45 8 730 https://ausmed.arts.uwa.edu.au/files/original/22429297ce53035b468a7d59a62a6e61.jpg dfd40c8193a33d1e662ef08fd5c5cf3d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 919 Width 689 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paul’s Cathedral Spire, Melbourne Subject The topic of the resource Anglican, Arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, James Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window Description An account of the resource A close-up of one of the ornately decorated neo-gothic spires at St Paul’s Cathedral in Melbourne. Construction of the spires began in 1926. This was thirty years after the initial building had been completed, and consequently they are slightly darker in colour than the sandstone used for the rest of the Cathedral. They were designed by Sydney architect James Barr, and differ from the more modest single spire and two towers proposed by the Cathedral’s original architect, William Butterfield. In the early twentieth century, these spires dominated the Melbourne skyline. About St Paul’s Cathedral: St Paul’s Cathedral is located at the intersection of Flinders Street and Swanston Street in central Melbourne. It was built in a Victorian Gothic architectural style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Other distinctive features of St Paul’s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival James Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic sandstone spire tower tracery Vic Victoria Victorian Gothic William Butterfield (1814-1900) window https://ausmed.arts.uwa.edu.au/files/original/7479f388f54903bd881b8f0316a9e91c.jpg 407fb2258b6c7fd7ec81b5202b004abe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 546 Width 894 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum entrance and Jubilee Building, Perth Subject The topic of the resource Arched window, Byzantine, cloister veranda, mosaic, piazza, Perth, Perth Cultural Centre, Perth Museum, Romanesque, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum Description An account of the resource <p>A photograph of the new entrance to the Western Australian Museum &ndash; Perth, juxtaposed with the Jubilee Building that acts as one of the museum&rsquo;s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.</p> An early photograph of the building can be viewed at <code><strong><a href="http://hdl.handle.net/1885/111" target="_blank">http://hdl.handle.net/1885/111</a></strong></code> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 20 January 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window Byzantine cloister veranda George Temple-Poole mosaic Perth Perth Cultural Centre Perth Museum piazza Romanesque Victorian Byzantine WA Western Australia Western Australian Museum https://ausmed.arts.uwa.edu.au/files/original/e0449116d65a0c6767c5cb60b7b375e2.jpg 7768a8eac522a1b8937d0297cb264b8d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Advance Australia’ Arms Window in the Queen Victoria Building, Sydney Subject The topic of the resource architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade Creator An entity primarily responsible for making the resource Urry, David (Digital Image) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade architecture cartwheel window coat-of-arms endeavour heraldic heraldry identity neo-Romanesque New South Wales NSW Queen Victoria Building retail arcade Romanesque Revival architecture shopping arcade Southern Cross stained glass Sydney unification window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p><em>The City of Sydney Archives digital photograph bank: </em><a href="http://photosau.com.au/Cos/scripts/home.asp" target="_blank"><span style="color: #0000ff; font-family: Times New Roman;">http://photosau.com.au/Cos/scripts/home.asp</span></a></p> <p>Type: &lsquo;stained glass&rsquo; into the Search box, then &lsquo;click&rsquo; Search</p> View: Image 5 &ndash; 006121 (click to enlarge). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Australia’ window; or ‘Oceania’ in the Sydney Town Hall Subject The topic of the resource Allegory, centenary, colony, Goodlet & Smith, lantern, Lucien Henry, nationalism, neo-romanesque, New South Wales, Norman Revival, NSW, patriotism, Romanesque, Southern Cross, stained glass, Sydney, Sydney Town Hall, symbolism, trident, Union Jack, window Description An account of the resource One of two neo-romanesque with rounded heads and stylised borders designed by Frenchman Lucian Henry and manufactured by Goodlet & Smith for the Sydney Town Hall auditorium, at a time when national fervour was running high in the late nineteenth century. These windows are reminiscent of Romanesque or Norman figural windows dating from the eleventh century. A tall allegorical figure, which doubtless personifies the colony of NSW, wears a helmet of ram’s horns encircled by the sun’s rays. She carries a miner’s lantern and a trident. The figure is draped in the Union Jack, and framed by four white stars on blue grounds in the shape of the Southern Cross. The fifth star is placed upon the woman’s forehead. Symbolism of this type has decidedly classical and also medieval precedents (See James Hall, Dictionary of Subjects and Symbols in Art, 2nd Edition, Boulder, Westview Press, 2008, p.316). The woman stands astride the