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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Bouguereauâ€™s Virgin and Child</text>
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                <text>art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)</text>
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                <text>This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The childâ€™s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Maryâ€™s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. </text>
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                <text>Bourguereau, William Adolphe</text>
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                <text>Art Gallery of South Australia</text>
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                <text>1888</text>
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Oil on Canvas, 176 x 102.8 cm</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.mickjoffe.com/H.R.H._Prince_Leonard" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.mickjoffe.com/H.R.H._Prince_Leonard&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Interview with H.R.H Prince Leonard I, from Mick Joffeâ€™s Endangered Characters of Australia</text>
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                <text>Astronomy, Australian government, Bill of Rights, constitutional law, H.R.H Prince Leonard I, H.R.H. Princess Shirley, heraldry, Hutt River Province, independent sovereign state, Indiana University, knight, knighthood, law, legal principle, Leonard I, Leonard George Casley (b.1925), Magna Carta, medieval law, Nicolaus Copernicus (1473-1543), parliament, peerage, physics, Principality of Hutt River, regalia, Royal College of heraldry, secession, WA, Western Australia, Wheat Quota</text>
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                <text>&lt;p&gt;An interview and caricature of H.R.H. Prince Leonard I of Hutt River wearing his royal regalia, by Australian caricaturist Mick Joffe. The Principality of Hutt River is located 595km north of Perth in Western Australia. It comprises an area of approximately 18, 500 acres of farmland and is ruled as an independent sovereign nation by Prince Leonard I and his wife Princess Shirley. Following a dispute over damaging new Wheat Quotas introduced by the Australian government in 1969, and subsequent laws to enforce them, WA farmer Leonard George Casley seceded from Australia in April 1970. He based his legal argument for secession on a number of legal principles and laws, including medieval laws such as Magna Carta, the Statute of Westminster and the 1496 Treason Act. As he explains to Mick Joffe during this interview, &amp;ldquo;The Government had no right to take anyone&amp;rsquo;s ability to make a living or to take their land without compensation. These rights Australia inherited from the Bill of Rights and the Magna Carta&amp;rdquo;. Prince Leonard also established his own College of Heraldry in the Principality of Hutt River, and estimates that (as of 1995) he had bestowed approximately 200 peerages and knighthoods. For more on the Principality of Hutt River or the Royal College of Heraldry, see: &lt;a href="http://www.hutt-river-province.com/" target="_blank"&gt;http://www.hutt-river-province.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Furthermore, Prince Leonard I declares an ongoing interest in the science of gravity, relativity and physics, and established a Royal College of Advanced Research in the Principality of Hutt River. During this interview Joffe cites feedback that Casley received from the Department of Astronamy [sic] at Indiana University in 1963 regarding papers he published on Relativity and the Solar system. The letter suggests that he may have &amp;ldquo;made the first fundamental contribution in this field since Copernicus&amp;rdquo; (For a copy of this letter, see R.C. Hyslop, &lt;em&gt;The Man: His Royal Highness Prince Leonard, &amp;nbsp;Sovereign of the Hutt River Province Principality (An Independent Sovereign State),&lt;/em&gt; Publication Printers, West Perth, [1979], p.12). Copernicus was a Renaissance mathematician and astronomer who proposed the heliocentric model of cosmology whereby the sun remains stationary and is orbited by the Earth. Copernicus is often credited with starting the Scientific Revolution.&lt;/p&gt;</text>
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                <text>Joffe, Mick</text>
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                <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;Mick Joffe Caricatures: &lt;a href="http://www.mickjoffe.com/" target="_blank"&gt;http://www.mickjoffe.com/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Interview 1995; online publication 2010</text>
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                <text>Â© Mick Joffe</text>
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