41 8 730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"><span style="color: #0000ff;">http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790</span></a></p> <strong></strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No 'Robin Hood' financial transaction tax coming to Australia, says Wayne Swan Subject The topic of the resource Australian businesses, bank, business, economic crisis, economic growth, economy, finance, financial transaction tax, folklore, France, investor, Nicolas Sarkozy, outlaw, penalty, revenue, Robin Hood, “Robin Hood” tax, tax, treasury, Wayne Swan Description An account of the resource This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swan’s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozy’s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a “Robin Hood” tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Perth Now Publisher An entity responsible for making the resource available Perth Now Date A point or period of time associated with an event in the lifecycle of the resource 30 January 2012 Rights Information about rights held in and over the resource Perth Now Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource Language “Robin Hood” tax Australian businesses bank business economic crisis economic growth economy finance financial transaction tax folklore France investor Nicolas Sarkozy outlaw penalty revenue Robin Hood tax treasury Wayne Swan https://ausmed.arts.uwa.edu.au/files/original/8d34d9e9e2bc39407aba13a43fa085ba.jpg 6290050bc12e4e9f20e81bc6aea391b3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 510 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kryal Tapestry Subject The topic of the resource Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions Description An account of the resource An image depicting the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry was designed and executed by Gloria Rose Armstrong, and depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG attraction Australia Ballarat castle castles craft entertainment functions Gloria Rose Armstrong jousting Keith Ryall knight knights Kryal Castle leisure medieval medieval craft medieval scene Melbourne re-creation recreation tapestries tapestry tourism tourist Vic Victoria weaving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <span><a href="http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928" target="_blank"><span style="color: #0000ff;">http://www.abc.net.au/news/2012-02-14/new-procession-ushers-in-slipper-era/3828928</span></a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Procession ushers in Slipper era Subject The topic of the resource Australian Parliament, Canberra, ceremonial robes, Chamber, House of Representatives, lobby, mace, medieval ritual, parliament, Parliament House, procession, public display, ritual, serjeant-at-arms, Speaker, weapon Description An account of the resource This article from the online edition of ABC News reports on a change in Australian parliamentary procedure. A longer and more formal procession from the lobby of Parliament House to the Chamber of the House of Representatives has been introduced by Peter Slipper (the Speaker) on Tuesdays, the article explains, so that visitors and members of the public are better able to witness the ceremonial opening of parliamentary proceedings. An image of Slipper, in his ceremonial robes, following the Serjeant-at-Arms and the official mace accompanies the article. The mace plays an important and symbolic role in the House of Representatives, as in the British House of Commons. The association of the mace with parliament most likely originates from the medieval period, when the King’s bodyguards, also known as serjeants-at-arms, were each armed with a mace. Gradually, the mace became associated with the customs and rituals of parliamentary ceremony rather than with its former use as a weapon. Creator An entity primarily responsible for making the resource Griffiths, Emma Source A related resource from which the described resource is derived ABC News Online Publisher An entity responsible for making the resource available ABC News Online Date A point or period of time associated with an event in the lifecycle of the resource 14 February 2012 Rights Information about rights held in and over the resource ABC Format The file format, physical medium, or dimensions of the resource Hyperlink; Newspaper Article Language A language of the resource English Australian Parliament Canberra ceremonial robes Chamber House of Representatives lobby mace medieval ritual parliament Parliament House procession public display ritual serjeant-at-arms Speaker weapon https://ausmed.arts.uwa.edu.au/files/original/28e1b736023a483d3fc1894ab805ef88.jpg 8a87555593744297aed09f2ff98b4827 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 860 Width 645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack and the Beanstalk house window, East Devonport Subject The topic of the resource arched window, domestic architecture, architecture, domestic, household, residence, residential, home, house, East Devonport, folktale, Jack and the Beanstalk, Gothic, Gothic Revival, Tas, Tasmania Description An account of the resource One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows one of the gothic-style windows, which is accentuated by the roofline and surrounding decoration. