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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This photograph shows the Russian Orthodox Sts. Peter and Paul Church in the Perth suburb of Bayswater. The church has the typical orthodox/Byzantine architectural features of a dome (symbolising the heavens) on top of a square church building (symbolising the earth). The domes are often known as onion domes, and are usually gold. The Bayswater church also features external Eastern Orthodox crosses, on top of the dome and affixed to the walls of the building. Mosaics of St Peter and St Paul are featured above the arched entrance. The Sts. Peter and Paul Church is part of the diocese of Australia and New Zealand, as was founded in 1950.&lt;/p&gt;&#13;
For more on the church see &lt;a href="http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&amp;amp;lang=en" target="_blank"&gt;http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&amp;amp;lang=en&lt;/a&gt;</text>
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&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with a semi-circular&amp;nbsp;arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;&lt;/div&gt;</text>
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                <text>&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with&amp;nbsp;semi-circular arched entrances and windows. This photograph shows a former entrance to the building, with a moulded doorway supported by columns with decorated capitals. The entrance is part of a tower with four turrets ending in pointed finials.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;</text>
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                <text>One of two photographs of the Pilgrim Uniting Church in Launceston. The church was designed by Melbourne firm Crouch and Wilson and was built in 1866-1868 as a Methodist church. The brick church is in the Gothic style with stucco decorations, arched windows, a prominent tower topped by a spire, and a large traceried window. It became part of the Uniting Church in 1977.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>architecture, domestic architecture, dragons, dragon, East Launceston, gargoyle, JÃ¶rmungandr, Launceston, Lyttleton Street, Midgard Serpent, Norse, Norse mythology, ornamentation, roof, Scandinavia, sea dragon, sea serpent, Tas, Tasmania, Thor, Viking, World Serpent</text>
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                <text>One of three photographs of domestic roof-top adornments in Lyttleton Street, East Launceston. The ornament on this roof creates a sea serpent effect, with its body coiling along the roof line and its head raised to look over the roof. Also known as a sea dragon, sea serpents, while appearing in classical literature, are particularly prevalent in Scandinavian culture. In Norse (Viking) mythology, the Midgard or World Sea Serpent, JÃ¶rmungandr, lives in the ocean that surrounds the world and is so large that it can encircle the world and grasp its own tail. A number of stone carvings exist in Scandinavia and northern England from the early medieval period showing the god Thor fishing for JÃ¶rmungandr. </text>
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        <name>Midgard Serpent</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Dragon roof ornament, Lyttleton Street, East Launceston, Tasmania</text>
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                <text>One of three photographs of domestic roof-top adornments (although the house is now a medical practice) in Lyttleton Street, East Launceston. This one features one of the most popular and enduring images of the medieval period, the winged dragon. Situated on the edge of the roof and looking down towards the street, it is possible that the dragon was in part inspired by the gargoyles that adorn many medieval gothic churches. </text>
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                <text>Dorey, Margaret</text>
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                <text>No Copyright</text>
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