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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The 1865 Building: Brunswick Uniting Church, Melbourne, Victoria</text>
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                <text>architecture, Brunswick, buttress, Charles Webb (1821-1898), church, church building, decorated gothic window, Evander McIver, gable, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, quoin, spire, tower, tracery, VIC, Victoria, Victorian Gothic, arches, arch</text>
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                <text>A view of original church building at the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church, featured here, was constructed in 1865 to the neo-gothic design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. </text>
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                <text>McEwan, Susan</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>arched windows, Cardinal Cerretti Chapel, Catholic, chapel, flying buttress, Gothic, Gothic Revival, Hennessy, Hennessy and Co, International College of Management, Manly, New South Wales, NSW, school, Seminary, St Patrickâ€™s Seminary, Sydney</text>
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                <text>&lt;p&gt;Cardinal Cerretti Chapel is part of St Patrick&amp;rsquo;s Seminary on Darley Street in the Sydney suburb of Manly. The chapel opened in 1935 and was designed by Hennessy, Hennessy and Co. It is in Gothic style and features pointed arched windows and flying buttresses at the rear of the building. The Seminary closed in 1995 due to a lack of students (seminarians) and it is now the International College of Management. Cardinal Cerretti Chapel is still available for weddings. The photograph shows the flying buttresses at the rear of the building.&lt;/p&gt;&#13;
&lt;p&gt;The chapel is named after Cardinal Cerretti, the first Apostolic Delegate (diplomatic representative of the Vatican) in Australia.&lt;/p&gt;&#13;
&lt;p&gt;For more on the chapel see &lt;a href="http://www.sydneycatholic.org/works/cerretti/history.shtml" target="_blank"&gt;http://www.sydneycatholic.org/works/cerretti/history.shtml&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>5 February 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Entrance Porch, Mitchell Building, The University of Adelaide</text>
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                <text>Adelaide, arcade, arch, architecture, blind tracery, entrance, gothic architecture, Gothic Revival, hood moulding, jamb, lancet arch, mullion, neo-gothic, porch, quatrefoil, SA, South Australia, The University of Adelaide, tracery, university, university buildings, Victorian Academic Gothic style, William McMinn (1844-1884), William Mitchell (1861-1962)</text>
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                <text>An image of the entrance porch to the Mitchell Building at The University of Adelaide. Large lancet openings surrounded by decorative hood moulding lead from all three sides to entrance, which consists of a wooden door topped with a rose window and accompanied on either side by a slender lancet window. Extensive blind tracery can be seen around the lancet archways and along the roofline, where an arcade of lancet arches also forms a parapet.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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