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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the vaulted ceiling of St. Patrick's Convent School located on South Street in York, a town ninety minutes south east of Perth in Western Australia.&#13;
&#13;
The school was built in 1873 by Father Patrick Gibney for the Sisters of Mercy. The Sisters of Mercy taught children of all ages, as well as music, reading and writing for young adults. When they left York, it was converted into one of the oldest libraries in WA. The building embodies features that are typically characteristic of the Gothic Revival style of architecture, which was popular in the United Kingdom, Australia and other British colonies in the nineteenth century. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often symbolic of conservative qualities such as, continuity, stability, religious authority and tradition. The vaulted ceilings of this building is a feature which is particularly characteristic of the nineteenth-century Gothic style of architecture.&#13;
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                <text>An image of the spire of St. Mary's Catholic Church in Leederville, near Perth, Western Australia. Designed by the architect E. Hamilton and built under the supervision of E.T. Russell, the foundation stone of the church was laid by Archbishop P.J. Clune on the 6th of May 1923. &#13;
&#13;
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&#13;
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&#13;
About St. Patrick's Catholic Church, York:&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.    </text>
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The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
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                <text>St. Mary, St Mary, Saint Mary, Mary, saint, saints, architecture, architect, church, churches, Catholic, Catholicism, Christian, Christianity, religion, religious, Gothic, Gothic revival, building, Parish, Leederville, Perth, Western Australia, WA, Aaronmore, Sisters of Mercy, Father Maloney, E. Hamilton, E.T. Russell, Archbishop Clune, spires, spire, stone mullion, mullion, lancet window, lancet windows, windows, window, arch, arches</text>
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                <text>An image of two lancet windows separated by a stone mullion at St. Mary's Catholic Church in Leederville, Western Australia. &#13;
&#13;
Designed by the architect E. Hamilton and built under the supervision of E.T. Russell, the foundation stone of the church was laid by Archbishop P.J. Clune on the 6th of May 1923. &#13;
&#13;
St. Mary's embodies features that are typical of the Gothic Revival style of architecture, which became prominent from the 1840s in the United Kingdom, Australia, and other British colonies. As an architectural style, it is based on the close examination of medieval structures, and a concern with 'authenticity' of design. It is often seen to be symbolic of conservative values such as, continuity, stability, religious authority and tradition. The spire, vaulted ceilings, lancet windows and ornate stonework of this building are features which are typical of the Gothic Revival style.</text>
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