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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent" target="_self"&gt;http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent&lt;/a&gt;</text>
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                <text>The Abbotsford Convent, Abbotsford, Victoria</text>
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                <text>Abbotsford, Abbotsford Convent, architecture, Caen, convent, Convent of The Good Shepherd, Federation Gothic, French medieval architecture, gable, Gothic architecture, industrial school, lancet arch, Magdalen Asylum, Melbourne, neo-Gothic, pebble-dash, reformatory, Sisters of the Good Shepherd, spire, VIC, Victoria. </text>
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                <text>&lt;p&gt;The Abbotsford Convent, located in the inner city Melbourne suburb of Abbotsford, operated as a convent, reformatory and Magdalen Asylum from 1863 until the mid-1970s. The convent was run by the Sisters of the Good Shepherd, a Catholic religious order who, in addition to taking standard vows of poverty, chastity and obedience, also sought to save souls. Eleven buildings of varying design stand on the 6.8 hectare site, of which the Convent building is particularly notable for the medieval French influence of its architecture. Constructed in 1900 to the design of Reed Smart and Tappin, the building is based on the gothic design of the Order&amp;rsquo;s mother house in Caen, and features steep gables, a western spire and a pebble-dash finish with contrasting red brickwork. The Convent now functions as an arts and cultural precinct.&lt;/p&gt;&#13;
&lt;p&gt;For more information, see The Abbotsford Convent website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Abbotsford Convent Website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;br /&gt;</text>
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                <text>The Abbotsford Convent</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church, Hadspen, Tasmania </text>
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                <text>Chapel, The Cornwall Chronicle, Gothic, Gothic Revival, Hadspen, lancet window, Launceston, Methodist, Mr Monds, pointed arch, porch, Tas, Tasmania, Wesleyan. </text>
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                <text>&lt;p&gt;The Uniting Church in Hadspen, Tasmania, was built as a Wesleyan chapel in 1874, and became a Methodist church in 1924. The chapel was probably designed by Mr Monds, described as the &amp;lsquo;clerk of the works&amp;rsquo; in a newspaper article in The Cornwall Chronicle (Launceston) about the opening of the chapel. The small white weatherboard church demonstrates that even when cheap and easily materials were being used, there was an attempt by colonial communities to build a church similar to those found in Europe. The chapel is in the Gothic Revival style and features a pointed arch entrance, lancet windows, and a small porch.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper article&lt;br /&gt;see &lt;a href="http://nla.gov.au/nla.news-article66073009"&gt;http://nla.gov.au/nla.news-article66073009&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, buttress, Carrick, crenellation, Gothic, Gothic Revival, lancet window, Francis Russell Nixon, parapet, pointed arch, Thomas Reibey, St Andrewâ€™s Church, school, Tas, Tasmania, tower. </text>
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                <text>St Andrewâ€™s Anglican Church is in the town of Carrick in northern Tasmania. The church was transformed from a schoolhouse by Thomas Reibey of Hadspen in 1845, who became its first minister and was later succeeded by his brother. The tower was added in 1863. St Andrewâ€™s was consecrated by Tasmaniaâ€™s first Anglican Bishop, Francis Russell Nixon. The stuccoed brick church is in the Gothic Revival style and features a pointed arched entrance and windows, and a square tower with crenelated parapets, buttresses, and lancet windows. </text>
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                <text>McLeod, Shane</text>
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                <text>&lt;p&gt;The West Tamar Presbyterian Church, commonly referred to as the Auld Kirk (Scots for old church), is located on the banks of the Tamar River in the small Tasmanian town of Sidmouth. Construction of the church began in 1843 with the support of the first Presbyterian minister in the area, Reverend Alexander McKenzie, and James Reid. McKenzie&amp;rsquo;s replacement, Reverend James Garrett, became the first minister to take a service in the church in 1846. The church was built of stone rubble by convict and free labour and it is in the Gothic Revival style. It features lancet windows and a pointed arched entrance. The church was badly damaged by fire in 1900 and was not restored until 1913, which is when the present brick bellcote may have been added. 'Kirk' itself is a medieval word and meant 'church' in Old Norse. It was introduced to Scotland by Viking settlers. &lt;/p&gt;&#13;
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