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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of a traceried gothic window at Scotâ€™s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible.&#13;
&#13;
Scotâ€™s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed &amp; Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scotâ€™s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scotâ€™s Church include its 120ft spire, which for a number of years was the highest point in Melbourneâ€™s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson &amp; Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This photograph is of the Church of the Immaculate Conception, also known as the Children&amp;rsquo;s Chapel and Loreto Chapel. The building is part of Loreto College in the rural Victorian town of Ballarat. The chapel was built between 1898 and 1902 and was designed by W.B. Tappin of the firm Reed, Smart and Tappin. The stone building is in Gothic style and features pointed arched windows, crenellation, and two distinctive towers with arrow slits.&#13;
&lt;p&gt;Loreto College was founded by the Catholic Loreto Sisters in 1875. The Loreto Order was founded in England in 1609.&lt;/p&gt;&#13;
&lt;p&gt;For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This photograph shows the guardhouse that was originally part of the entrance to Government House in the Royal Botanic Gardens, Sydney. The building was completed in 1848 and is thought to have been built by the Colonial Architect Mortimer Lewis. The guardhouse was in the Gothic Revival style and resembles a small castle with its tower and arched windows. The building was originally on Macquarie Street but was moved back in 1915 when the Sydney Conservatorium of Music moved into the former stables (Greenway Building) to provide public access.&lt;/p&gt;&#13;
&lt;p&gt;For more on the guardhouse see &lt;a href="http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021" target="_blank"&gt;http://collection.hht.net.au/firsthhtpictures/picturerecord.jsp?recno=39021&lt;/a&gt; &amp;nbsp;&lt;/p&gt;</text>
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                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. &#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>A view of a traceried gothic window at Scotâ€™s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible.&#13;
&#13;
Scotâ€™s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed &amp; Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scotâ€™s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scotâ€™s Church include its 120ft spire, which for a number of years was the highest point in Melbourneâ€™s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson &amp; Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich.</text>
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&lt;p&gt;Loreto College was founded by the Catholic Loreto Sisters in 1875. The Loreto Order was founded in England in 1609.&lt;/p&gt;&#13;
&lt;p&gt;For the college website see &lt;a href="http://www.loreto.vic.edu.au/index.php" target="_blank"&gt;http://www.loreto.vic.edu.au/index.php&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>These two photographs are of a house with the appearance of a castle on Invermay Road in the Launceston suburb of Invermay. The house features extensive crenellation on both the main house and extensions, an entry porch, and lancet windows which were common in Gothic ecclesiastical architecture.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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                <text>July 31, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22672">
                <text>No Copyright</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22673">
                <text>2 x Digital Photographs; JPEGs</text>
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        <name>Tas</name>
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                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. &#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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