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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Church of St John the Baptist, also known as St Johnâ€™s Anglican Church is in the Sydney, New South Wales, suburb of Kirribilli. It was originally built as a church school and was designed by Edmund Thomas Blacket (1817-1883). It was built in 1884, with the vestry and sanctuary added in 1900 and the parish hall (now a kindergarten) in 1909. Due to its position close to one end of Sydney Harbour Bridge St Johnâ€™s is also known as the Church by the Bridge and an evangelical group of that name meet at the church. The Church of St John the Baptist is in the Romanesque Revival style and features semi-circular arched windows and doorways, a circular window, buttresses, a porch, and a copper overlaid bell tower topped by a spire. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The diorama of King John I (1166-1216) signing Magna Carta in 1215 is one of six revolving scenes devoted to English royalty that appear on the hour in the Royal Clock in Sydneyâ€™s Queen Victoria Building. The clock was designed by Neil Glasser and made by Thwaites and Reed in Hastings, England. In the scene John is shown sitting on a throne flanked by guards with spears and signing the document surrounded by the English barons (in chain-mail) who had revolted against him and the Archbishop of Canterbury Stephen Langton (1150-1228). &#13;
The signing of Magna Carta is considered an moment in the history of western democracy. Australia owns a medieval copy of Magna Carta, which is on display in Parliament House, Canberra.&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Christ Church St Laurence Anglican Church, Sydney, New South Wales </text>
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                <text>Anglican, Edmund Thomas Blacket, William Grant Broughton, Bishop Broughton, buttress, Christ Church St Laurence, crenel, Gothic, Gothic Revival, New South Wales, NSW, parapet, pointed arch, Henry Robertson, spire, Sydney, tower, tracery.</text>
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&lt;p&gt;Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&amp;rsquo;s first Bishop, on New Year&amp;rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.&lt;/p&gt;&#13;
&lt;p&gt;For their very informative website of the church see &lt;a href="http://www.ccsl.org.au/"&gt;http://www.ccsl.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&amp;rsquo;s first Bishop, on New Year&amp;rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.&lt;/p&gt;&#13;
&lt;p&gt;For their very informative website of the church see &lt;a href="http://www.ccsl.org.au/"&gt;http://www.ccsl.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>(Former) Mortuary Station, Regent St, Sydney</text>
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                <text>James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic.</text>
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                <text>The former Mortuary Station is located behind Sydneyâ€™s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs&#13;
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The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events.  &#13;
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                <text>McLeod, Shane</text>
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                <text>Federation Gothic, Gothic, architecture, St. Brigid, Saint Brigid, St. Brigid, Church, Roman Catholic, Catholic, Catholicism, Northbridge, Perth, Fitzgerald Street, WA, Western Australia, arched windows, bay windows, heritage</text>
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&#13;
The church is built in Federation Gothic style with a hammer-beamed trussed roof and leadlight panel bay windows with gold arches.&#13;
&#13;
St. Brigid's is heritage-listed and is currently being rennovated.</text>
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