46 8 730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4068" target="_blank">http://www.ngv.vic.gov.au/col/work/4068</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Belle Dame sans merci, by Arthur Hughes Subject The topic of the resource Alain Chartier, apparition, armor, armour, Arthur Hughes (1832-1915), Arthurian, ballad, chivalric, chivalry, courtly love, damsel, dream, faery child, fair lady, false promise, infatuation, John Keats, knight, La Belle Dame sans merci, maiden, medieval costume, poem, supernatural, unrequited love, VIC, Victoria Description An account of the resource This painting by English artist Arthur Hughes was acquired by the National Gallery of Victoria in 1919 with funds from the Felton Bequest. It portrays a scene from the well-known ballad of the same name penned in 1819 by Romantic poet John Keats. The poem is a tale of unrequited love featuring an Arthurian knight and a beautiful woman he meets in the woods. Described by Keats as a ‘faery’s child’, the woman woos the knight with songs, food and promises of love, before taking him back to her elfin grot and lulling him to sleep. While asleep, however, he dreams of death-pale kings, princes and warriors crying “La Belle Dame sans merci/Thee hath in thrall!” before waking up alone on a cold hillside. In the painting, the infatuated knight is pictured in the woods shortly after he has met the beautiful woman and lifted her onto his horse. In the background, the apparitions of the pale figures he will later dream of are visible, trying to convey their warning in vain. Keats borrowed the title for his Arthurian ballad from a fifteenth-century courtly love poem by Alain Chartier. For a copy of Keats’ La Belle Dame sans merci, see <a href="http://www.poetryfoundation.org/poem/173740" target="_blank"> http://www.poetryfoundation.org/poem/173740</a>. Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 153.7 x 123cm; Hyperlink Alain Chartier apparition Armor Armour Arthur Hughes (1832-1915) Arthurian Ballad chivalric chivalry Courtly Love damsel dream faery child fair lady false promise infatuation John Keats knight La Belle Dame sans merci maiden medieval costume poem supernatural unrequited love Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/5b084686e05ae26663af6264cfa26a37.jpg 570d1df9f262ba22f65463b3d46cc725 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 286 Width 235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The â€˜Caxton Windowâ€™ Subject The topic of the resource books, education, John Ashwin & Co., John Radecki, Margaret of Burgundy, Mitchell Reading Room, New South Wales, NSW, patronage, print, printing, printing press, Recuyell of the Historyes of Troye (1474), stained glass, State Library of NSW, Sydney, William Caxton (c.1422-1492), window Description An account of the resource An image of the â€˜Caxton Windowâ€™ located in the Mitchell Reading Room at the State Library of New South Wales. This stained glass window was created in a neo-medieval figurative style by John Radecki of Ashwin and Co., Sydney in 1941. It shows Englishman William Caxton presenting a copy of the Recuyell of the Historyes of Troye (1474) to his patron Margaret of Burgundy. The Caxton theme is an effective means of commemorating a momentous achievement in the history of English literature, namely the ready dissemination of cultural values and the arts via the printed page. Caxton later set up a printing press in Westminster in 1476, initially using type that he brought over from Bruges. This didactic window is superbly executed, and the significance of books and learning is highly appropriate for a library reading room. Regrettably the windowâ€™s finer details are not easily discernible from ground level. The placement of this window in the Mitchell reading room, which houses the early Australiana collection, provides a bridge between the two continents (Europe and Australia). Creator An entity primarily responsible for making the resource Urry, David Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG books education John Ashwin & Co. John Radecki Margaret of Burgundy Mitchell Reading Room New South Wales NSW patronage print printing printing press Recuyell of the Historyes of Troye (1474) stained glass State Library of NSW Sydney William Caxton (c.1422-1492) window https://ausmed.arts.uwa.edu.au/files/original/999fa1aa33902bda8068b86715b13a17.jpg a4e676983f7bd878999fce779a7ff2f1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 936 Width 702 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front Facade, Former Melbourne Magistrateâ€™s Court Subject The topic of the resource arch, arches, architecture, building, columns, Court of Petty Sessions, George B H