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries. For Jack climbing a beanstalk see other entry. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window architecture domestic domestic architecture East Devonport folktale Gothic Gothic Revival home house household Jack and the Beanstalk residence residential Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"><a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglo-Saxon Window, Great Hall, University of Sydney Subject The topic of the resource Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, Cædmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede Description An account of the resource The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmon’s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby. The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. Creator An entity primarily responsible for making the resource White, David Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2012 Rights Information about rights held in and over the resource University of Sydney; David White (photograph in hyperlink) Format The file format, physical medium, or dimensions of the resource Hyperlink Alcuin Alcuin of York Alcuinis Anglo-Saxon Anglo-Saxon Window Bede Cædmon Caedman Caedmon Carolingian Renaissance Charlemagne England Great Hall New South Wales NSW stained glass Sydney University of Sydney Venerable Bede https://ausmed.arts.uwa.edu.au/files/original/6f954da87409ed7ae18dc69abd86eccf.jpg 6a620483a02301905137cb7aec7ec2d5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mitchell Building, The University of Adelaide Subject The topic of the resource Adelaide, arcade, arch, architecture, blind tracery, fleche, gable, gothic architecture, Gothic Revival, lancet arch, lancet window, mullion, neo-gothic, quatrefoil, SA, South Australia, spire, The University of Adelaide, tracery, turret, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962) Description An account of the resource An image of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn, and is of a Victorian Academic Gothic architectural style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was renamed the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Building’s notable neo-gothic features include the steeply gabled roof, rows of twin lancet windows, decorative stone tracery, entrance porch and the stone fleche/spire. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 5 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arcade arch architecture blind tracery fleche gable gothic architecture Gothic Revival lancet arch lancet window mullion neo-Gothic quatrefoil SA South Australia spire The University of Adelaide tracery turret university university buildings William McMinn (1844-1884) William Mitchell (1861-1962) https://ausmed.arts.uwa.edu.au/files/original/e754f5a0a433ebb37dbdf8f3d84d0940.jpg 8c446639861feb91f7d5a0c559829d82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 482 Width 639 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crystal Palace, Luna Park, Sydney Subject The topic of the resource arched window, castle, crenellation, Crystal Palace, Luna Park, New South Wales, NSW, re-creation, spires, Sydney, venue, recreation, leisure Description An account of the resource The Crystal Palace at Luna Palace overlooking the harbour in Sydney is a functions venue. It has been built to look like a medieval castle, featuring crenellation, arched windows, and spires. At night the castle is illuminated, creating a Crystal Palace. Luna Park opened in 1935. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched window castle crenellation Crystal Palace leisure Luna Park New South Wales NSW re-creation recreation spires Sydney venue Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MacLaurin Window, Nicholson Vestibule, University of Sydney Subject The topic of the resource Alfred the Great, Anglo-Saxon, James I/VI, Sir Henry Normand MacLaurin, MacLaurin Window, navy, New South Wales, Nicholson Vestibule, NSW, ship, stained glass, Sydney, University of Sydney, Viking, Wessex Description An account of the resource The MacLaurin Window was created in 1920 and can be found in the Nicholson Vestibule lighting the staircase. The window has a portrait of Sir Henry Normand MacLaurin, Chancellor of the University of Sydney from 1896 to 1914, flanked by James I (England) and VI (Scotland) (1566-1625), and Alfred the Great (849-899). Alfred was king of the Anglo-Saxon kingdom of Wessex (roughly England south of the Thames) and his dynasty later unified England. Alfred is shown holding a warship, perhaps due to the notion that he was the father of the English navy due to the ships that he had constructed to help counter Viking attacks. Creator An entity primarily responsible for making the resource White, David Source A related resource from which the described resource is derived University of Sydney Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2012 Rights Information about rights held in and over the resource University of Sydney, David White (photograph in link) Format The file format, physical medium, or dimensions of the resource Hyperlink Alfred the Great Anglo-Saxon James I/VI MacLaurin Window navy New South Wales Nicholson Vestibule NSW ship Sir Henry Normand MacLaurin stained glass Sydney University of Sydney viking Wessex