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                <text>The New Church on Adelaide Terrace in the Perth CBD was designed by Richard Spinney and consecrated on February 25, 1940. The small stone church was built in the Inter-War Gothic style and features a bell tower, buttresses, a small porch, and leadlighting. It is no longer in use and will soon have high-rise apartments built immediately behind it.&#13;
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The New Church are a Christian group whose beliefs are based on the writings of the Swedish theologian Emanuel Swedenborg (1688-1772).&#13;
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                <text>The Caretakers House (for the nearby shot tower) in the Hobart suburb of Bonnet Hill, Tasmania, has the appearance of a medieval fortified house. It was originally built for Joseph Moir from 1855 as a domestic dwelling. The two-storey stone building features a parapet and crenellation at the front of the house, which resembles a tower, as well as another tower with crenellation built on top of the house.</text>
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                <text>&lt;p&gt;The Gledden Building is in the Perth CBD and was designed by architect Harold Boas. It was built in 1937 and 1938, and is named after Robert Gledden who had gifted the land that the building is on to The University of Western Australia in 1927. The building is in the Art Deco style, and was inspired by New York skyscrapers and the Tribune Building in Chicago. The style of the building has also been termed &amp;lsquo;Commercial Gothic&amp;rsquo; and the upwards trajectory of the building is similar to that found in Gothic churches. Medievalist features include a parapet and a nod towards crenellation at the top of the building, whilst the two-storey corner tower includes semi-circular arched windows in the top storey and buttresses.&lt;/p&gt;&#13;
&lt;p&gt;For another Commercial Gothic building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/868"&gt;http://ausmed.arts.uwa.edu.au/items/show/868&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The photograph shows a building at the former Hutchins School in Hobart, Tasmania. Although this building is sympathetic to the main 1849 building on the site designed by William Archer, this building was a later addition and does not feature in an 1890 photograph. This later building is also in the Gothic style, featuring an arcade with pointed arched entrance ways, pointed arched windows on the second storey, and small towers on the corners.&lt;/p&gt;&#13;
&lt;p&gt;For the central building on the site see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/880"&gt;http://ausmed.arts.uwa.edu.au/items/show/880&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>P.J. Oâ€™Reillyâ€™s is an Irish pub in the Melbourne Building in Canberra, the Australian Capital Territory. The logo of the business is a lion rampant (in profile standing erect with forepaws raised) commonly found in medieval heraldry. Their accompanying slogan, â€˜The Tradition Continuesâ€™, suggests that old-time service and food are available, perhaps in the pubâ€™s â€˜The Olde Bailey Roomâ€™. The Old Bailey is the Central Criminal Court found in London and first mentioned in the late sixteenth century.  </text>
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                <text>The Masonic Club of Tasmania is one of a number of heritage buildings along Hobartâ€™s Macquarie Street. It was originally built as Hutchins School between 1847 and 1849, and was designed by the Tasmanian-born architect William Archer. The bluestone building has sandstone trimmings and is built in the Gothic style, particularly the central tower and turret that feature parapets and crenellation. Another Gothic feature is the large pointed-arch window with tracery on the ground level.</text>
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