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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>These two photographs show the entrance to St Patrick's Cathedral in Melbourne, Victoria. The elaborate porch has an arched entrance and includes sculptures of human heads as well as a tracery grill. St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. The cathedral website is available at http://www.stpatrickscathedral.org.au/</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;These interior photographs of Wesley Church show some of the stained glass windows. The window featuring a warrior in full armour and wearing a crown is particularly inspired by the medieval era. The warrior, St George, carries a sword and shield with a cross motif, and the head of a dead dragon lies at his feet. Below them is a castle featuring crenellation. The&amp;nbsp;window is a memorial for someone killed in action in France during World War I, which makes the depiction of a warrior saint an appropriate image.&amp;nbsp;Wesley Church in the central Perth CBD was designed in the Gothic style by Richard Roach Jewell for the local Methodist congregation and it opened in 1870.&lt;/p&gt;&#13;
&lt;p&gt;For Wesley Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;</text>
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                <text>Perth Boyâ€™s School is in the central Perth CBD and was designed in the Gothic style by William Sandford, with the plans drawn by Richard Roach Jewell. The building opened in 1854, with extensions in the 1860s. Conservation and interpretation works were carried out by the National Trust in 2011-2012. Although it was the first purpose-built school in Perth, it closely resembles a Gothic church, which resulted in ventilation and lighting problems in its use as a school. Gothic features of the limestone building include lancet windows, a porch with a small bell tower and pointed-arched entrance, and a very steeply pitched roof. The building also originally had a spire. </text>
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                <text>St Patrickâ€™s Seminary on Darley Street in the Sydney suburb of Manly was designed by Sherin and Shennessy and it opened as a Catholic seminary in 1889. The four-storey stone building is in Gothic style with a high Norman (Romanesque) tower with semi-circular windows. Gothic features include pointed arched windows and crenellation. The Seminary closed in 1995 due to a lack of students (seminarians) and is now the International College of Management.</text>
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                <text>The Church of St John the Evangelist, Albany</text>
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                <text>The Church of St John the Evangelist is located in the city of Albany on the southern coast of Western Australia. Construction of the stone church began in 1840 and it was the first WA church to be consecrated (October 26, 1848). The proportions of the building and its relatively low bell tower suggests an inspiration from Anglo-Saxon churches (as noted in the Church welcome pamphlet), but the narrow pointed arched windows and arched entrance are Gothic (which is post-Anglo-Saxon) in style. The bell tower also features crenellation.</text>
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                <text>Interior, Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa</text>
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                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes as his parish church. Hawes was also the builder, fundraiser, and a labourer for the building. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The elaborate interior of the church includes prominent brick ribs to create a vaulted ceiling. The photograph shows the sanctuary.&#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Munro, Tony</text>
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        <name>sculpture</name>
      </tag>
      <tag tagId="3108">
        <name>semi-circular arch</name>
      </tag>
      <tag tagId="958">
        <name>vaulted ceiling</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