Austin, hood moulding, law, law courts, magistrate, Magistrateâ€™s Court, masonry, Melbourne, neo-romanesque, Norman Revival, Public Works Department, RMIT, Romanesque architecture, rounded arches, semi-circular arches, stonework, Supreme Court, Swanson Brothers, tower, turrets, university, university buildings, Victoria Description An account of the resource The front facade of the former Magistrateâ€™s Court Building on the corner of La Trobe Street and Russell Street in Melbourneâ€™s CBD. The Former Magistrateâ€™s Court Building is a three-storey building of French Romanesque design that was constructed entirely from Australian materials. The strongly modelled entrance, thick, squat columns and solid masonry are characteristic of Norman Revival or neo-romanesque architecture, as are the tourelles, the tower and semi-circular windows and arches. The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 6 May 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architecture building columns Court of Petty Sessions George B H Austin hood moulding law law courts magistrate Magistrateâ€™s Court masonry Melbourne neo-Romanesque Norman Revival Public Works Department RMIT Romanesque architecture rounded arches semi-circular arches stonework Supreme Court Swanson Brothers tower turrets university university buildings Victoria https://ausmed.arts.uwa.edu.au/files/original/04749ec890e1bfffb9115f723c4370f1.pdf 9d14ae77ab3262732fffc5e5cb0ad884 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Term â€˜Blockheadâ€™ Subject The topic of the resource apparel, block, blockhead, chivalry, chivalric, colloquialism, custom, etiquette, gentlemen, hat, headwear, helmet, manners, medieval customs Description An account of the resource This newspaper article from the Sydney Morning Herald dates the colloquialism â€˜blockheadâ€™ to the eighteenth century, when hats became popular and every man would have a block for his hat. The custom of tipping oneâ€™s hat as a courtesy, however, it suggests originated much earlier. This the author dates to the medieval period, when knights removed their helmets to indicate friendly intent. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 9 August 1938, p. 7. Rights Information about rights held in and over the resource Sydney Morning Herald Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF. Language A language of the resource English Apparel block blockhead chivalric chivalry colloquialism custom etiquette gentlemen hat headwear helmet manners medieval customs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank">http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Second Maquette for the Burghers of Calais Subject The topic of the resource Andrieu dâ€™Andres, attack, army, Auguste Rodin (1840-1917), bronze, burghers, Calais, cast, commemoration, conflict, Eustache de Saint-Pierre, Hundred Yearsâ€™ War, Jacques de Weissant, Jean dâ€™Aire, Jean de Fiennes, King Edward III of England (1312-1377), King Philip VI of France (1293-1350), maquette, medieval war, model, New South Wales, NSW, Pierre de Weissant, plaster, sculpture, siege, Siege of Calais (1347), surrender, war, warfare Description An account of the resource This piece from the Art Gallery of New South Wales collection is one of 12 bronze sculptures cast from a plaster sculpture created by Rodin in 1885. The original ‘Second Maquette for the Burghers of Calais’ from which it was cast is currently housed in the Musée Rodin in Paris. The sculpture features six separate figures ranging in size from 60.5cm to 70 cm. Rodin was commissioned in 1884 to produce a monument commemorating the bravery of six Calais burghers who were prepared to sacrifice themselves to save the city’s other citizens when Calais fell to the English King, Edward III, during the Hundred Years’ War in 1347. The figures are Pierre de Weissant, Jean d’Aire, Eustache de Saint-Pierre, Jacques de Weissant, Andrieu d’Andres and Jean de Fiennes. His first maquette features all of the figures on a shared base, whereas the second consists of six separate figures. For more information, see the accompanying notes on the Gallery of New South Wales website: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=4181" target="_blank"> http://www.artgallery.nsw.gov.au/work/349.2001.a-f/</a> Creator An entity primarily responsible for making the resource Rodin, Auguste Source A related resource from which the described resource is derived Art Gallery of New South Wales: accession number 349.2001.a-f. Date A point or period of time associated with an event in the lifecycle of the resource Modelled 1885; Cast 1972 Rights Information about rights held in and over the resource Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Bronze Sculpture. 