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bethany Church of God, Raglan Road, North Perth Subject The topic of the resource Jerusalem, Saint Lazarus of Bethany, Saint Martha of Bethany, St Mary of Bethany, saints, saint, church, churches, Christianity, Christian, religion, religious, worship, Perth, WA, Western Australia, J. Hine, architect, architecture Description An account of the resource Images of the front of Bethany Church of God on Raglan Road in North Perth, Western Australia. The Church, designed by architect J. Hine, was originally built in 1913, and has received further renovations in 1935 and in more recent years. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 28 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Carter, Bree, “Bethany Church of God, North Perth,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/511">http://ausmed.arts.uwa.edu.au/items/show/511</a> Carter, Bree, “Bethany Church of God, North Perth, Western Australia ,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/510">http://ausmed.arts.uwa.edu.au/items/show/510</a> Carter, Bree, “Arched Windows, Bethany Church of God, North Perth,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/509">http://ausmed.arts.uwa.edu.au/items/show/509</a> Carter, Bree, “The Bethany Church of God, North Perth - Rose Window,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/508">http://ausmed.arts.uwa.edu.au/items/show/508</a> Format The file format, physical medium, or dimensions of the resource Digital Photographs; JPEGs architect architecture Christian Christianity Church churches J. Hine Jerusalem Perth religion religious saint Saint Lazarus of Bethany Saint Martha of Bethany saints St Mary of Bethany WA Western Australia worship https://ausmed.arts.uwa.edu.au/files/original/d8096813ae89ad0c1e9ec1e10492901f.jpg 63e20d765c3fd7f97d7143290e145e47 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia Subject The topic of the resource Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia Description An account of the resource An image of the ‘Saint Michael’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts Michael, archangel and commander of the Lord’s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (Revelation, 12:7-9). As is common in artistic renditions, Michael’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of ‘Good’. During the medieval period, St Michael’s feast day (29 September) – known as Michaelmas – was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG angel Anglican Anglican church Anglicanism archangel Archangel Michael architecture battle Book of Revelation Christian Christianity Church church building dragon feast day Highgate iconography J. J. Talbot Hobbs (1864-1938) leadlight windows medieval calendar medieval Holy Day Michaelmas neo-Romanesque Norman architecture parish church religion religious Romanesque architecture rounded arch saint Saint Alban Saint George Saint Michael saints semi-circular arch St Alban St George St Michael St. Alban St. George St. Michael stained-glass Victorian Romanesque style WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/ed485036d2d50773612e2017d0627c87.jpg 9afc9145a8a77481ddaef7589e171afd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 965 Width 967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Corner, Adelaide Subject The topic of the resource Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haighâ€™s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret Description An account of the resource A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as â€˜Beehive Cornerâ€™ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name â€˜Beehive Cornerâ€™ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, “Beehive Corner, Adelaide,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/499">http://ausmed.arts.uwa.edu.au/items/show/499</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture banded brickwork commercial building corbel English & Soward Federation Gothic Style gable golden bee Gothic Revival Haighâ€™s chocolate store historic site John Rundle (1791-1864) King William Street lancet arch neo-Gothic pinnacle quatrefoil red brick Restoration retail Rundle Mall SA shopping mall South Australia tourelle turret https://ausmed.arts.uwa.edu.au/files/original/1deb6bca81221ad57ee5e80789c669a8.jpg cc717a17fe37ce5264bff13ffc4752da Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 688 Width 974 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beehive Corner, Adelaide Subject The topic of the resource Adelaide, arch, architecture, banded brickwork, commercial building, corbel, English & Soward, Federation Gothic style, gable, golden bee, Gothic Revival, Haighâ€™s chocolate store, historic site, John Rundle (1791-1864), King William Street, lancet arch, neo-gothic, quatrefoil, pinnacle, red brick, restoration, retail, Rundle Mall, SA, shopping mall, South Australia, tourelle, turret Description An account of the resource A view of Beehive Corner at the Western end of Rundle Mall in Adelaide, South Australia. This historic corner site was originally owned by John Rundle and has been known as â€˜Beehive Cornerâ€™ since the 1840s. The Federation Gothic style building pictured here is the second building to stand on the site, replacing an older, plainer building erected in 1849. The present building was constructed between 1894 and 1896, most probably by architects English & Soward. It provides a rare example where neo-gothic architecture was used for a commercial building. Its characteristic gothic features include the lancet-arched windows with quatrefoil insets, the banded brickwork, the corbel effect, the pinnacles and the tourelle (or turret) bearing the name â€˜Beehive Cornerâ€™ in gold lettering. Original features and details that had been stripped away during the twentieth century were restored in 1998. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, “Beehive Corner, Adelaide,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/500">http://ausmed.arts.uwa.edu.au/items/show/500</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch architecture banded brickwork commercial building corbel English & Soward Federation Gothic Style gable golden bee Gothic Revival Haighâ€™s chocolate store historic site John Rundle (1791-1864) King William Street lancet arch neo-Gothic pinnacle quatrefoil red brick Restoration retail Rundle Mall SA shopping mall South Australia tourelle turret Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.swanbells.com.au/" target="_blank">www.swanbells.com.au</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swan Bells Subject The topic of the resource Bell Tower, bells, Captain James Cook, England, London, Perth, royal bells, St Martin-in-the-Field, Spanish Armada, Swan Bells, Swan River, Trafalgar Square, The University of Western Australia, Perth, WA, Western Australia Description An account of the resource The Bell Tower, on the Swan River in Perth, houses the Swan Bells, including twelve medieval bells formally from the church of St Martin-in-the-Fields in Trafalgar Square, London. The bells are known to have existed in the fourteenth century and were recast in the sixteenth and eighteenth centuries. They were often rung to celebrate important events, including the defeat of the Spanish Armada in 1588, the return of Captain James Cook from his voyage of discovery (which included the east coast of Australia) in 1771, and the coronation of every British Monarch since George II in 1727. The bells are the only set of royal bells known to have left England. They were presented to the State of Western Australia in 1988 as a gift to mark the Australian bicentenary, and The Bell Tower was built to house them and six additional bells. The Bell Tower opened in 2000 and is a rare example of a modern Australian building housing medieval artefacts that are still in use. Creator An entity primarily responsible for making the resource McLeod, Shane www.swanbells.com.au Date A point or period of time associated with an event in the lifecycle of the resource 15 July 2011 Rights Information about rights held in and over the resource Swan Bells Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English bell tower bells Captain James Cook England London Perth royal bells Spanish Armada St Martin-in-the-Field Swan Bells Swan River The University of Western Australia Trafalgar Square WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/15dba33037cc1a55b4a04d73d4d7166b.jpg 0e8d1fa33792f08e6118d4588b0b87a2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1084 Width 813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Neo-Romanesque Apse, Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a> Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a> Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style https://ausmed.arts.uwa.edu.au/files/original/ae3d407985cec704ce8edab50a725144.jpg d71a7a664d109d415e14ecabfe2a34fe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apse, Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a> Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a> Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style https://ausmed.arts.uwa.edu.au/files/original/92e1366f8d73fc33fe5b98eadfe0b845.jpg c6d46014ff6df9e0a0b0d55d9c9df499 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 739 Width 985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Neo-Romanesque Apse at Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource Dorey,Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a> Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a> Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, <a href="../../../items/show/479">http://ausmed.arts.uwa.edu.au/items/show/479</a> Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style