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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of St Paulâ€™s Cathedral, located at the intersection of Flinders Street and Swanston Street in central Melbourne. St Paulâ€™s is the official Cathedral of the Anglican Diocese of Melbourne. It was built in a Victorian Gothic style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated just over a decade later when the initial stage of the building was completed in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedralâ€™s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect John Barr, and are not in keeping with Butterfieldâ€™s more modest original plans. Other distinctive architectural features of St Paulâ€™s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway.&#13;
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The cathedral interior is notable for its horizontally striped pattern, which is based on a design from thirteenth century Siena Cathedral.   </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;</text>
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                <text>Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord</text>
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                <text>Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin</text>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by &amp;ldquo;&lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance&amp;rdquo; (See &lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;the accompanying information pages on the Art Gallery of South Australia&amp;rsquo;s website at: &lt;a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/TLF/964p25/&lt;/span&gt;&lt;/a&gt;). &lt;/span&gt;</text>
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                <text>Bunny, Rupert</text>
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                <text>c. 1896</text>
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                <text>Oil on Canvas, 100.3 x 110.4cm; &#13;
Hyperlink</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Uniting Church, York, Western Australia</text>
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                <text>Gothic, Gothic Revival, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia</text>
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                <text>The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.</text>
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                <text>This staircase â€˜Seasonsâ€™ window at Mandeville Hall in Toorak was designed by David Relph Drape and created by Ferguson &amp; Urie for the original owner, millionaire Joseph Clarke, in 1877. The circular medallions in the centre of the window depict scenes of the four different seasons, beginning with winter. The idyllic country scenes that fill the main medallions are of typically English views, and doubtless served, as Beverley Sherry suggests, as â€œpersuasive [and â€˜nostalgicâ€™] reminders of â€˜homeâ€™â€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.39). The figures to the left and right of the medallions also represent the four seasons, and feature banners identifying which season they represent. Clarkeâ€™s initials appear on the central lower border flanked by curved floral motifs that were probably adapted from classical Roman frieze work. There is also a star-studded cross of St George at each of the corners. In this way, classical Rome, medievalism, and British imperialism appear as natural offshoots of the other. This decorative and largely opaque window is intricately patterned with entwined foliage, and dominated by figural seasonal vignettes. It is crowned by a semi-circular top light (another concession to the architectural â€˜Romanesqueâ€™ or Norman style) containing a reclining Diana, and Cupid holding a bow. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria, dwarf, dwarves, little people, imp, royal court, court, royalty, royal, jester, statue, figure</text>
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                <text>An image of the 'Kryal Castle Dwarf' behind glass at Kryal Castle in Ballarat, Victoria. According to the description alongside the figure, the Kryal Castle Dwarf was inspired by the medieval period, when "little people...traveled from Court to Court, Castle to Castle" as entertainers for the Royal Court.&#13;
&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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                <text>Image used with the permission of N. Jeffrey</text>
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                <text>An image of a stained glass window at the Narrapumelap homestead in Wickliffe, Victoria. The panelâ€™s outer edge is framed by an eye-catching â€˜floral-rodâ€™ pattern in spiral form. The window is divided into three segments (l, m, r) separated by wide vertical stripes with red roses on rigid leafy stems (x 2). The window contains the houseâ€™s construction date (1873) and owner John Dixon Wyselaskieâ€™s initials. The patterned background is an adapted medieval â€˜rigidâ€™ leaf and flower head design. The window is in a prominent position and would easily be seen by staff and clients alike. At night it would offer a welcoming glow to visitors and guests. An expensive â€˜Baronialâ€™ window such as this bears silent testimony to the wealth and social standing of its owner - in this case the pastoralist and philanthropist J. D. Wyselaskie.</text>
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            <description>A name given to the resource</description>
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                <text>Entrance to Kryal Castle, Ballarat</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>An image of the entrance to Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Jeffrey, N. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2007</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Image used with the permission of N. Jeffrey</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18961">
                <text>Digital Photograph; JPEG</text>
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        <name>Keith Ryall</name>
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        <name>leisure</name>
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        <name>moat</name>
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        <name>re-creation</name>
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        <name>recreation</name>
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        <name>tourism</name>
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                <text>An image of the Former Magistrateâ€™s Court Building on the corner of La Trobe Street and Russell Street in Melbourneâ€™s CBD. The Former Magistrateâ€™s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It is a three-storey building of French Romanesque style that was constructed entirely from Australian materials. The corner site was well-established as the location of the Cityâ€™s law courts, having previously housed the Supreme Court and then the Court of Petty Sessions in a two-storey brick building that was demolished in 1910 to make way for the current building. Construction of the new building began in 1911 and was completed in 1914. The strongly modelled entrance, thick, squat columns and solid masonry are characteristic of Norman Revival or neo-romanesque architecture, as are the tourelles, tower, parapeted gables and semi-circular windows and arches. The Court of Petty Sessions, later renamed the Melbourne Magistrateâ€™s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.</text>
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                <text>McEwan, Joanne</text>
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