31 8 730 https://ausmed.arts.uwa.edu.au/files/original/3edd9ff214a8e4e857cdf6124fea59db.jpg 744b4e034c3eb02525b39da6efd96162 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 583 Width 778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Church of St John the Evangelist, Albany Subject The topic of the resource Albany, Anglo-Saxon, bell tower, church, The Church of St John the Evangelist, crenellation, Gothic, pointed arch, tower, WA, Western Australia Description An account of the resource The Church of St John the Evangelist is located in the city of Albany on the southern coast of Western Australia. Construction of the stone church began in 1840 and it was the first WA church to be consecrated (October 26, 1848). The proportions of the building and its relatively low bell tower suggests an inspiration from Anglo-Saxon churches (as noted in the Church welcome pamphlet), but the narrow pointed arched windows and arched entrance are Gothic (which is post-Anglo-Saxon) in style. The bell tower also features crenellation. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource April 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Albany Anglo-Saxon bell tower Church crenellation Gothic pointed arch The Church of St John the Evangelist tower WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/cba34906a64415cf8584b503f75673c5.jpg fcd4c60cc5283e2faa2bbedcf5b9a3e7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource KFC Store, George Street, Sydney Subject The topic of the resource Arched windows, bank, George Street, Kentucky Fried Chicken, KFC, New South Wales, NSW, Romanesque, Sydney, Victorian Romanesque Description An account of the resource This photograph shows the KFC store on George Street in central Sydney. The store, previously a bank, is in the Victorian Romanesque style, and features semi-circular arched windows, moulded brick, and carved stone. The Romanesque style was popular in medieval Europe prior to the development of the Gothic style in the twelfth century. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bank George Street Kentucky Fried Chicken KFC New South Wales NSW Romanesque Sydney Victorian Romanesque https://ausmed.arts.uwa.edu.au/files/original/6f0295134990f89ea0ae5ac4cceb3071.jpg 9458fa0a71dee81e8c1d7bb093ecd432 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.sthuberts.com.au/history/who" target="_blank"><span style="color: #0000ff; font-family: Calibri; font-size: small;">http://www.sthuberts.com.au/history/who</span></a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Hubert’s Vineyard, Coldstream, Victoria Subject The topic of the resource Antlers, Austrasia, Coldstream, cross, emblem, Franks, Hubert de Castella, hunters, Neustria, patron saint, Pepin of Heristal, saint, St Hubert, stag, symbolism, Victoria, VIC, vineyard, vision, winery, Yarra Valley Description An account of the resource St Hubert’s vineyard in Coldstream, Victoria, was founded by Hubert de Castella in 1862. It is named after St Hubert, the ‘Apostle of Ardennes’ and patron saint of hunters. Born c.656, Hubert was the eldest son of Bertrand, Duke of Aquitaine. He was a prominent member at the Court of Neustria in his youth and later (after fleeing to the Eastern Frankish territories) at Pepin of Heristal’s Court in Austrasia. He is believed to have increasingly prioritised hunting over religious observance, which culminated sometime soon after his marriage (682) in a vision of a stag carrying a shining cross between his antlers. The stag told him to transform his ways or he would go to hell. Henceforth, he distributed his wealth amongst the poor, renounced his dukedom, was ordained as a priest, founded a number of monasteries and engaged in missionary work until his death in c.727. In homage to this legend, the St Hubert’s Vineyard emblem features a stag and a cross. Creator An entity primarily responsible for making the resource St. Hubert's Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource St. Hubert's Format The file format, physical medium, or dimensions of the resource Hyperlink Antlers Austrasia Coldstream cross emblem Franks Hubert de Castella hunters Neustria patron saint Pepin of Heristal saint St Hubert stag symbolism Vic Victoria vineyard vision winery Yarra Valley https://ausmed.arts.uwa.edu.au/files/original/5db4112bb7e90317ed589bc303dbfdea.jpg f72f1fbda37de676e29fbb1f67a2675b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 430 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tower at Kryal Castle, Ballarat Subject The topic of the resource Kryal Castle, castle, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, towers, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria Description An account of the resource An image of a tower at Kryal Castle. A tourist attraction located 8km from Ballarat in Victoria, Kryal Castle was built in 1972 (opened in 1974) by Keith Ryall. Described as ‘Australia’s unique medieval castle’, Kryal Castle can also be hired for weddings, conferences, functions, and special events. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource Image used with the permission of N. Jeffrey. Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Ballarat battlements castle crenelation drawbridge entertainment functions gate Keith Ryall Kryal Castle leisure Melbourne moat porticullis re-creation recreation tourism tower towers Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/dac5857b98ffa03130eb812780278c46.jpg 5f1a6a518bbd06bb84e279a437b1772d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/80b933fa8774661ca2c45c05053dbffa.jpg cefc026d28018fb1b81d4761e6afd024 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 576 Width 768 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Towers’ building, Hobart Subject The topic of the resource Arched windows, James Blackburn, convict, crenellation, domestic architecture, Hobart, Newtown, Tas, Tasmania, tower, ‘The Towers’, turret Description An account of the resource <p>&lsquo;The Towers&rsquo; building is in the Hobart suburb of Newtown and lends its name to Tower Road. It was designed by English-born convict architect James Blackburn in c. 1845 as a grand domestic building built around an internal courtyard. The weatherboard house features a prominent three-storey stone tower with an additional level provided by a turret. The tower and turret are both crenellated and feature rounded arched windows. The rooms inside the tower feature marble fireplaces.</p> <p>For more on James Blackburn see: <a href="http://adb.anu.edu.au/biography/blackburn-james-1789" target="_blank">http://adb.anu.edu.au/biography/blackburn-james-1789</a>&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 7 April 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG ‘The Towers’ arched windows convict crenellation domestic architecture Hobart James Blackburn Newtown Tas Tasmania tower turret https://ausmed.arts.uwa.edu.au/files/original/6262aca1d90c54313319daa02e62a021.jpg aac23b0a45348171e6f0445312822d16 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/43342411cf7fff3fa5167dabe0e9816b.jpg b05e45b722a32f3817f56655b2bda694 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/475cd17aef6ba717465f8d230972c2d1.jpg 119f38fd31e77b28deec75bd78daa8f6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 https://ausmed.arts.uwa.edu.au/files/original/417ebded0112868c4a23d9d60a0f4f36.jpg b270e2ff93419df2ccbf77ff06618605 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/7f327a0f092c245a20323c6e25220544.jpg c772f1a9e6fd2a307b06ca9bed68ed5e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Mutual Life Building, Hobart, Tasmania Subject The topic of the resource Arched windows, blind arcading, commercial architecture, heraldry, Gothic, Hobart, lion, neo-Gothic, parapet, relief sculpture, Romanesque, sculpture, shield, statue, Tas, Tasmania, tower, unicorn, Alan Cameron Walker. Description An account of the resource Completed in 1906, the elaborate National Mutual Life Building in Hobart, Tasmania, was designed by Hobart-born architect Alan Cameron Walker (1864-1931). It is a mixture of Romanesque and Gothic architecture and features semi-circular windows with pointed arches above the windows, blind arcading, a parapet, and lions and dogs climbing up and down the wall between the windows of the second and third storeys. The entrance includes lion statues holding shields, and the logo of the company featuring a heraldic shield between a unicorn and lion. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource June 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 5xDigital photograph Alan Cameron Walker. arched windows blind arcading commercial architecture Gothic heraldry Hobart lion neo-Gothic parapet relief sculpture Romanesque sculpture shield statue Tas Tasmania tower unicorn