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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Paulâ€™s Anglican Cathedral is in Melbourneâ€™s CBD. It was designed by English architect William Butterfield (1814-1900) and was consecrated in 1891, the foundation stone having been laid in 1880. The sandstone church was built in the Gothic Transitional style and the interior features arcading created by columns supporting pointed flying arches, lancet windows with tracery, stained glass, and blind arcading.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>ANZ Gothic Bank, Melbourne, Victoria</text>
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                <text>This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish &amp; Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Augustineâ€™s Catholic church is in Melbourneâ€™s CBD. It was designed by T.A. Kelly and built by Reid and Stewart. The bluestone church was completed in 1870, with an extension to the tower made in 1936 and the sacristy was added in 1965. The church was built in the Gothic Revival style and features prominent pointed arches highlighted by white stucco, window tracery, buttresses, and a square tower topped by a crenelated parapet and corner pointed finials.&#13;
St Augustineâ€™s is named after one of two early medieval saints. St Augustine of Hippo (354-430) was a bishop in Algeria and is considered a Father of the Church due to the influence of his theological teachings. St Augustine of Canterbury (?-604) was amissionary sent by Pope Gregory the Great in 595 to the convert the Anglo-Saxon king Ã†thelberht of Kent. Augustine was successful and became the first Archbishop in Anglo-Saxon England, establishing himself in Canterbury.  &#13;
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                <text>&lt;p&gt;This former Bank of New South Wales building is on the corner of Broadway and Regent Streets in the inner city suburb of Chippendale. It was designed by architects Varney Parkes and James Bull Anderson and was built in 1894. The ornate brick building with moulded plaster work is in the Romanesque Revival style. It has prominent semi-circular arched windows and doorways, multiple columns, and elaborate plasterwork incorporating floral designs. Two rounded corner towers flank the main entrance and end in cupolas on top of the roof.&lt;/p&gt;&#13;
&lt;p&gt;For the biography of one of the architects see &lt;a href="http://adb.anu.edu.au/biography/parkes-varney-7959"&gt;http://adb.anu.edu.au/biography/parkes-varney-7959&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;An image of a small doorway on La Trobe Street to the former Magistrate&amp;rsquo;s Court Building in Melbourne&amp;rsquo;s CBD. The Former Magistrate&amp;rsquo;s Court Building is a three-storey building of French Romanesque design. The doorway is in the neo-Romanesque, Romanesque Revival, or Norman Revival architecture style. It features a deep-set semi-circular arched door and doorway with stone decorated hood moulding. The door is flanked by two small columns with decorated capitals. &lt;br /&gt; &lt;br /&gt; The Former Magistrate&amp;rsquo;s Court building was designed by Department of Public Works architect George H B Austin and built by the Swanson Brothers. It replaced a two-storey brick building on the site that previously housed the Supreme Court and then the Court of Petty Sessions. Construction of the new building began in 1911 and was completed in 1914. The Court of Petty Sessions, later renamed the Melbourne Magistrate&amp;rsquo;s court, operated from the building from 1914 until 1995. It is now owned by the Royal Melbourne Institute of Technology (RMIT) and is used for lectures.&lt;/p&gt;&#13;
For more see &lt;a href="http://www.rmit.edu.au/about/heritage/bld20#history"&gt;http://www.rmit.edu.au/about/heritage/bld20#history&lt;/a&gt;</text>
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                <text>&amp;ldquo;Romanesque Arched Doorway, Former Magistrate&amp;rsquo;s Court, Melbourne,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013,&amp;nbsp;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/713"&gt;http://ausmed.arts.uwa.edu.au/items/show/713 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div class="element-text"&gt;&amp;ldquo;Former Magistrate&amp;rsquo;s Court Building, Melbourne,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013, &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/761"&gt;http://ausmed.arts.uwa.edu.au/items/show/761&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&amp;ldquo;Front Facade, Former Melbourne Magistrate&amp;rsquo;s Court,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed March 10, 2013, &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/734"&gt;http://ausmed.arts.uwa.edu.au/items/show/734&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;p&gt;Coop&amp;rsquo;s Shot Tower was completed in 1890 by the Coop family and it operated (making lead shot) until 1960. In 1991 it was incorporated into the Melbourne Central shopping complex in central Melbourne under a conical glass roof. The 50 metre high brick shot tower has been made to look like a medieval tower, with crenelated parapet at the top and a small corner turret. There is also a blind cenellation design in the centre of the tower.&lt;/p&gt;&#13;
&lt;p&gt;For the Victorian Heritage Database entry see &lt;a href="http://vhd.heritage.vic.gov.au/vhd/heritagevic%23detail_places;768"&gt;http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;768&lt;/a&gt;&lt;/p&gt;</text>
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