6 separate pieces, each measuring between 60.5 and 70 cm.; Hyperlink Andrieu dâ€™Andres army attack Auguste Rodin (1840-1917) bronze burghers Calais cast commemoration conflict Eustache de Saint-Pierre Hundred Yearsâ€™ War Jacques de Weissant Jean dâ€™Aire Jean de Fiennes King Edward III of England (1312-1377) King Philip VI of France (1293-1350) maquette medieval war model New South Wales NSW Pierre de Weissant plaster sculpture siege Siege of Calais (1347) surrender war warfare https://ausmed.arts.uwa.edu.au/files/original/2b79f4d2daac6a6e50a2c3a5616901a8.jpg aa60b5a8e4343eb76dd9308891f9a69c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 599 Width 799 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack and the Beanstalk House, East Devonport Subject The topic of the resource arched windows, arch, architecture, domestic, domestic architecture, East Devonport, folktale, folk, Jack and the Beanstalk, Gothic, Gothic Revival, Tas, Tasmania Description An account of the resource One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries. For Jack climbing a beanstalk see <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a>. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arched windows architecture domestic domestic architecture East Devonport folk folktale Gothic Gothic Revival Jack and the Beanstalk Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4069" target="_blank">http://www.ngv.vic.gov.au/col/work/4069</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fair Rosamund Subject The topic of the resource Arthur Hughes (1832-1915), Eleanor of Aquitaine, fleur-de-lys, flowers, foxgloves, garden, Henry II of England, iris, maze, mistress, poison, Rosamund, secret garden, symbolism, VIC, Victoria, Walter de Clifford, Woodstock Description An account of the resource This work by English artist Arthur Hughes depicts the twelfth-century figure of Rosamund in the garden that King Henry II of England created for her at his royal residence in Oxfordshire. Rosamund was Henryâ€™s mistress. She was reputedly poisoned in 1176 by Eleanor of Aquitaine, Henry's wife. Eleanor can be seen in the background of the painting discovering the entrance to the secret garden, which was only accessible by way of a maze. As Ted Gott et al suggest,the selection of flowers in the painting add important symbolism - blue foxgloves, a source of poison, line the queenâ€™s path, while purple irises are visible in the foreground. Irises were associated with the Greek Goddess Iris who chaperoned the souls of dead women to the Elysian Fields, and also with the fleur-de-lys, a symbol of the French crown. Eleanor of Aquitaine was the Queen of France from 1137-1152. (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.78). Creator An entity primarily responsible for making the resource Hughes, Arthur Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1854 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Wood Panel, 40.3 x 30.5cm; Hyperlink Arthur Hughes (1832-1915) Eleanor of Aquitaine fleur-de-lys flowers foxgloves garden Henry II of England iris maze mistress poison Rosamund secret garden symbolism Vic Victoria Walter de Clifford Woodstock https://ausmed.arts.uwa.edu.au/files/original/662861cf6ee6428dd38c8fe4c4441e5c.jpg aae29e0f4b8e46565cb88e5e7ba295e5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 872 Width 653 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Former Library Building, Perth Subject The topic of the resource arched window, arch, window, Byzantium, Byzantine, Jubilee building, Government Geology building, John Grainger, Perth, Perth Cultural Centre, Perth Library, library, museum, education, Perth Museum, Romanesque, State Library, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource A photograph of the Government Geology building/former Library, now a wing of the Western Australian Museum â€“ Perth. The building was completed in 1902 and was designed by Government architect John Grainger. It was built to blend in with the Jubilee Building built by Graingerâ€™s predecessor George Temple-Poole. As can be seen in this photograph, the building originally housed the State Library and the Government Geologist. The former Library building was built in brick and stone, including stone left over from the Jubilee Building. It is in the Victorian Byzantine/Romanesque style with arched windows. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arched window Byzantine Byzantium education George Temple-Poole Government Geology building John Grainger Jubilee building library museum Perth Perth Cultural Centre Perth Library Perth Museum Romanesque State Library Victorian Byzantine WA Western Australia Western Australian Museum window