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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Loreto College was founded in the rural Victorian city of Ballarat by the Catholic Loreto Sisters as a school for girls in 1875. The photograph is of the gate at the entrance to the College grounds. The brick gate is in the Gothic architectural style with pointed arches and crenellation. The Loreto Order was founded in England in 1609 with the aim of establishing schools for girls that would tend to their spiritual and intellectual needs.&lt;/p&gt;&#13;
For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
For more on the cathedral see &lt;a href="http://www.stmaryscathedral.org.au/" target="_blank"&gt;http://www.stmaryscathedral.org.au/&lt;/a&gt;</text>
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                <text>Close-up of the Mitchell Building, The University of Adelaide</text>
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                <text>A close-up of the upper level of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style and constructed between 1879 and 1881. In this photograph, a number of the buildingâ€™s neo-gothic features are evident. These include: the upper level windows, which comprise pairs of trefoil pointed lancets separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch; the blind tracery, arcading and rose window on the adjacent wall; the lancet arcade forming a parapet along the roofline and the false machiolation used for decorative effect below; the gable roof; and the turret.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building officially opened in 1882. It was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today the Mitchell Building is used as an administrative hub. </text>
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For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;&lt;/div&gt;&#13;
&lt;h3&gt;&amp;nbsp;&lt;/h3&gt;</text>
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                <text>&lt;p&gt;Ballarat Clarendon College in the Victorian city of Ballarat was established in 1974 through the amalgamation of Ballarat College (est. 1864) and Clarendon Presbyterian Ladies&amp;rsquo; College (est. 1876). The school is now associated with the Uniting Church. The building in the photograph is the main entrance to the college on Sturt Street. The red brick building is in Gothic style and features pointed arch entrances, a central tower with crenellation, and the college coat of arms. &amp;nbsp;&lt;/p&gt;&#13;
For the college website see &lt;a href="http://www.clarendon.vic.edu.au/" target="_blank"&gt;http://www.clarendon.vic.edu.au/&lt;/a&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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      <tag tagId="901">
        <name>Ballarat</name>
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      <tag tagId="4678">
        <name>Ballarat Clarendon College</name>
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        <name>Victoria</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/46f32760697fba2e5002ae74710f1374.jpg</src>
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              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>FaÃ§ade of The Great Synagogue, Sydney</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Arched entrance, arched windows, Byzantine, domes, Gothic, Great Synagogue, Judaism, Moorish, New South Wales, NSW, Romanesque, Thomas Rowe, Sydney, Synagogue, towers, Transition French Gothic, wheel window</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20271">
                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>5 February 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20273">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20274">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/1f8f6048241d8820890e1324bcf62ec5.jpg</src>
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                    <text>3</text>
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                    <text>980</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="20254">
              <text>Digital Photograph; JPEG</text>
            </elementText>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Reredos, St Andrewâ€™s Cathedral, Sydney</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Alabaster, armour, Edmund Blacket, Earp, Gothic, Gothic Revival, knight, New South Wales, NSW, reredos, resurrection, Sydney</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. This photograph shows a panel of the alabaster reredos found inside the cathedral and is of interest from a medievalism perspective for depicting the soldiers at the feet of Christ as armoured medieval knights. The reredos was made by the sculptor Earp in 1887.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 February 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20252">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20253">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>Armour</name>
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        <name>Earp</name>
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      <tag tagId="4604">
        <name>Edmund Blacket</name>
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        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="4673">
        <name>reredos</name>
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        <name>resurrection</name>
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      <tag tagId="122">
        <name>Sydney</name>
      </tag>
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