globe, which is inscribed with her name. The central window is flanked by decorative (and recognisably) Australian floral sidelights adorned with the words ‘Advance Australia’ and the dates of the centenary (1788-1888). This ‘Australia’ window is one of two inspirational Lucien Henry stair windows installed to celebrate Sydney’s centenary and to promote the developing national identity narrative. Creator An entity primarily responsible for making the resource Lucien Henry (designer) Goodlet & Smith (manufacturers) Date A point or period of time associated with an event in the lifecycle of the resource Sydney, 1887-88 (windows) Sydney, c. 1989 (photograph) Rights Information about rights held in and over the resource © City of Sydney Archives Format The file format, physical medium, or dimensions of the resource Hyperlink allegory centenary colony Goodlet & Smith lantern Lucien Henry nationalism neo-Romanesque New South Wales Norman Revival NSW patriotism Romanesque Southern Cross stained glass Sydney Sydney Town Hall symbolism trident Union Jack window https://ausmed.arts.uwa.edu.au/files/original/103d99d6cace263dd8f0332fa18cb853.jpg 56adfec80c709abdca8844a4247bac9b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pilgrim Uniting Church Gargoyle, Launceston Subject The topic of the resource arched windows, Crouch and Wilson, gargoyle, Gothic, Launceston, Methodist, Pilgrim Uniting Church, spire, stucco, Tas, Tasmania, tower, traceried window, Uniting Church Description An account of the resource One of two photographs of the Pilgrim Uniting Church in Launceston. The church was designed by Melbourne firm Crouch and Wilson and was built in 1866-1868 as a Methodist church. The brick church is in the Gothic style with arched windows, a prominent tower topped by a spire, and a large traceried window. The church also has white stucco decorations, including four animal heads (probably gargoyles) around the tower, one of which can be seen in this photograph. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows Crouch and Wilson gargoyle Gothic Launceston Methodist Pilgrim Uniting Church spire stucco Tas Tasmania tower traceried window Uniting Church https://ausmed.arts.uwa.edu.au/files/original/27181e14e967d24e3dfcd827405086dc.jpg 2c4040b5b4f3655504b19712ef812091 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 753 Width 564 https://ausmed.arts.uwa.edu.au/files/original/e58f7d031d82fa04903ce05786218a88.JPG 4267eb92ca86de3b67a3962a727e38f5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance, St John’s Anglican Church, Launceston, Tasmania Subject The topic of the resource Anglican, buttress, Gothic, David Lambe, lancet window, Launceston, niche, Alexander North, pointed arch, rose window, St John, St. John, Saint John, St John’s Anglican Church, Tas, Tasmania, tower. Description An account of the resource <p>These two photographs show the entrance of St John&rsquo;s Anglican Church in Launceston. The original church was designed by David Lambe and built by convict labour in 1824-5. From 1902 extensive alterations were made under the direction of architect Alexander North (1858-1945), resulting in the red brick building with large rose window and elaborate arched doorway seen in these photograph. The Gothic-styled entrance features pointed arches and niches on either side of the entrance. Towers with buttresses flank the entrance, and there are lancet windows above the rose window.</p> <p>For their<br />website see http://www.stjohns.net.au/</p> Creator An entity primarily responsible for making the resource Dorey, Margaret, and Shane McLeod Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011, 9 September 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph; JPEG Alexander North buttress David Lambe Gothic lancet window Launceston niche pointed arch rose window St John St John’s Anglican Church St. John Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/068e791983ccffde5daaa7ee52ddd152.jpg 3ca4c1874774505f5ef36f1deaeaf073 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 447 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Uniting Church, York, WA Subject The topic of the resource Gothic, Gothic Revival, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia Description An account of the resource The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architecture Church Gothic Gothic Revival lancet windows Methodist Methodists Perth religion religious Uniting Church WA Wesleyan Western Australia York https://ausmed.arts.uwa.edu.au/files/original/ec7731687f815723178eb3614a9f6a75.jpg 325c23bf59f5ae510328c96c100c3b32 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 860 Width 645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domestic Castle, Perth, Tasmania Subject The topic of the resource battlements, castle, crenellation, dragon, house, residence, domestic, Perth, Tas, Tasmania, windmill Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the castle/house, which inexplicably also has a windmill coming out of its centre. The domestic brick house features extensive crenellation, an arched arcade/verandah, and a dragon looking over the top corner of the building. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG battlements castle crenellation domestic dragon house Perth residence Tas Tasmania windmill