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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;A side view of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Gothic features of the Cathedral&amp;rsquo;s architecture include the lancet windows, the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;A view of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the front facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Other features of the Cathedral&amp;rsquo;s gothic architecture include the blind arcading and elaborate stone tracery, the solid buttresses and the characteristic twin towers and spires.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&amp;nbsp;A close-up image of the rose window on the front facade of St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. The front of the Cathedral is believed to have been modelled on the church of St Jean-Baptiste de Belleville in Paris, while the lower half of the facade - especially the three large doorways, the rose window and the twin lancet windows on either side - are also strongly reminiscent of Notre Dame in Paris. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Woden Valley is an area in the Australian capital Canberra. â€˜Wodenâ€™ was the name chosen by Dr James Murray for his property of 2500 acres purchased in 1837. He named it after the Anglo-Saxon god Woden (the Norse/Viking form is Odin/OÃžin) who, as well as being a war god, was also a god of learning and poetry. The name Woden also survives in the day Wednesday (Wodenâ€™s day). Woden Valley today includes a suburb named Woden and a Woden Plaza.</text>
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                <text>&lt;p&gt;Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/511"&gt;http://ausmed.arts.uwa.edu.au/items/show/511&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, North Perth, Western Australia ,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/510"&gt;http://ausmed.arts.uwa.edu.au/items/show/510&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, &amp;ldquo;Arched Windows, Bethany Church of God, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/509"&gt;http://ausmed.arts.uwa.edu.au/items/show/509&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Carter, Bree, &amp;ldquo;Bethany Church of God, Raglan Road, North Perth,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, &lt;a href="../../../items/show/507"&gt;http://ausmed.arts.uwa.edu.au/items/show/507&lt;/a&gt;&lt;/p&gt;</text>
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